Nightingales And Pleasure Gardens

The earliest turkish verses, dating from the sixth century A.D., were love lyrics. Since then, love has dominated the Turks’ poetic modes and moods—pre-Islamic, Ottoman, classical, folk, modern. This collection covers love lyrics from all periods of Turkish poetry. It is the first anthology of its kind in English. The translations, faithful to the originals, possess a special freshness in style and sensibility. Here are lyrics from pre-Islamic Central Asia, passages from epics, mystical ecstasies of such eminent thirteenth-century figures as Rumi and Yunus Emre, classical poems of the Ottoman Empire (including Süleyman the Magnificent and women court poets), lilting folk poems, and the work of the legendary communist Nazim Hikmet (who is arguably Turkey’s most famous poet internationally), and the greatest living Turkish poet, Fazil Hüsnü Daglarca. The verses in this collection are true to the Turkish spirit as well as universal in their appeal. They show how Turks praise and satirize love, how they see it as a poetic experience. Poetry was for many centuries the premier Turkish genre and love its predominant theme. Some of the best expressions produced by Turkish poets over a period of fifteen centuries can be found in this volume.

Summers at the Vauxhall pleasure garden in London brought diverse entertainments to a diverse public. Picturesque walks and arbors offered a pastoral retreat from the city, while at the same time the garden's attractions indulged distinctly urban tastes for fashion, novelty, and sociability. High- and low-born alike were free to walk the paths; the proximity to strangers and the danger of dark walks were as thrilling to visitors as the fountains and fireworks. Vauxhall was the venue that made the careers of composers, inspired novelists, and showcased the work of artists. Scoundrels, sudden downpours, and extortionate ham prices notwithstanding, Vauxhall became a must-see destination for both Londoners and tourists. Before long, there were Vauxhalls across Britain and America, from York to New York, Norwich to New Orleans. This edited volume provides the first book-length study of the attractions and interactions of the pleasure garden, from the opening of Vauxhall in the seventeenth century to the amusement parks of the early twentieth. Nine essays explore the mutual influences of human behavior and design: landscape, painting, sculpture, and even transient elements such as lighting and music tacitly informed visitors how to move within the space, what to wear, how to behave, and where they might transgress. The Pleasure Garden, from Vauxhall to Coney Island draws together the work of musicologists, art historians, and scholars of urban studies and landscape design to unfold a cultural history of pleasure gardens, from the entertainments they offered to the anxieties of social difference they provoked.

This 1896 volume offers the British Museum curator's scholarly examination of London's eighteenth-century pleasure gardens.

Here, Jayne L. Warner has created a unique biographical tapestry that illuminates not only the life of one of Turkey's leading literary and cultural authorities, but also the emergence of a republic in his native country, and sheds new light on the history of one of the world's great cities. Sumptuously illustrated throughout with evocative period pictures of Istanbul, Turkish Nomad tells the extraordinary life story of this poet, thinker, and diplomat. As a young boy, Halman surveyed the last vestiges of the Ottoman Empire, walked through the ruins of Byzantium, and grew up in the modern nation created by the charismatic Mustafa Kemal Ataturk. Talat S. Halman would go on to serve the republic as its first minister of culture. The more than four decades Halman lived primarily in the United States are not overlooked but are used to discuss how his ideas developed as he taught at leading unversities-Princeton, Columbia, New York University-and introduced Americans to Turkish literature and culture through his translations and public lectures. We In the Turkish Nomad we follow the literary, scholastic, and journalistic journey of a restless writer, who might best be described by the title of one of his books, The Turkish Muse, his 2006 collection of literary reviews tracing the development of Turkish literature during the Turkish Republic.

The story book contains fifteen miniature paintings and their stories written in the themes of human love, divine love and adventures intertwined with nature, history, passion, intense emotions, humanity, spirituality and benevolence. In the stories, the focus is on the detailed observation of the main characters towards all the tangible and abstract things that flow around them. The characters give prominence to their emotions as much as possible upon the events and situations they find themselves in. Most of the characters are interpreting and seeking the quest for meaning. This story book will take you to a small journey into yourself and disconnect you from the world for a while with the suggested background music for the stories, and when you get back, you may become a new observer looking into the world from a pair of colorful spectacles.

This vividly detailed revisionist history exposes the underworld of the largest metropolis of the early modern Mediterranean and through it the entire fabric of a complex, multicultural society. Fariba Zarinebaf maps the history of crime and punishment in Istanbul over more than one hundred years, considering transgressions such as riots, prostitution, theft, and murder and at the same time tracing how the state controlled and punished its unruly population. Taking us through the city's streets, workshops, and houses, she gives voice to ordinary people—the man accused of stealing, the woman accused of prostitution, and the vagabond expelled from the city. She finds that Istanbul in this period remains mischaracterized—in part by the sensational and exotic accounts of European travelers who portrayed it as the embodiment of Ottoman decline, rife with decadence, sin, and disease. Linking the history of crime and punishment to the dramatic political, economic, and social transformations that occurred in the eighteenth century, Zarinebaf finds in fact that Istanbul had much more in common with other emerging modern cities in Europe, and even in America.

This survey presents the history of British gardens, covering England's monastic gardens, the formal Tudor gardens, Elizabethan flower gardens, as well as the influence of French, Dutch, and Italian traditions.

In Cinema, If You Please, Murray Pomerance explores our ways of watching film in light of socially organized forms of pleasure that date back to the seventeenth and eighteenth centuries. Wedding the notion of pleasure in film viewing to the history of pleasure in the West, the book considers pleasure gardens and promenading; the history of oil painting and its display; the passion for travel and exposure to the exotic and strange; and forms of musical repetition and restatement. With in-depth studies of films like Vertigo, The Passenger, A Matter of Life and Death, Clouds of Sils Maria, Personal Shopper, Call Me By Your Name and Blow-Up, this ground-breaking book draws the reader into the past and the present at once, joining an understanding of personal and visual delight to their cultural and historical roots.