No Nation For Women

No Nation for Women takes a hard, close look at what makes India unsafe for its women — from custodial rapes and honour killings to rapes of minors and trafficking — the author uncovers many unpalatable truths behind what we are familiar with as newspaper headlines only... Numbers convey, in part, why India is referred to as one of the world’s rape capitals — one woman is raped every 15 minutes; and, in 50 years, there has been a staggering rise of 873 per cent in sexual crimes against girls. And beyond the numbers and statistics, there are stories, often unreported — of women in Damoh, Madhya Pradesh, who are routinely raped if they spurn the advances of men; of girls from de-notified tribes in central India who have no recourse to justice if sexually violated; of victimized lower-caste girls in small-town Baduan, Uttar Pradesh; of frequent dislocation faced by survivor families in West Bengal; of political wrath turning into rape in Tripura. Priyanka Dubey travels through large swathes of India, over a period of six years, to uncover the accounts of disenfranchised women who are caught in the grip of patriarchy and violence. She asks if, after the globally reported December 2012 gang-rape of ‘Nirbhaya’ in New Delhi, India’s gender narrative has shifted — and, if it hasn’t, what needs to be done to make this a nation worthy of its women.

"Capetillo evaluates the culture and working conditions in her native Puerto Rico and the world outside, while providing a sense of workers' movements and the condition of women at the turn of the century."--BOOK JACKET.

A Nation of Women provides a history of the significance of gender in Lenape/Delaware encounters with Europeans, and a history of women in these encounters.

This essential volume showcases portraits of prominent Americans who have influenced the nation's history from its earliest days to the present. It features 150 paintings, photographs, drawings, posters, sculptures, screenprints, and digital video stills carefully selected from the National Portrait Gallery of leading politicians, artists, athletes, celebrities, and scholars. Each image is accompanied by commentary that illuminates the person's life and legacy. Subjects include Mark Twain, Benjamin Franklin, Rosa Parks, Eleanor Roosevelt, Louis Armstrong, Audrey Hepburn, Marilyn Monroe, John Steinbeck, Venus and Serena Williams, Bruce Springsteen, Pedro Martinez, and Oprah Winfrey. Portrait of a Nation is a compelling composite portrait of America.

"Comparing nationalist and non-nationalist polities in order to establish how these governments differ in their treatment of women and families, Albanese concludes that the efforts of most ethno-nationalist regimes to return women to their 'natural' place in the home as housewives and mothers have been largely unsuccessful. Policies to this effect have provoked considerable opposition by women's groups and individual women, have often been reversed by subsequent governments, and have had little long-term demographic impact. Mothers of the Nation makes an important contribution to the literature on feminism, nationalism, and social and economic policy within a comparative political context."--Jacket.

"Today, only twenty percent of Americans are wed by age twenty-nine, compared to nearly sixty percent in 1960. The Population Reference Bureau calls it a 'dramatic reversal.' [This book presents a] portrait of contemporary American life and how we got here, through the lens of the single American woman, covering class, race, [and] sexual orientation, and filled with ... anecdotes from ... contemporary and historical figures"--

A Nation Can Rise No Higher Than Its Women: African American Muslim Women in the Movement for Black Self Determination, 1950–1975 challenges traditional notions and interpretations of African American, particularly women who joined the Original Nation of Islam during the Civil Rights-Black Power era. This book is the first major investigation of the subject that engages a wide scope of women from “The Nation” and utilizes a wealth of primary documents and personal interviews to reveal the importance of women in this community. Jeffries reveals that women were respected in the movement and maintained a very clear and often sought after voice in the advancement of the Original Nation of Islam. A Nation Can Rise No Higher Than Its Women replaces the typical portrait of the subservient and irrelevant African American Muslim woman with a far more accurate picture of their integral leadership and substantial contributions to the rise of Islam and black consciousness in the self-determination movement in the United States and beyond during the Civil Rights-Black Power era.

Although US history is marred by institutionalized racism and sexism, postracial and postfeminist attitudes drive our polarized politics. Violence against people of color, transgender and gay people, and women soar upon the backdrop of Donald Trump, Tea Party affiliates, alt-right members like Richard Spencer, and right-wing political commentators like Milo Yiannopoulos who defend their racist and sexist commentary through legalistic claims of freedom of speech. While more institutions recognize the volatility of these white men’s speech, few notice or have thoughtfully considered the role of white nationalist, alt-right, and conservative white women’s messages that organizationally preserve white supremacy. In Rebirthing a Nation: White Women, Identity Politics, and the Internet, author Wendy K. Z. Anderson details how white nationalist and alt-right women refine racist rhetoric and web design as a means of protection and simultaneous instantiation of white supremacy, which conservative political actors including Sarah Palin, Donald Trump, Kellyanne Conway, Sarah Huckabee Sanders, and Ivanka Trump have amplified through transnational politics. By validating racial fears and political divisiveness through coded white identity politics, postfeminist and motherhood discourse functions as a colorblind, gilded cage. Rebirthing a Nation reveals how white nationalist women utilize colorblind racism within digital space, exposing how a postfeminist framework becomes fodder for conservative white women’s political speech to preserve institutional white supremacy.