Ng Teng Fong Roof Garden Commission Danh Vo

This is the inaugural exhibition of the Ng Teng Fong Roof Garden Commission series, which invites leading international artists to create site-specific installations at the Ng Teng Fong Roof Garden Gallery, made possible by a gift from the family of Ng Teng Fong. Published to accompany this exhibition, this catalogue delves deeper into Danh’s practice and broader discussions surrounding cross-cultural identity through essays by leading scholar Professor Nora Taylor and National Gallery Singapore curator Charmaine Toh alongside full-colour images of the commissioned work.

Rirkrit Tiravanija has created the second Ng Teng Fong Roof Garden Commission artwork for National Gallery Singapore. Featuring an interlocking bamboo structure with a simple wooden tea house at its centre, this site-specific installation springs from the artist's interest in fostering social engagement and human interaction through art. With homes in Chiang Mai, New York and Berlin, Tiravanija's nomadic life is a constant negotiation of cultures, and a source of inspiration for his practice. This catalogue illuminates this influential artist's fascinating oeuvre through newly commissioned essays and full-colour images of the installation. Other artists featured in this Ng Teng Fong Roof Garden Commission series include Danh Vo (2017) and Charles Lim (forthcoming).

This catalogue spotlights the third work in the Ng Teng Fong Roof Garden Commission series, SEA STATE 9: proclamation garden by Singaporean artist Charles Lim Yi Yong. It features a text by curator Adele Tan, alongside 30 annotated photos taken by the artist of plant species found on reclaimed sites in Singapore whose transplantation, adaptation to survive and eventual disposal tell the stories of Singapore’s urban and coastal developments.

The accessibility of cultural resources via digital platforms is empowering Vietnamese cultural professionals to promote their culture to local and international audiences. This shortform book investigates the significance of digitization in Vietnamese culture, illuminating how cultural professionals are empowered through the process of digitization. The author shows how digitization is not an entirely comprehensive, ethical, or sustainable solution for the cultural sector in Vietnam, as cultural professionals working at nonprofit art spaces and artists experience both opportunities and challenges in digitizing art and culture. Drawing on new interviews with cultural professionals working in the cultural sector in Vietnam, the book will be of interest to scholars and reflective practitioners involved with the cultural and creative industries in South East Asia and globally.

This catalogue for Antony Gormley’s largest-ever showing in Singapore features stunning full-colour plates of the installations at National Gallery Singapore, including the fifth Ng Teng Fong Roof Garden Commission, Horizon Field Singapore. This publication also contains an interview with the artist by Eugene Tan, an essay by exhibition curators Qinyi Lim and Russell Storer, and an essay by cultural critic Ackbar Abbas, which continues his investigation into the situatedness of Gormley’s practice.

This publication spotlights 浮槎 Fú Chá, a kinetic installation commissioned for the Gallery’s Roof Garden series. It includes a curatorial essay on the work by curator Sam I-shan, a poem by the artist Liao Huilan and a series of vignettes by Cao Fei herself.