Night Reigns

In this paranormal romance, when a mysterious woman rescues a handsome Immortal from danger, it’s only the first of many surprises she has for him. Ami isn’t much for trusting strangers. She has a hard time trusting anyone. But she’s no coward, and she’s no pushover in the protection department either. So when she comes across a mysterious warrior taking on eight deranged vampires on his own, she doesn’t hesitate to save his bacon. Of course, that was before she realized what one little rescue would get her into… Marcus Graden has been an Immortal protector of humanity for eight hundred years, and he’s not interested in backup. From the moment Ami arrives in his life, he can’t deny that she’s strong, smart, and extremely skilled at watching his back. But she’s also destroying his protective solitude and stirring desires he can’t bear to awaken. After all, whatever her secrets—how can she defeat death itself? Praise for New York Times–bestseller Dianne Duvall and the Immortal Guardians series “Duvall is a major player.”—RT Book Reviews “The Immortal Guardians series is one you’ll want to follow.”—The Romance Review “These dark, kick-ass guardians can protect me any day!”—New York Times–bestselling author Alexandra Ivy on Darkness Dawns “Whizzing along at light speed...this sophomore effort sizzles.”—Publishers Weekly on Night Reigns

Sonic Encounters with Blanchot is the first book to explore the relationship of sound and music with the work of Maurice Blanchot. The volume brings together scholars from a range of disciplines who listen closely to the sounds and resonances emanating from within Blanchot’s work and who consider their significance both within his work and beyond. The latent and explicit sonic content of Blanchot’s writing is explored, as is his treatment of music and the possibilities of thinking about contemporary music and sound art through his work. Although Blanchot is best known for his engagement with literature, an engagement that often relies on visual references and experiences, this collection takes a sonic route into one of the most exciting and demanding thinkers of the twentieth century. As an interdisciplinary exploration of sound and Blanchot’s work, this book will be interest to those studying sound in literature and music, as well as students of Blanchot’s work in general. This book was originally published as a special issue of Angelaki.

This book contains analyses of the stories and music of nine operas, presented in chronological order from 1791 to 1928. These great works are most readily approached with an understanding of the conventions of the several operatic genres as well as the social conditions that influenced the composers and librettists. The popular and intellectual movements that influenced the operas and the original source material are also discussed. The operas are Mozart's The Magic Flute, Beethoven's Fidelio, Donizetti's Lucia di Lammermoor, Wagner's The Flying Dutchman, Verdi's Rigoletto, Bizet's Carmen, Leoncavallo's Pagliacci, Strauss' Salome, and Brecht's The Threepenny Opera.