Nine Irish Plays For Voices

A vibrant collection of short plays bringing Irish history and culture alive through an extraordinary collage of documents, songs, poems, and texts. In Nine Irish Plays for Voices, award-winning poet Eamon Grennan delves deep into key Irish subjects—big, small, literary, historical, political, biographical—and illuminates them for today’s audiences and readers. These short plays draw from original material centering on important moments in Irish history and the formation of the Irish Republic, such as the Great Famine and the Easter Rising; the lives of Irish literary figures like Yeats, Joyce, and Lady Gregory; and the crucial and life-changing condition of emigration. The rhythmic, musical, and vivid language of Grennan’s plays incorporates traditional song lyrics, lines of Irish poetry, and letters and speeches of the time. The result is a dramatic collage that tells a story through the voices of characters contemporary to the period of the play’s subject. By presenting subjects through the dramatic rendering of the human voice, the plays facilitate a close, intimate relationship between players and the audience, creating an incredibly powerful connection to the past. Historical moments and literary figures that might seem remote to the present-day reader or audience become immediate and emotionally compelling. One of the plays, Ferry, is drawn entirely from the author’s imagination. It puts unnamed characters who come from the world of twentieth-century Ireland on a boat to the underworld with the philosopher Ludwig Wittgenstein. On their journey the five strangers, played by two voices, tell stories about their lives, raising the question of how language both captures and transforms lived experience. Addressing the Great Famine, Hunger uses documentary evidence to give audiences a dramatic feel for what has been a silent and traumatic element in Irish history. Noramollyannalivialucia: The Muse and Mr. Joyce is a one-woman piece that depicts James Joyce’s wife as an older woman sharing her memories and snippets from the works of her husband. Also included in this rich volume is the author’s adaptation of Synge’s Aran Islands, as well as Emigration Road, History! Reading the Easter Rising, The Muse and Mr. Yeats, The Loves of Lady Gregory, and Peig: An Ordinary Life.

“These are not just nine Irish lives but nine extraordinary lives, their struggles universal, their causes never more important than today. As the saying goes, the best stories belong to those who can tell them. And these are well told, by some of our best storytellers.” —Timothy Egan, New York Times bestselling author of The Immortal Irishman In this entertaining and timely anthology, nine contemporary Irish Americans present the stories of nine inspiring Irish immigrants whose compassion, creativity, and indefatigable spirit helped shape America. The authors here bring to bear their own life experiences as they reflect on their subjects, in each essay telling a unique and surprisingly intimate story. Rosie O’Donnell, an adoptive mother of five, writes about Margaret Haughery, the Mother of Orphans. Poet Jill McDonough recounts the story of a particularly brave Civil War soldier, and filmmaker and activist Michael Moore presents the original muckraking journalist, Samuel McClure. Novelist Kathleen Hill reflects on famed New Yorker writer Maeve Brennan, and historian Terry Golway examines the life of pivotal labor leader Mother Jones. In his final written work, activist and politician Tom Hayden explores his own namesake, Thomas Addis Emmet. Nonprofit executive Mark Shriver writes about the priest who founded Boys Town, and celebrated actor Pierce Brosnan—himself a painter in his spare time—writes about silent film director Rex Ingram, also a sculptor. And a pair of Pulitzer Prize–winning journalists, Mary Jordan and Kevin Sullivan, take on the story of Niall O’Dowd, the news publisher who brokered peace in Northern Ireland. Each of these remarkable stories serves as a reflection—and celebration—of our nation’s shared values, ever more meaningful as we debate the issue of immigration today. Through the battles they fought, the cases they argued, the words they wrote, and the lives they touched, the nine Irish men and women profiled in these pages left behind something greater than their individual accomplishments—our America.

In this study, Charles Fanning has written the first general account of the origins and development of a literary tradition among American writers of Irish birth or background who have explored the Irish immigrant or ethnic experience in works of fiction. The result is a portrait of the evolving fictional self-consciousness of an immigrant group over a span of 250 years. Fanning traces the roots of Irish-American writing back to the eighteenth century and carries it forward through the traumatic years of the Famine to the present time with an intensely productive period in the twentieth century beginning with James T. Farrell. Later writers treated in depth include Edwin O'Connor, Elizabeth Cullinan, Maureen Howard, and William Kennedy. Along the way he places in the historical record many all but forgotten writers, including the prolific Mary Ann Sadlier. The Irish Voice in America is not only a highly readable contribution to American literary history but also a valuable reference to many writers and their works. For this second edition, Fanning has added a chapter that covers the fiction of the past decade. He argues that contemporary writers continue to draw on Ireland as a source and are important chroniclers of the modern American experience.

Irish women writers have a large following, and their works are attracting large amounts of scholarly and critical attention. Through roughly 75 alphabetically arranged entries written by more than 35 expert contributors, this reference overviews the lives and works of Irish women writers active in a range of genres and periods. Each entry includes a brief biography, a discussion of major works and themes, a survey of the writer's critical reception, and a list of works by and about the author. The volume closes with a selected, general bibliography. Ireland has an especially lively literary tradition, and works by Irish writers have long been recognized as interesting and influential. While male writers have received the bulk of the critical attention given to Irish literature, contemporary women writers are among the most widely read Irish authors. This reference overviews the lives and works of Irish women writers active in a range of periods and genres. Included are roughly 75 alphabetically arranged entries written by more than 35 expert contributors. Among the writers discussed are: ; Elizabeth Bowen ; Mary Dorcey ; Lady Isabella Augusta Gregory ; Anne Hartigan ; Norah Hoult ; Paula Meehan ; Iris Murdoch ; Edna O'Brien ; Katharine Tynan ; Sheila Wingfield ; And many more. Each entry includes a brief biography, a discussion of major works and themes, a review of the writer's critical reception, and a list of works by and about the writer. The volume closes with a selected, general bibliography.

Fifty Key Irish Plays charts the progression of modern Irish drama from Dion Boucicault’s entry on to the global stage of the Irish diaspora to the contemporary dramas created by the experiences of the New Irish. Each chapter provides a brief plot outline along with informed analysis and, alert to the cultural and critical context of each play, an account of the key roles that they played in the developing story of Irish drama. While the core of the collection is based on the critical canon, including work by J. M. Synge, Lady Gregory, Teresa Deevy, and Brian Friel, plays such as Tom Mac Intyre’s The Great Hunger and ANU Productions’ Laundry, which illuminate routes away from the mainstream, are also included. With a focus on the development of form as well as theme, the collection guides the reader to an informed overview of Irish theatre via succinct and insightful essays by an international team of academics. This invaluable collection will be of particular interest to undergraduate students of theatre and performance studies and to lay readers looking to expand their appreciation of Irish drama.

Ibsen and the Irish Revival examines Henrik Ibsen's influence on the Irish Revival and the reception of his plays in turn-of-the-twentieth-century Dublin. It highlights the international dimension of the Irish Literary Revival and offers new perspectives on W.B. Yeats, J.M. Synge, Lennox Robinson, James Joyce, George Moore and Sean O'Casey.

Modern Irish Drama: W. B. Yeats to Marina Carr presents a thorough introduction to the recent history of one of the greatest dramatic and theatrical traditions in Western culture. Originally published in 1988, this updated edition provides extensive new material, charting the path of modern and contemporary Irish drama from its roots in the Celtic Revival to its flowering in world theater. The lives and careers of more than fifty modern Irish playwrights are discussed along with summaries of their major plays and recommendations for further reading.

This book includes information on the most recent and youngest playwrights working today at the Abbey, Druid, and Lyric Theatres. Sanford Sternlicht discusses the important plays of all the playwrights included and the major themes of modern Irish drama. A Readers Guide to Modern Irish Drama provides an introduction to one of the great dramatic and theatrical traditions of Western culture. Professor Sanford Stemlicht wrote this book specifically for Syracuse University Press's Reader's Guides series. As one of only a handful of comprehensive contemporary studies of Irish drama, the book includes the most recent and youngest playwrights working today at the Abbey, Druid, and Lyric Theatres. Beginning with essays on twentieth-century Irish history, The Irish Literary Theatre, and the development of the Modem ,Irish Theatre in Dublin, Belfast, Galway and other cities, the guide presents biographies and bibliographies of more than twenty-five major twentieth-century Irish dramatists from Lady Gregory, Yeats, and Synge to O'Casey, Beckett, and Behan; from Friel and McGuinness to Marina Carr and Martin McDonagh. Most significantly, Sternlicht discusses the important plays of all the playwrights included, and the major themes of modem Irish drama-the struggle for independence, the cruelty of poverty, the pains of emigration and exile, the decline of the Anglo-Irish ascendency, the power of religion, the longing for land, and the familial and gender conflicts of a people in transition. Finally, a selected bibliography completes the study.