Nightbreaker

Gerald Vizenor presents in this anthology some of the best contemporary Native American Indian authors writing today. The five books from which these excerpts are drawn are published in the University of Nebraska Press’s Native Storiers series. This series introduces innovative, emergent, avant-garde Native literary artists and promotes a sense of survivance over the conventional themes of victimry, historical absence, cultural tragedy, and separation that often accompany Native characters in popular commercial fiction. These original narratives demonstrate a new and distinctive aesthetic in the literature of Native American Indians. The five Native authors in this anthology, drawing from the practices of traditional oral storiers, create an active sense of presence, both in the literary world, and the wider world of cultural studies. Native Storiers includes selections from Mending Skins by Eric Gansworth, Designs of the Night Sky by Diane Glancy, Bleed into Me by Stephen Graham Jones, Hiroshima Bugi: Atomu 57 by Gerald Vizenor, and Elsie’s Business by Frances Washburn.

This cli-fi novel from a notable archaeologist and anthropologist explores a frozen future where archaic species struggle to survive an apocalyptic Ice Age One thousand years in the future, the zyme, a thick blanket of luminous green slime, covers the oceans. Glaciers three-miles-high rise over the continents. The old stories say that when the Jemen, godlike beings from the past, realized their efforts to halt global warming had gone terribly wrong, they made a desperate gamble to save life on earth and recreated species that had survived the worst of the earth's Ice Ages. Sixteen-summers-old Lynx and his best friend Quiller are members of the Sealion People—archaic humans known as Denisovans. They live in a world growing colder, a world filled with monstrous predators that hunt them for food. When they flee to a new land, they meet a strange old man who impossibly seems to be the last of the Jemen. He tells Lynx the only way he can save his world is by sacrificing himself to the last true god, a quantum computer named Quancee.

A strange, fascinating novel set in Japan follows the efforts of a dissident who his determined to trash the safe, accepted notions of Hiroshima history and sets out on an epic journey to do just that by creating his own calendar, among other acts of defiance. (General Fiction)

The outpouring of Native American literature that followed the publication of N. Scott Momaday’s Pulitzer Prize–winning House Made of Dawn in 1968 continues unabated. Fiction and poetry, autobiography and discursive writing from such writers as James Welch, Gerald Vizenor, and Leslie Marmon Silko constitute what critic Kenneth Lincoln in 1983 termed the Native American Renaissance. This collection of essays takes the measure of that efflorescence. The contributors scrutinize writers from Momaday to Sherman Alexie, analyzing works by Native women, First Nations Canadian writers, postmodernists, and such theorists as Robert Warrior, Jace Weaver, and Craig Womack. Weaver’s own examination of the development of Native literary criticism since 1968 focuses on Native American literary nationalism. Alan R. Velie turns to the achievement of Momaday to examine the ways Native novelists have influenced one another. Post-renaissance and postmodern writers are discussed in company with newer writers such as Gordon Henry, Jr., and D. L. Birchfield. Critical essays discuss the poetry of Simon Ortiz, Kimberly Blaeser, Diane Glancy, Luci Tapahonso, and Ray A. Young Bear, as well as the life writings of Janet Campbell Hale, Carter Revard, and Jim Barnes. An essay on Native drama examines the work of Hanay Geiogamah, the Native American Theater Ensemble, and Spider Woman Theatre. In the volume’s concluding essay, Kenneth Lincoln reflects on the history of the Native American Renaissance up to and beyond his seminal work, and discusses Native literature’s legacy and future. The essays collected here underscore the vitality of Native American literature and the need for debate on theory and ideology.

This collection, broad in its scope, explores rich and multi-faceted literary works by and about Native Americans from the “long” early American period to the present. What links these essays is a concern for the ways in which Native Americans have navigated, negotiated, and resisted dominant white ideology since the founding of the Republic. Importantly, these essays are historically situated and consider not only the ways in which indigenous peoples are represented in American literature and history, but pay much needed attention to the actual lived experiences of Native Americans inside and outside of native communities. By addressing cross-cultural protest, resistance to dominant white ideology, the importance to Natives of land and land redress, sovereignty, separatism, and cultural healing, Sovereignty, Separatism, and Survivance contributes to our understanding of the discrepancy between ideological representations of native peoples and the real-life consequences those representations have for the ways in which indigenous peoples live out their daily lives.

In the kingdom of Axaria, a darkness rises. Some call it a monster, laying waste to the villagers and their homes.Some say it is an invulnerable demon summoned from the deepest abysses of the Immortal Realm.Many soldiers from the royal guard are sent out to hunt it down.Not one has ever returned. When Asterin Faelenhart, Princess of Axaria and heir to the throne, discovers that she may hold the key to defeating the mysterious demon terrorizing her kingdom, she vows not to rest until the beast is slain. With the help of her friends and the powers she wields—though has yet to fully understand—Asterin sets out to complete a single task. The task that countless trained soldiers have failed. To kill it. But as they hunt for the demon, they unearth a plot to assassinate the princess herself instead. Asterin and her companions begin to wonder how much of their lives have been lies, especially when they realize that the center of the web of deceit might very well be themselves. With no one else to turn to, they are forced to decide just how much they are willing to sacrifice to protect the only world they have ever known. That is ... if the demon doesn’t get to them first. From young author Coco Ma comes a dazzling new tale of adventure, power, and betrayal, weaving together a stunning world of magic with a killer cast in an explosive, unforgettable debut.

The Apologue of Rydar takes place in a world of fantasy on the planet Luxada, which orbits the First Star, Nightbreaker. It is the recording of seven episodic stores, each with wondrous elements and detailed characters, that are all interconnected to form a larger single narrative. Each story centers around a main theme, and in this publication version that is then covered in a devotional focus immediately after each story.

This second book in a cli-fi series from a nationally-recognized anthropologist explores a frozen future where archaic species struggle to survive an apocalyptic Ice Age In the brutal Ice Age caused by the ancient Jemen war, many archaic human species, including Denisovans and Homo erectus, hover on the verge of extinction. There seems no way out, until the greatest Neandertal holy man, Trogon, has a vision. Legends say the truce that ended the old war left one hostage in the hands of the victorious rebels: the godlike Jemen leader known as the Old Woman of the Mountain. According to Trogon’s vision, only one person knows the location of that burial cave. Trogon must capture young Quiller and force her to lead him there…for the Old Woman may not be dead. She may only have been in stasis for a thousand summers, and when reawakened she will save them from oblivion. But according to the Denisovans—Quiller’s people—Trogon is the most powerful witch alive. He’s up to something evil that will surely spell their destruction. He must be stopped before it’s too late. Quiller’s best friend Lynx must brave towering glaciers, dire wolves, and prides of giant lions to save her and stop Trogon.