New Realism In Alice Munro S Fiction

The book studies Alice Munro’s inheritance of and contribution to realism in fiction. Nobel Prize winner Munro follows the empirical tradition of the Enlightenment and draws on her life as a daughter, wife, mother, and professional writer while composing her fiction to reflect Canadian reality. She infuses her intellectual, moral, and aesthetic vision into her stories. This study analyzes her innovative realism in three respects: Her views on feminism and women’s issues, her firm yet sympathetic moral stance, and her reconstitution of traditional and modernist (post-modernist) methods of portraying character in time and space. Munro’s brand of realism is underpinned by her philosophical perception, her level-headed morality, her dialectical mind, and her versatile narrative style. This monograph, a voice from China, offers a deep philosophical reading of Munro. Students of the Canadian author, graduate or undergraduate, may find this book useful.

Runaway is a book of extraordinary stories about love and its infinite betrayals and surprises, from the title story about a young woman who, though she thinks she wants to, is incapable of leaving her husband, to three stories about a woman named Juliet and the emotions that complicate the luster of her intimate relationships. In Munro’s hands, the people she writes about—women of all ages and circumstances, and their friends, lovers, parents, and children—become as vivid as our own neighbors. It is her miraculous gift to make these stories as real and unforgettable as our own.

The debut novel from Nobel Prize–winning author Alice Munro, “one of the most eloquent and gifted writers of contemporary fiction” (The New York Times). “Munro has an unerring talent for uncovering the extraordinary in the ordinary.”—Newsweek Rural Ontario, 1940s. Del Jordan lives out at the end of the Flats Road on her father’s fox farm, where her most frequent companions are an eccentric bachelor family friend and her rough younger brother. When she begins spending more time in town, she is surrounded by women—her mother, an agnostic, opinionated woman who sells encyclopedias to local farmers; her mother’s boarder, the lusty Fern Dogherty; and her best friend, Naomi, with whom she shares the frustrations and unbridled glee of adolescence. Through these unwitting mentors and in her own encounters with sex, birth, and death, Del explores the dark and bright sides of womanhood. All along she remains a wise, witty observer and recorder of truths in small-town life. The result is a powerful, moving, and humorous demonstration of Alice Munro’s unparalleled awareness of the lives of girls and women.

With the ease and mastery that have won extraordinary acclaim for her writing, these eleven stories by Alice Munro explore the most intimate and transforming moments of experience—moments when the shape of life is set, moments of realization about the burden, the power, and the nature of love. A divorced woman returns to her childhood home where she confronts the memory of her parents’ confounding yet deep bond. The accidental near-drowning of a child exposes the fragility of the trust between children and parents. A young man, remembering a terrifying childhood incident, wrestles with the responsibility he has always felt for his younger brother. In these and other stories Alice Munro proves once again a sensitive and compassionate chronicler of our times. Drawing us into the most intimate corners of ordinary lives, she reveals much about ourselves, our choices, and our experiences of love.

In eight stories, a master of the form extends and magnifies her great themes—the vagaries of love, the passion that leads down unexpected paths, the chaos hovering just under the surface of things, and the strange, often comical desires of the human heart. Time stretches out in some of the stories: a man and a woman look back forty years to the summer they met—the summer, as it turns out, that the true nature of their lives was revealed. In others time is telescoped: a young girl finds in the course of an evening that the mother she adores, and whose fluttery sexuality she hopes to emulate, will not sustain her—she must count on herself. Some choices are made—in a will, in a decision to leave home—with irrevocable and surprising consequences. At other times disaster is courted or barely skirted: when a mother has a startling dream about her baby; when a woman, driving her grandchildren to visit the lakeside haunts of her youth, starts a game that could have dangerous consequences. The rich layering that gives Alice Munro's work so strong a sense of life is particularly apparent in the title story, in which the death of a local optometrist brings an entire town into focus—from the preadolescent boys who find his body, to the man who probably killed him, to the woman who must decide what to do about what she might know. Large, moving, profound, these are stories that extend the limits of fiction.

NEW YORK TIMES EDITORS’ CHOICE • Twenty-eight “heart-stopping [and] utterly beautiful” (Newsday) stories that locate moments of love and betrayal, desire and forgiveness, from Nobel Prize–winning author Alice Munro “Her stories are like few others. One must go back to Tolstoy and Chekhov . . . for comparable largeness.”—John Updike, The New York Times Book Review A traveling salesperson during the Depression takes his children with him on an impromptu visit to a former girlfriend. A poor girl steels herself to marry a rich fiancé she can’t quite manage to love. An abandoned woman tries to choose between opposing pleasures of seduction and solitude. To read these stories is to succumb to the spell of a true narrative sorcerer, a writer who enchants her readers utterly even as she restores them to their truest selves.

Alice Munro is Canada’s greatest short story writer. This book, the first full length study of her work published in Britain, explores the appeal of Munro’s fictions of small-town Canadian life with their precise attention to social surfaces and their fascination with local gossip and scandal. This is a world of open secrets, and Howells highlights Munro’s distinctive storytelling methods which combine the familiar and the unfamiliar, slipping between realism and fantasy to make visible what is usually hidden within everyday life. These are women’s narratives, full of silent female knowledge--of female bodies, love stories and romantic fantasies as well as female casualties. Munro takes up the traditional subjects of women’s fiction through her stories’ significantly female plots, stories of entrapment and escape attempts, where secrecy and silence become strategies of resistance. Munro’s enthusiasm for the work of other women writers from Emily Brontë and L. M. Montgomery to Eudora Welty is emphasized as Munro continues to experiment with the short story form, creating worlds which are both "touchable and mysterious."

A true literary event, the publication of this generous selection of stories--drawn from Alice Munro's seven collections spanning 30 years--gives enormous reading pleasure while it confirms Munro's place in the front ranks of today's writers of fiction. These 28 stories about lovers, parents and children, sex, seduction, marriage, murder, dreams, and death are pure essence of Munro.