News From The Raven

This volume, edited from the proceedings of a unique conference held at Sam Houston State University, offers the reader an independent Texas-style celebration of Medieval and Renaissance culture and thought. In the opening article, Richard North reveals some ways in which medieval literature pioneered the modern novel. The following essays, drawing from philosophy, literature, music, art, architecture, history, and linguistics, include studies of the portrayal of women in medieval literature and art; discussions surrounding the hero of Paradise Lost; explorations into the thought of Thomas Aquinas; explications of linguistic puzzles in Beowulf; analyses of Shakespeare’s plays; considerations of renaissance architecture and instrumental music; and an investigation into the influence of rhetoric on musical composition.

Perfect for fans of Robert Beatty and Shannon Hale comes a magical new middle grade fantasy series about a young shapeshifter trying to save her family. Deep within an enchanted forest lies a castle where a set of triplets and their sorceress mother have lived for years--safe from the decades-long war for the Raven Throne that rages in the kingdom. Cordelia, one of the triplets, has the power to become any animal with just a thought, and she yearns to discover more about the world outside her castle. But one day, the world comes to her, when the eldest of the triplets becomes the newest heir to the throne. Knowing that being named heir means certain death, Cordelia's mother hid the truth about which child is the eldest when she hid them in the forest. When her family is captured, it's up to Cordelia to use her powers to keep her siblings hidden and discover the truth about the Raven Heir--before it's too late. From the author of The Dragon with a Chocolate Heart comes a thrilling new fantasy full of magic, adventure, and the power of family. Acclaim for The Dragon with a Chocolate Heart A Kids' Indie Next List Pick An Amazon Best Book of the Month A Mighty Girl Best Book of the Year A Bank Street Best Children's Book of the Year A VOYA Top Shelf Pick

In these poems, Yvonne Blomer explores birds and their taming through language--the Blackbird as human soul, the Pelican as atonement, the Ostrich as cowardice, and the Raven as trickster, the nearest bird to God. She touches on mythology, biblical texts, and science to ask if poetry comes as close to damaging the wild things of the world as Audubon did in his collecting of birds to create the paintings. Mimesis, Plato argues, damages the soul, but Blomer asks: what does it do to the other creatures of the world?

A teenage Edgar Allan Poe attempts to escape the allure of his Muse in this YA novel—“a darkly delicious tale that’s sure to haunt readers forevermore” (Kerri Maniscalco, #1 New York Times bestselling author) Seventeen-year-old Edgar Poe counts down the days until he can escape his foster family—the wealthy Allans of Richmond, Virginia. He hungers for his upcoming life as a student at the prestigious new university, almost as much as he longs to marry his beloved Elmira Royster. However, on the brink of his departure, all of Edgar’s plans go awry when a macabre Muse named Lenore appears to him. Muses are frightful creatures that lead Artists down a path of ruin and disgrace, and no respectable person could possibly understand or accept them. But Lenore steps out of the shadows with one request: “Let them see me!”

The poetry of Edgar Allan Poe has had a rough ride in America, as Emerson’s sneering quip about “The Jingle Man” testifies. That these poems have never lacked a popular audience has been a persistent annoyance in academic and literary circles; that they attracted the admiration of innovative poetic masters in Europe and especially France—notably Baudelaire, Mallarmé, and Valéry—has been further cause for embarrassment. Jerome McGann offers a bold reassessment of Poe’s achievement, arguing that he belongs with Whitman and Dickinson as a foundational American poet and cultural presence. Not all American commentators have agreed with Emerson’s dim view of Poe’s verse. For McGann, a notable exception is William Carlos Williams, who said that the American poetic imagination made its first appearance in Poe’s work. The Poet Edgar Allan Poe explains what Williams and European admirers saw in Poe, how they understood his poetics, and why his poetry had such a decisive influence on Modern and Post-Modern art and writing. McGann contends that Poe was the first poet to demonstrate how the creative imagination could escape its inheritance of Romantic attitudes and conventions, and why an escape was desirable. The ethical and political significance of Poe’s work follows from what the poet takes as his great subject: the reader. The Poet Edgar Allan Poe takes its own readers on a spirited tour through a wide range of Poe’s verse as well as the critical and theoretical writings in which he laid out his arresting ideas about poetry and poetics.