No One Ever Asks Mum

Rebecca Solnit's timely follow-up to her national bestseller Men Explain Things to Me offers a refreshing take on contemporary feminism.

Time in early America when the Indian Nations lived undisturbed by European intervention comes alive. A great lake fixes an assortment of native traditions and cultures. Forested hills, open grassy meadows, green river valleys and rocky mountain retreats bound this great body of water. These natural boundaries form the secluded homelands of neighboring tribes that circumvent the perimeter of a large lake. The rite of passage into manhood of a young Indian is followed. The saga of a boy becoming a warrior unfolds in a series of adventurous episodes. The ensuing encounters reveal the variety of spiritual beliefs, living standards and tribal practices among the first nations. The young hero is led upon a journey directed by the foretelling from the spirit world. An assortment of native characters appears to reveal the details of life passing long ago in the wilderness. The fullness of living free in the woods and forests of America is shared. The reader fully participates through transportation into primitive rustic American existence.

Who was your mother before she was a mother? Essays and photos from Brit Bennett, Jennifer Egan, Danzy Senna, Laura Lippman, Jia Tolentino, and many more. In this remarkable collection, New York Times–bestselling novelist Edan Lepucki gathers more than sixty original essays and favorite photographs to explore this question. The daughters in Mothers Before are writers and poets, artists and teachers, and the images and stories they share reveal the lives of women in ways that are vulnerable and true, sometimes funny, sometimes sad, and always moving. Contributors include: Brit Bennett * Jennine Capó Crucet * Jennifer Egan * Angela Garbes * Annabeth Gish * Alison Roman * Lisa See * Danzy Senna * Dana Spiotta * Lan Samantha Chang * Laura Lippman * Jia Tolentino * Tiffany Nguyen * Charmaine Craig * Maya Ramakrishnan * Eirene Donohue * and many others

Trina Gulliver is indisputably the finest ladies' darts player in the world. With an amazing seven consecutive Lakeside Ladies' World Championsship titles under her belt, this inspirational woman can lay claim to being the most phenomenal player of all time. But it hasn't always been a victorious check-outs for this Warwickshire girl. Qualifying as a joiner at the age of nineteen, Trina soon set up her own business and had her first taste of making it in what has traditionally been a man's world. Her calm head, keen eye and steady hand proved to be useful skills in this trade - and would prove priceless when stepped up to the oche as a professional player. Always a lover of the game, Trina held her first 'arrow' at the age of two, and after some success later in the Warwickshire County side she went full-time as a professional player. Without any sponsorship in her first year, she struggled to make ends meet as she drove all over Europe to play. But her determination to get to the top saw her make it to number ten in the world, and she finally hit the bullseye in the form of a sponsor. Twelve months later she was number one - where she remains to this day. Fiercely passionate about her sport, Trina has long been an outspoken critic of the prize money in the women's game compared to the men's, and has done sterling work in helping to raise the profile of the ladies' game. Professional to the core, Trina works as hard as the top male players on her game, and is a role model to women in the sport. Golden Girl is the story of a woman whose talent, grit and determination saw her realise her dream. Heart-warming and inspirational, this book will appeal to darts lovers and anyone interested in a story of success against the odds.

Frank has been in a serious car accident and he's missing memories-of the people around him, of the history they share, and of how he came to be in the crash. All he remembers is that he is a lawyer who specializes in fine print, and as he narrates his story, he applies this expertise in the form of footnotes.* Everyone keeps telling Frank that he was fine before the accident, “just a bit overwhelmed,” but as he begins to reclaim his memories, they don't quite jibe with what everyone is telling him. His odious brother Oscar is intent on going into business with an inventively cruel corporation.** Alice, Frank's wife, isn't at all like the woman he fell in love with. She's written a book called Executive X that makes Frank furious, though he isn't sure why. And to make matters even stranger, stored in a closet is a severed finger floating in an old mustard jar that makes him feel very, very proud. As more memories flood in, Frank's tightly regulated life begins to unspool as he is forced to face up to the real terms*** and the condition of his life.**** Robert Glancy's debut novel is a shrewd and hilarious exploration of freedom and frustration, success and second chances, and whether it's worth living by the rules. * Yes, exactly like this. ** We can't tell you what it's called for legal reasons, but believe us, it's evil. *** Which are rarely in his favor. **** Which is a total mess.

The mysterious true story of Connie Converse—a mid-century New York City songwriter, singer, and composer whose haunting music never found broad recognition—and one writer’s quest to understand her life This is the mesmerizing story of an enigmatic life. When musician and New Yorker contributor Howard Fishman first heard Connie Converse’s voice on a recording, he was convinced she could not be real. Her recordings were too good not to know, and too out of place for the 1950s to make sense—a singer who seemed to bridge the gap between traditional Americana (country, blues, folk, jazz, and gospel), the Great American Songbook, and the singer-songwriter movement that exploded a decade later with Bob Dylan and Joni Mitchell. And then there was the bizarre legend about Connie Converse that had become the prevailing narrative of her life: that in 1974, at the age of fifty, she simply drove off one day and was never heard from again. Could this have been true? Who was Connie Converse, really? Supported by a dozen years of research, travel to everywhere she lived, and hundreds of extensive interviews, Fishman approaches Converse’s story as both a fan and a journalist, and expertly weaves a narrative of her life and music, and of how it has come to speak to him as both an artist and a person. Ultimately, he places her in the canon as a significant outsider artist, a missing link between a now old-fashioned kind of American music and the reflective, complex, arresting music that transformed the 1960s and music forever. But this is also a story of deeply secretive New England traditions, of a woman who fiercely strove for independence and success when the odds were against her; a story that includes suicide, mental illness, statistics, siblings, oil paintings, acoustic guitars, cross-country road trips, 1950s Greenwich Village, an America marching into the Cold War, questions about sexuality, and visionary, forward thinking about race, class, and conflict. It’s a story and subject that is by turn hopeful, inspiring, melancholy, and chilling.

This book focuses on topics such as the cultural specificity of Arab family businesses with regard to shaping their governance and management; the influence that specific values in the Arab world could exert on the management of family businesses; how spiritual and religious values influence business in Arab family firms; and the role of emotions in the management of family firms in the Arab World. Presenting a collection of contributions addressing management, finance, strategy and succession in Arab Family businesses, this book constitutes a novel and unique contribution to the research field of family businesses.

When a new family moves into the house across the street, Kathryn Price has no clue just how much her life will soon become intertwined with theirs-and what fate has in store for her and Carson, the only child of the gracious Ferris family. Kathryn soon realizes that she and Carson have a lot in common. Not only will they be starting their freshman year of high school together at the end of the summer, Carson's mother is dying-something Kathryn has already experienced, years before. Before long, they're inseparable. For Kathryn and Carson, everything seems nearly perfect-until their happiness is overshadowed by the specter of Huntington's disease, which threatens to destroy everything they hold dear.