New Tendencies

An account of a major international art movement originating in the former Yugoslavia in the 1960s, which anticipated key aspects of information aesthetics. New Tendencies, a nonaligned modernist art movement, emerged in the early 1960s in the former Yugoslavia, a nonaligned country. It represented a new sensibility, rejecting both Abstract Expressionism and socialist realism in an attempt to formulate an art adequate to the age of advanced mass production. In this book, Armin Medosch examines the development of New Tendencies as a major international art movement in the context of social, political, and technological history. Doing so, he traces concurrent paradigm shifts: the change from Fordism (the political economy of mass production and consumption) to the information society, and the change from postwar modernism to dematerialized postmodern art practices. Medosch explains that New Tendencies, rather than opposing the forces of technology as most artists and intellectuals of the time did, imagined the rapid advance of technology to be a springboard into a future beyond alienation and oppression. Works by New Tendencies cast the viewer as coproducer, abolishing the idea of artist as creative genius and replacing it with the notion of the visual researcher. In 1968 and 1969, the group actively turned to the computer as a medium of visual research, anticipating new media and digital art. Medosch discusses modernization in then-Yugoslavia and other nations on the periphery; looks in detail at New Tendencies' five major exhibitions in Zagreb (the capital of Croatia); and considers such topics as the group's relation to science, the changing relationship of manual and intellectual labor, New Tendencies in the international art market, their engagement with computer art, and the group's eventual eclipse by other “new art practices” including conceptualism, land art, and arte povera. Numerous illustrations document New Tendencies' works and exhibitions.

Since the 1980s there has been considerable interest in Mexico and its art, as one can see from the sheer number of exhibitions, catalogues, and articles devoted to the subject. Despite this interest, there are few books devoted to contemporary Mexican art. New Tendencies in Mexican Art is the first book-length study devoted to a generation of Mexican artists who have had enormous international success. It focuses on several 'tendencies' Gallo has identified as prominent themes in the work of these artists including orientalism, perversion, and a fascination with urban culture.

An account of a major international art movement originating in the former Yugoslavia in the 1960s, which anticipated key aspects of information aesthetics.

Baroque Tendencies in Contemporary Art is a collection of essays by an international cadre of scholars addressing current trends within the field of contemporary art and how artists and architects reflect upon past traditions and fold them into the present. Often referred to as the Neo-Baroque, scholarship on this topic first emerged in the 1980s with the publication of several notable studies in France (but not translated into English until the 1990s); in addition, a number of recent exhibitions have focused on contemporary responses to the Baroque. The Baroque and the Neo-Baroque are frequently defined as having a propensity for instability, seriality, reflexivity, fluidity, and spectacle. This is perhaps partly why, in the millennial period, there is so much interest in the Baroque—we are seeking ways to find parallels between the art of then and the art of our own diverse, pluralistic culture. This book provides context for how contemporary artists meet and deal with the Baroque both formally and conceptually. Among others, it provides discussions of the work of American artists John Currin, Jeff Koons, Frank Stella, Lisa Yuskavage; American architect, Frank Gehry; European artists Lucian Freud, Jenny Saville, Emilio Vedova; Latin American artists Monica Castillo, Raphael Cauduro, Yishai Judisman; and New Zealand artists, Richard Reddaway and Joanna Langford.

NEW YORK TIMES BESTSELLER • Are you an Upholder, a Questioner, an Obliger, or a Rebel? From the author of Better Than Before and The Happiness Project comes a groundbreaking analysis of personality type that “will immediately improve every area of your life” (Melissa Urban, co-founder of the Whole30). During her multibook investigation into human nature, Gretchen Rubin realized that by asking the seemingly dry question “How do I respond to expectations?” we gain explosive self-knowledge. She discovered that based on their answer, people fit into Four Tendencies: • Upholders meet outer and inner expectations readily. “Discipline is my freedom.” • Questioners meet inner expectations, but meet outer expectations only if they make sense. “If you convince me why, I’ll comply.” • Obligers (the largest Tendency) meet outer expectations, but struggle to meet inner expectations—therefore, they need outer accountability to meet inner expectations. “You can count on me, and I’m counting on you to count on me.” • Rebels (the smallest group) resist all expectations, outer and inner alike. They do what they choose to do, when they choose to do it, and typically they don’t tell themselves what to do. “You can’t make me, and neither can I.” Our Tendency shapes every aspect of our behavior, so using this framework allows us to make better decisions, meet deadlines, suffer less stress, and engage more effectively. It’s far easier to succeed when you know what works for you. With sharp insight, compelling research, and hilarious examples, The Four Tendencies will help you get happier, healthier, more productive, and more creative.

'Recent Tendencies in Ethics' is the publication of a three part series of Lectures on Ethics by the Scottish philosopher W.R. Sorley. Sorley delivered the lectures at Cambridge University in 1904. Sorley's main philosophical interest was the place of moral values in the constitution of the universe. In the book he offers his opinion on what the Ethics of his day appear like and what they should be.

This volume includes the following analyses: factors regarding thermal and thermooxidative degradation of polyolefine nanocomposites, modelling of catalytic complexes in the oxidation reactions, modelling the kinetics of moisture adsorption by natural and synthetic polymers, new trends, achievements and developments on the effects of beam radiation, structural behaviour of composite materials, comparative evaluation of antioxidant properties, synthesis, properties and application of polymeric composites and nanocomposites, photodegradation and light stabilisation of polymers, wear resistant composite polymeric materials, some macrokinetic phenomena, transport phenomena in polymer matrixes, liquid crystals, flammability of polymeric materials and new flame retardants.

This study, by one of its leading figures, of the "new movement" in American Poetry, is recognized as a landmark in the history of poetry in this country. Illus.