Nina

A 2022 Coretta Scott King Book Award Honoree! This luminous, defining picture book biography illustrated by Caldecott Honoree Christian Robinson, tells the remarkable and inspiring story of acclaimed singer Nina Simone and her bold, defiant, and exultant legacy. Cover may vary. Born Eunice Kathleen Waymon in small town North Carolina, Nina Simone was a musical child. She sang before she talked and learned to play piano at a very young age. With the support of her family and community, she received music lessons that introduced her to classical composers like Bach who remained with her and influenced her music throughout her life. She loved the way his music began softly and then tumbled to thunder, like her mother's preaching, and in much the same way as her career. During her first performances under the name of Nina Simone her voice was rich and sweet but as the Civil Rights Movement gained steam, Nina's voice soon became a thunderous roar as she raised her voice in powerful protest in the fight against racial inequality and discrimination.

What makes Nina mad? Lots of things—lots of little, everyday things, frustrations that all children will recognize. But Nina knows how to speak her mind and that makes her feel much better. In a series of humorous vignettes, Hilary Knight, the artist who brought the enormously successful Eloise to life, applies his magic to a text by veteran children's book writer Steven Kroll, and brings to life a spunky character who will show young readers how to articulate their feelings.

Princess Nina is an extraordinary princess. She is smart, curious, sweet and also a bit wild. One day the king and queen decide they have to go looking for a suitable prince for princess Nina. They invite princes from all over the world: a prince from China, one from France, from Mexico ... But not even the prince on the white horse can steel princess Nina's heart away! The king and queen are at the end of their wits. But then princess Melowo comes to visit, and suddenly princess Nina is very shy ... A funny and modern fairytale about two stubborn princesses who are madly in love. Winner of the Diversity Award, a competition for children's stories of inclusive works and partners. Ages 9+

"Monica Hand's me and Nina is a beautiful book by a soul survivor. In these poems she sings deep songs of violated intimacy and the hard work of repair. The poems are unsentimental, blood-red, and positively true, note for note, like the singing of Nina Simone herself. Hand has written a moving, deeply satisfying, and unforgettable book."—Elizabeth Alexander In an intimate conversation with the "High Priestess of Soul," Monica A. Hand surveys the places and moods of alienation through poems that are as musical and stylistically diverse as Nina Simone's work. Hand readily embraces a "mass hypnosis" style, putting "a spell on [us]" with her intensely passionate cries and commitment to embracing both tragedy and exuberance in these insightful poems. From "Dear Nina": I am not recession depression oppression compression crooked line broken line polka dot parking lot or spot I am a Gift from God I know that I am an un-kept solo song Monica A. Hand is a poet and book artist currently living in Harlem, New York. Her poems have appeared or are forthcoming in Aunt Chloe, Black Renaissance Noire, The Sow's Ear, Drunken Boat, Beyond the Frontier, African-American Poetry for the 21st Century, Gathering Ground: A Reader Celebrating Cave Canem's First Decade, and elsewhere. She holds an MFA in poetry and poetry in translation from Drew University and is a founding member of Poets for Ayiti.

* * * WINNER OF THE 2014 NATIONAL BOOK AWARDS POPULAR NON-FICTION BOOK OF THE YEAR * * * 'I adored this book, and I could quote from it forever. It's real, odd, life-affirming, sharp, loving, and contains more than one reference to Arsenal FC' Nick Hornby,The Believer 'Adrian Mole meets Mary Poppins mashed up in literary north London . . . Enormous fun' Bookseller 'What a beady eye she has for domestic life, and how deliciously fresh and funny she is' Deborah Moggach, author of The Best Exotic Marigold Hotel Nina Stibbe's Love, Nina: Despatches from Family Life is the laugh-out-loud story of the trials and tribulations of a very particular family. In the 1980s Nina Stibbe wrote letters home to her sister in Leicester describing her trials and triumphs as a nanny to a London family. There's a cat nobody likes, a visiting dog called Ted Hughes (Ted for short) and suppertime visits from a local playwright. Not to mention the two boys, their favourite football teams, and rude words, a very broad-minded mother and assorted nice chairs. From the mystery of the unpaid milk bill and the avoidance of nuclear war to mealtime discussions on pie filler, the greats of English literature, swearing in German and sexually transmitted diseases, Love, Nina is a wonderful celebration of bad food, good company and the relative merits of Thomas Hardy and Enid Blyton. 'Breezy, sophisticated, hilarious, rude and aching with sweetness: Love, Nina might be the most charming book I've ever read' Maria Semple, author of 'Where'd You Go, Bernadette' 'Nina Stibbe is the funniest new writer to arrive in years. Love, Nina is her first book - a memoir so warm, so witty and so wise, it's like finding the friend you always deserved' Andrew O'Hagan

Continue the time-travel adventure series from M.K. Williams and cross back over the Plain with The Alpha-Nina There is no such thing as a coincidence in an infinite multiverse. Each action happens, it is inevitable. It was bound to occur, somewhere, sometime. Or, more elegantly put: It is destiny. While Nina Marks may have found her way back home after being kidnapped across the multiverse, her alter-egos are now in danger. The technology needed to travel the multiverse exists in at least 4 known universes, and perhaps more. How can Nina, now stuck in Universe Alpha keep all the infinite universes safe from those looking to exploit this technology? And, if the weight of protecting parallel universes wasn’t enough on her shoulders, she is the primary suspect in the disappearance of Dr. Parker Lovett. Can Nina exonerate herself without exposing the secrets of The Portal? Can she trust her alter-egos to keep watch on their entry point to the multiverse? Can she just get through the first week at her new job without having to worry about the fate of all people living across the infinite universes? Read The Alpha-Nina, the second book in The Feminina Series, and the anxiously awaited sequel to The Infinite-Infinite to find out.

Nina had the feeling that someone was following her ever since she and Gabriella had decided to open up their design business together. She couldn't understand why someone would want to follow her but she just knew someone was by the eerie feeling she had from time to time. She was out looking at properties for their business today while Gabriella and Niko were on their honeymoon. Nina's quest was to find the perfect property to show Gabriella when she got back. The property she was looking at she called the "House of Gables". It was so unique she wanted to get a better look at the grounds around back. While looking at the back property she heard the sound of tires crunching on leaves. Like someone had pulled into the driveway. She wanted to panic, but she knew that wouldn't help, she reached for her cell phone but she had left that and her purse in her vehicle. Damn now what could she do, her Dad was right she should not have come out here alone. Why was she so stubborn and never listened to anyone? She was trapped and no way to call for help. She wondered who this person was and why was he trying to scare her. Well try or not he had definitely succeeded in scaring her half to death. More importantly would she get to see her family again!!

Near the end of Nabokov's Lolita, Humbert makes an honest admission: "[A]nd it struck me…that I simply did not know a thing about my darling's mind." That line sums up the isolate game of memorializing a deceased loved one, which is the basic tension in Nina's Memento Mori, an elegy to Mathias Freese's lost wife. The profound responsibility of answering the question "Who was Nina?" is left to the lone memoirist: I can say or write anything I want about her…There is much writerly power in that. I am the executor of her probate in all things now. She is mine now in ways she could not be when alive. I am the steward of her memory. Freese ends up analyzing himself, putting the "me" in "memento" and the "i" in "mori," thanks to ever-giving Nina posthumously providing a therapeutic mirror or "Rosebud," which Freese appropriates from Citizen Kane. But Freese mourns more over the burden of existence than over its loss. Appropriately, for Kane is not about the symbolic sled as much as it's about the cumulative snow that buries it.