Nineveh

This lavishly illustrated volume contains more than 65 chapters by international specialists, providing a detailed and thorough study of the Ancient city of Nineveh, the once-flourishing capital of the Assyrian Empire in present-day Iraq.

Best known today from biblical accounts of his exploits and ignominious end, the Assyrian king Sennacherib (704-681 B.C.) was once the ruler of all western Asia. In his capital at Nineveh, in what is now northern Iraq, he built what he called the "Palace without Rival." Though only scattered traces of this magnificent structure are visible today, contemporary written descriptions and surviving wall reliefs permit a remarkably detailed reconstruction of the appearance and significance of the palace. An art historian trained in ancient Near East philology, archaeology, and history, John Malcolm Russell marshals these resources to investigate the meaning and political function of the palace of Sennacherib. He contends that the meaning of the monument cannot be found in images or texts alone; nor can these be divorced from architectural context. Thus his study combines discussions of the context of inscriptions in Sennacherib's palace with reconstructions of its physical appearance and analyses of the principles by which the subjects of Sennacherib's reliefs were organized to express meaning. Many of the illustrations are published here for the first time, notably drawings of palace reliefs made by nineteenth-century excavators and photographs taken in the course of the author's own excavations at Nineveh.

Samantha Mather survived one curse, and now she's having recurring dreams about the Titanic, and walking the deck with first-class passengers like her aunt and uncle. Then missives from the Titanic begin finding their way to her, along with haunting visions of people who went down with the ship. Her friends in the Descendants are determined to help Sam. First they must unravel who is behind the spell that is drawing her ever further into the dream ship-- and closer to sharing the same grim fate as its ghostly passengers.

Isaac of Nineveh's Ascetical Eschatology demonstrates that Isaac's eschatology is an original synthesis based on ideas garnered from a distinctively Syriac cultural milieu. Jason Scully investigates six sources relevant to the study of Isaac's Syriac source material and cultural heritage. These include ideas adapted from Syriac authors like Ephrem, John the Solitary, and Narsai, but also adapted from the Syriac versions of texts originally written in Greek, like Evagrius's Gnostic Chapters, Pseudo-Dionysius's Mystical Theology, and the Pseudo-Macarian homilies. Isaac's eschatological synthesis of this material is a sophisticated discourse on the psychological transformation that occurs when the mind has an experience of God. It begins with the premise that asceticism was part of God's original plan for creation. Isaac says that God created human beings with infantile knowledge and that God intended from the beginning for Adam and Eve to leave the Garden of Eden. Once outside the garden, human beings would have to pursue mature knowledge through bodily asceticism. Although perfect knowledge is promised in the future world, Isaac also believes that human beings can experience a proleptic taste of this future perfection. Isaac employs the concepts of wonder and astonishment in order to explain how an ecstatic experience of the future world is possible within the material structures of this world. According to Isaac, astonishment describes the moment when a person arrives at the threshold of eschatological perfection but is still unable to comprehend the heavenly mysteries, while wonder describes spiritual comprehension of heavenly knowledge through the intervention of divine grace.

"This volume contains an abridgment of the narrative of my second expedition to Assyria and Babylonia, published in 1853, under the title of 'Nineveh and Babylon.' I have described, in the Introduction, the principal discoveries on the site of Nineveh made after my return to England in the spring of 1851." -- From the Preface