New Writing From Africa 2009

What are African Writers thinking and writing about as the first decade of the 21st century draws to a close? The South African Centre of International PEN asked the question, and the volume you have in your hands holds the answer. --

Brenda Cooper examines the work of the new generation of African writers who have placed migration as central to their writing

A collection that brings together the five 2016 shortlisted stories, along with stories written at the Caine Prize Writers’ Workshop, which took place April 2016. Now in its 17th year, The Caine Prize for African Writing has become an established prize in the literary calendar attracting high-calibre writers from all over the continent.

The profound effects of colonialism and its legacies on African cultures have led postcolonial scholars of recent African literature to characterize contemporary African novels as, first and foremost, responses to colonial domination by the West. In Africa Writes Back to Self, Evan Maina Mwangi argues instead that the novels are primarily engaged in conversation with each other, particularly over emergent gender issues such as the representation of homosexuality and the disenfranchisement of women by male-dominated governments. He covers the work of canonical novelists Nadine Gordimer, Chinua Achebe, NguÅgiÅ wa Thiong'o, and J. M. Coetzee, as well as popular writers such as Grace Ogot, David Maillu, Promise Okekwe, and Rebeka Njau. Mwangi examines the novels' self-reflexive fictional strategies and their potential to refigure the dynamics of gender and sexuality in Africa and demote the West as the reference point for cultures of the Global South.

In 2014, UNESCO's World Book Capital is Port Harcourt, Nigeria-the first city in Africa to receive the designation by public bid. This makes it a special year for the Port Harcourt Book Festival, which will be in its seventh year, and bigger than ever. They are joining forces with the internationally renowned Hay Festival, which will bring to Port Harcourt its 39 Project-a competition to identify the thirty-nine most promising young talents under the age of forty in sub-Saharan Africa and the diaspora. It follows the success of Bogotá 39 in 2007 and Beirut 39 in 2010. Both recognized a number of authors who now have international profiles: in Bogotá, Adriana Lisboa, Alejandro Zambra, Juan Gabriel Vásquez, Daniel Alarcón, and Junot Díaz; in Beirut, Randa Jarrar, Joumana Haddad, Abdellah Taia, Samar Yazbek, and Faiza Guene. In Nigeria this year, the esteemed judges include leading-edge publisher Margaret Busby; novelist and playwright Elechi Amadi,writer and scholar Osonye Tess Onwueme, and Caine Prize winner Binyavanga Wainaina. For the second time, Bloomsbury is honored to be a part of the festivities, publishing worldwide Africa39-a collection of brand new work from these talented thirty-nine. With an introduction by Wole Soyinka, Africa39 is a must-read for anyone curious about Africa today and Africa tomorrow, as envisioned through the eyes of its brightest literary stars.

Now in its eleventh successful year, the Caine Prize for African Writing is Africa's leading literary prize, awarded to a short story by an African writer, published in English, whether in Africa or elsewhere. This edition collects the five 2010 shortlisted stories, along with stories written at the Caine Prize Writers' Workshop taking place in Spring 2010. The collection will be released to coincide with the announcement of this year's shortlist. The impressive line-up of writers from previous years includes Chimamanda Ngozi Adichie and Brian Chikwava.

Africa’s modern history is replete with different forms of encounters and conflicts. From the fifteenth century when millions of Africans were forcefully taken away as slaves during the infamous Atlantic slave trade; to the colonial conquests of the nineteenth century where European countries conquered and subsequently balkanized Africa and shared the continent to European powers; and to the postcolonial era where many African leaders have maintained several instruments of exploitation, the continent has seen different forms of encounters, exploitations and oppressions. These encounters and exploitations have equally been met with resistance in different forms and at different times. The mode of Africa’s encounters with the rest of the world have in several ways, shaped and continue to shape the continent’s social, political and economic development trajectories. Essays in this volume have addressed different aspects of these phases of encounters and resistance by Africa and the African Diaspora. While the volume document different phases of oppression and conflict, it also contains some accounts of Africa’s resistance to external and internal oppressions and exploitations. From the physical guerilla resistance of the Mau Mau group against British colonial exploitation in Kenya and its aftermath, to efforts of the Kayble group to preserve their language and culture in modern Algeria; and from the innovative ways in which the Tuareg are using guitar and music as forms of expression and resistance, to the modern ways in which contemporary African immigrants in North America are coping with oppressive structures and racism, the chapters in this volume have examined different phases of oppressions and suppressions of Africa and its people, as well as acts of resistance put up by Africans.

"Original short stories by young writers of the SADC region, selected by the South African Centre of International PEN."