Nightglass

The poems in Night's Glass Table are tight and emotionally powerful, and deal with themes such as death, grief and love. Zelas chooses her words with care, and her poems are always eloquent and evocative. She demonstrates a sound use of conventions, and her writing is well-crafted and technically excellent. Night's Glass Table won the 2012 IP Picks Best First Book Award.

Luma is a cobblestone druid, a canny fighter and spellcaster who can read the chaos of Magnimar's city streets like a scholar reads books. Together, she and her siblings in the powerful Derexhi family form one of the most infamous and effective mercenary companies in the city, solving problems for the city's wealthy elite. Yet despite being the oldest child, Luma gets little respect - perhaps due to her half-elven heritage. When a job gone wrong lands Luma in the fearsome prison called the Hells, it's only the start of Luma's problems. For a new web of bloody power politics is growing in Magnimar, and it may be that those Luma trusts most have become her deadliest enemies! From visionary game designer and author Robin D. Laws comes a new urban fantasy adventure of murder, betrayal, and political intrigue set in the award-winning world of the Pathfinder Roleplaying Game. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

With strength, wit, rakish charm, and a talking sword named Hrym, Rodrick has all the makings of a classic hero - except for the conscience. Instead, he and Hrym live a high life as scoundrels, pulling cons and parting the weak from their gold. When a mysterious woman invites them along on a quest into the frozen north in pursuit of a legendary artifact, it seems like a prime opportunity to make some easy coin - especially if there's a chance for a double-cross. Along with a hooded priest and a half-elven tracker, the team sets forth into a land of witches, yetis, and ancient magic. As the miles wear on, however, Rodrick's companions begin acting steadily stranger, leading man and sword to wonder what exactly they've gotten themselves into... From Hugo Award-winner Tim Pratt, author of City of the Fallen Sky, comes a bold new tale of ice, magic, and questionable morality set in the world of the Pathfinder Roleplaying Game. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Table of Contents Published by VM eBook Chapter One. The great advantage of being the fool of the family—My destiny is decided, and I am consigned to a stockbroker as part of his Majesty’s sea-stock—Unfortunately for me Mr Handycock is a bear, and I get very little dinner. Chapter Two. Fitting out on the shortest notice—Fortunately for me this day Mr Handycock is not a bear, and I fare very well—I set off for Portsmouth—Behind the coach I meet a man before the mast—He is disguised with liquor, but is not the only disguise I fall in with in my journey. Chapter Three. I am made to look very blue at the Blue Posts—Find wild spirits around, and, soon after, hot spirits within me; at length my spirits overcome me—Call to pay my respects to the Captain, and find that I had had the pleasure of meeting him before—No sooner out of one scrape than into another. Chapter Four. I am taught on a cold morning, before breakfast, how to stand fire, and thus prove my courage—After breakfast I also prove my gallantry—My proof meets reproof—Women at the bottom of all mischief—By one I lose my liberty, and, by another, my money. Chapter Five. I am introduced to the quarter-deck, and first lieutenant, who pronounces me very clever—Trotted below to Mrs Trotter—Connubial bliss in a cock-pit—Mrs Trotter takes me in, as a messmate. Chapter Six. Puzzled with very common words—Mrs Trotter takes care of my wardrobe—A matrimonial duet, ending “con strepito.” Chapter Seven. ‘Scandalum magnatum’ clearly proved—I prove to the captain that I consider him a gentleman, although I had told him the contrary, and I prove to the midshipmen that I am a gentleman myself—they prove their gratitude by practising upon me, because practice makes perfect. Chapter Eight. My messmates show me the folly of running in debt—the episode of Sholto McFoy. Chapter Nine. We post up to Portsdown Fair—Consequence of disturbing a lady at supper—Spontaneous combustion at Ranelagh Gardens—Pastry versus piety—Many are bid to the feast; but not the halt, the lame, or the blind. Chapter Ten. A press-gang beaten off by one woman—Dangers at “Spithead” and “Point”—A treat for both parties, of “pulled chicken,” at my expense—Also gin for twenty—I am made a prisoner: escape and rejoin my ship. Chapter Eleven. O’Brien takes me under his protection—The ship’s company are paid, so are the bumboat-women, the Jews, and the emancipationist after a fashion—We go to sea—“Doctor” O’Brien’s cure for sea-sickness—One pill of the doctor’s more than a dose. Chapter Twelve. New theory of Mr Muddle remarkable for having no end to it—Novel practice of Mr Chucks—O’Brien commences his history—I bring up the master’s night-glass. Chapter Thirteen. The first lieutenant prescribes for one of his patients, his prescriptions consisting of “draughts” only—O’Brien finishes the history of his life, in which the proverb of “the more the merrier” is sadly disproved—“Shipping” a new pair of boots causes the “unshipping” of their owner—Walking home after a ball; O’Brien meets with an accident. Chapter Fourteen. The first lieutenant has more patients—Mr Chucks the boatswain lets me into the secret of his gentility. Chapter Fifteen. I go on service, and am made prisoner by an old lady, who, not able to obtain my hand, takes part of my finger as a token—O’Brien rescues me—A lee shore and narrow escape. Chapter Sixteen. News from home—A “fatigue” party employed at Gibraltar—more particulars in the life of Mr Chucks—A brush with the enemy—a court-martial and a lasting impression. Chapter Seventeen. Mr Chucks’ opinion of proper names—He finishes his Spanish talk—March of intellect among the warrant officers. Chapter Eighteen. I go away on service, am wounded and taken prisoner with O’Brien—Diamond cut diamond between the O’Briens—Get into comfortable quarters—My first interview with Celeste. Chapter Nineteen. We remove to very unpleasant quarters—Birds of a feather won’t always flock together—O’Brien cuts a cutter midshipman, and gets a taste of french steel—Altogether “flat” work. Chapter Twenty. O’Brien fights a duel with a French officer, and proves that the great art of fencing is knowing nothing about it—We arrive at our new quarters, which we find very secure. Chapter Twenty One. O’Brien receives his commission as lieutenant and then we take french leave of Givet. Chapter Twenty Two. Grave consequences of gravitation—O’Brien enlists himself as a gendarme, and takes charge of me—We are discovered, and obliged to run for it—The pleasures of a winter bivouac. Chapter Twenty Three. Exalted with our success, we march through France without touching the ground—I become feminine—We are voluntary conscripts. Chapter Twenty Four. What occurred at Flushing, and what occurred when we got out of Flushing. Chapter Twenty Five. O’Brien parts company to hunt for provisions, and I have other company in consequence of another hunt—O’Brien pathetically mourns my death and finds me alive—We escape. Chapter Twenty Six. Adventures at home—I am introduced to my grandfather—he obtains employment for O’Brien and myself, and we join a frigate. Chapter Twenty Seven. Captain and Mrs To—Pork—We go to Plymouth and fall in with our old captain. Chapter Twenty Eight. We get rid of the pigs and pianoforte—the last boat on shore before sailing—the first lieutenant too hasty, and the consequences to me. Chapter Twenty Nine. A long conversation with Mr Chucks—The advantages of having a prayer-book in your pocket—We run down the trades—Swinburne, the quarter-master, and his yarns—the captain falls sick. Chapter Thirty. Death of Captain Savage—His funeral—Specimen of true Barbadian born—“Sucking the monkey”—Effects of a hurricane. Chapter Thirty One. Captain Kearney—The Dignity ball. Chapter Thirty Two. I am claimed by Captain Kearney as a relation—Trial of skill between first lieutenant and captain with the long bow—The shark, the pug dog, and the will—A quarter-deck picture. Chapter Thirty Three. Another set-to between the captain and first lieutenant—Cutting-out expedition—Mr Chucks mistaken—He dies like a gentleman—Swinburne begins his account of the battle of St. Vincent. Chapter Thirty Four. O’Brien’s good advice—Captain Kearney again deals in the marvellous. Chapter Thirty Five. Swinburne continues his narrative of the battle off Cape St. Vincent. Chapter Thirty Six. A letter from Father McGrath, who diplomatises—When priest meets priest, then comes the tug of war—Father O’Toole not to be made a tool of. Chapter Thirty Seven. Captain Kearney’s illness—He makes his will and devises sundry “chateaux en espagne,” for the benefit of those concerned—The legacy duty in this instance not ruinous—He signs, seals, and dies. Chapter Thirty Eight. Captain Horton—Gloomy news from home—Get over head and ears in the water, and find myself afterwards growing one way, and my clothes another—Though neither as rich as a Jew, or as large as a camel, I pass through my examination, which my brother candidates think passing strange. Chapter Thirty Nine. Is a chapter of plots—Catholic casuistry in a new cassock—Plotting promotes promotion—A peasant’s love, and a peer’s peevishness—Prospects of prosperity. Chapter Forty. O’Brien and myself take a step each, “pari passu”—A family reunion, productive of anything but unity—My uncle, not always the best friend. Chapter Forty One. Pompous obsequies—The reading of the will, not exactly after Wilkie—I am left a legacy—What becomes of it—My father, very warm, writes a sermon to cool himself—I join O’Brien’s brig, and fall in with Swinburne. Chapter Forty Two. We sail for the West Indies—A volunteer for the ship refused and sent on shore again, for reasons which the chapter will satisfactorily explain to the reader. Chapter Forty Three. Description of the coast of Martinique—Popped at for peeping—No heroism in making oneself a target—Board a miniature Noah’s ark, under Yankee colours—Capture a French slaver—Parrot soup in lieu of mock turtle. Chapter Forty Four. Money can purchase anything in the new country—American information not always to be depended upon—A night attack; we are beaten off—It proves a “cut up,” instead of a “cut out”—After all, we save something out of the fire. Chapter Forty Five. Some remarkable occurrences take place in the letter of marque—Old friends with improved faces—The captor a captive; but not carried away, though the captive is, by the ship’s boat—The whole chapter a mixture of love, war, and merchandise. Chapter Forty Six. O’Brien tells his crew that one Englishman is as good as three Frenchmen on salt water—They prove it—We fall in with an old acquaintance, although she could not be considered as a friend. Chapter Forty Seven. I am sent away after prizes and meet with a hurricane—Am driven on shore, with the loss of more than half my men—Where is the “Rattlesnake?” Chapter Forty Eight. The devastations of the hurricane—Peter makes friends—At destroying or saving, nothing like British seamen—Peter meets with General O’Brien much to his satisfaction—Has another meeting still more so—A great deal of pressing of hands, “and all that,” as Pope says. Chapter Forty Nine. Broken ribs not likely to produce broken hearts—O’Brien makes something like a declaration of peace—Peter Simple actually makes a declaration of love—Rash proceedings on all sides. Chapter Fifty. Peter Simple first takes a command, then three West Indiamen, and twenty prisoners—One good turn deserves another—The prisoners endeavour to take him, but are themselves taken in. Chapter Fifty One. Peter turned out of his command by his vessel turning bottom up—A cruise on a main-boom, with sharks “en attendant”—self and crew, with several flying fish, taken on board a negro boat—Peter regenerates by putting on a new outward man. Chapter Fifty Two. Good sense in Swinburne—No man a hero to his “valet de chambre,” or a prophet in his own country—O’Brien takes a step by strategy—O’Brien parts with his friend, and Peter’s star is no longer in the ascendant. Chapter Fifty Three. I am pleased with my new captain—Obtain leave to go home—Find my father afflicted with a very strange disease, and prove myself a very good doctor, although the disorder always breaks out in a fresh place. Chapter Fifty Four. We receive our sailing orders, and orders of every description—A quarter-deck conversation—Listeners never hear any good of themselves. Chapter Fifty Five. We encounter a Dutch brig of war—Captain Hawkins very contemplative near the capstan—Hard knocks, and no thanks for it—Who’s afraid?—Men will talk—The brig goes about on the wrong tack. Chapter Fifty Six. Consequences of the action—A ship without a fighting captain is like a thing without a head—So do the sailors think—A mutiny, and the loss of our famous ship’s company. Chapter Fifty Seven. News from home not very agreeable, although the reader may laugh—We arrive at Portsmouth, where I fall in with my old acquaintance, Mrs Trotter—We sail with a convoy for the Baltic. Chapter Fifty Eight. How we passed the Sound, and what passed in the Sound—the captain overhears again a conversation between Swinburne and me. Chapter Fifty Nine. The dead man attends at the auction of his own effects, and bids the sale to stop—One more than was wanted—Peter steps into his own shoes again—Captain Hawkins takes a friendly interest in Peter’s papers—Riga balsam sternly refused to be admitted for the relief of the ship’s company. Chapter Sixty. An old friend in a new case—Heart of oak in Swedish fir—A man’s a man, all the world over, and something more in many parts of it—Peter gets reprimanded for being dilatory, but proves a title to a defence-allowed. Chapter Sixty One. Bad news from home, and worse on board—Notwithstanding his previous trials, Peter forced to prepare for another—Mrs Trotter again; improves as she grows old—Captain Hawkins and his twelve charges. Chapter Sixty Two. A good defence not always good against a bad accusation—Peter wins the hearts of his judges, yet loses his cause, and is dismissed his ship. Chapter Sixty Three. Peter looks upon his loss as something gained—Goes on board the “Rattlesnake” to pack up, and is ordered to pack off—Polite leave-taking between relations—Mrs Trotter better and better—Goes to London, and afterwards falls into all manner of misfortunes by the hands of robbers, and of his own uncle. Chapter Sixty Four. As O’Brien said, it’s a long lane that has no turning—I am rescued, and happiness pours in upon me as fast as misery before overwhelmed me. Chapter Sixty Five. It never rains but it pours, whether it be good or bad news—I succeed in everything, and to everything, my wife, my title, and estate—And “all’s well that ends well.”

Join an epic, action-packed magical adventure, full of conspiracies and danger, in the Royal Bastards fantasy series. Royal Bastards: Being a bastard blows. Tilla would know. Her father, Lord Kent of the Western Province, loved her as a child, but cast her aside as soon as he had trueborn children. At sixteen, Tilla spends her days exploring long-forgotten tunnels beneath the castle with her stablehand half-brother, Jax, and her nights drinking with the servants, passing out on Jax's floor while her castle bedroom collects dust. Tilla longs to sit by her father's side, enjoying feasts with the rest of the family. Instead, she sits with the other bastards, like Miles of House Hampstedt, an awkward scholar who's been in love with Tilla since they were children. The bastards band together, realizing they alone have the power to prevent a civil war that will tear their kingdom apart—if they can warn the king in time.... City of Bastards: Tilla is safe from her murderous father in the dazzling capital of Lightspire, where she lives a life of luxury under the protection of the Volaris King, alongside her boyfriend, Zell, and best friend, Princess Lyriana. So why isn't she happy? Maybe it's the whispers and stares that follow her wherever she goes, as the daughter of the traitor waging war against Lightspire. Or maybe it's the memories of her beloved brother, Jax, who lies cold in his grave even as she tries to settle into a life in the city's prestigious University. Then Tilla stumbles upon the body of a classmate—a friend. The authorities are quick to rule it a suicide and sweep it under the rug, but when Tilla is attacked by a mysterious man with terrifying powers, she's convinced of a conspiracy. Her friends beg her to stay silent; what she's suggesting is impossible...and treasonous. The deeper she digs, the more questions she uncovers.... War of the Bastards: A year has passed since the fall of Lightspire. The Inquisitor Miles Hampstedt rules Noveris with a blood-soaked iron fist. Tilla and her friends have become hardened rebels in the Unbroken, a band of guerilla fighters hiding out on the fringes of the Kingdom protecting the true queen, Lyriana Volaris. Even as they fight, they know their cause is doomed—that with every passing day Miles's army of Bloodmages spreads across the continent. But at least they have each other...and some halfway-decent drinks. With Miles's forces closing in, a ragtag team sets out on an eleventh-hour mission: form an alliance with Syan's people that could turn the tide of the war. But what they discover in the Red Wastes changes everything, including their very understanding of the magic that runs through Noveris. In the heart-pounding conclusion to the Royal Bastards trilogy, Tilla faces an impossible choice: unthinkable destruction in the name of peace...or an uncertain future that means confronting a terrible past.

In recognition of his great achievements at sea, their Lordships of the Admiralty have made Lord Nicholas Ramage captain of a ship of the line - the youngest man to be so honoured since Nelson himself. And so Ramage sets sail on the Dido, a formidable fighting weapon and the most prized war machine of the British Navy.

This 1st book in a new fantasy series from the author of the acclaimed Song of the Shattered Sands series follows an unlikely pair as they expose the secrets at the heart of the mountain city of Ancris. Lorelei Aurelius is the smartest inquisitor in the mountain city of Ancris. When a mysterious tip leads her to a clandestine meeting between the Church and the hated Red Knives, she uncovers a plot that threatens not only her home but the empire itself. The trail leads her to Rylan Holbrooke, a notorious thief posing as a dragon singer. Rylan came to Ancris to solve the very same mystery she stumbled onto. Knowing his incarceration could lead to the Red Knives’ achieving their goals, Lorelei makes a fateful decision: she frees him. Now branded as traitors, the two flee the city on dragonback. In the massive forest known as the Holt, they discover something terrible. The Red Knives are planning to awaken a powerful demigod in the holiest shrine in Ancris, and for some reason the Church is willing to allow it. It forces their return to Ancris, where the unlikely allies must rally the very people who’ve vowed to capture them before it’s too late. Explore the mountain city of Ancris, where fast-paced adventure and intrigue abound. in this new offering from the author of the acclaimed Song of the Shattered Sands series.

A dark sapphic standalone romance, set in the shared world of the Peculiar Tastes series. Janneth Carter has given up on magic these days. She’s done being curious, insatiable, dreamy; she just wants to finish her graduate degree and spend the rest of her life as a sensible archeologist. So the last thing she expects when she goes to her dig site on Halloween night is three mysterious strangers standing outside an ancient Scottish grave. Okay, well the actual last thing she expects is for those strangers to kidnap her and drag her into fairyland. Once in the vivid, carnal world of Faerie, Janneth is at the mercy of the coldly lovely and incredibly cruel Stag Queen. Desperate to get home to her own world, she offers the Queen a bargain: she’ll be a willing captive, the queen’s pet, so long as the Queen promises to keep her safe until Janneth leaves Faerie. But fae promises are complicated things, and nothing in Faerie, even pleasure—even love—comes without a price...