No One S Rose

Centuries after the fall of civilization, the remnants of humanity survive in dying bio-city, known as the Green Zone. Teenager Tenn Gavrilo could rebuild the city, maybe even the world. But her resentful brother Seren aims to destroy it. THEY GREW A PERFECT CITY AT THE END OF THE WORLD, BUT THE ROOTS ARE ROTTEN. Centuries after the fall of the Anthropocene, the last vestiges of human civilization are housed in a massive domed city powered by renewable energy, known as The Green Zone. Inside lives teenager Tenn Gavrilo, a brilliant bio-engineer who could rebuild the planet. But there’s one problem: her resentful brother Seren is eager to dismantle the precarious Utopia. From the minds of Zac Thompson (X-Men, Yondu) and debut writer Emily Horn with artist Alberto Jimenez Alburquerque (Letter 44, Avengers ) comes a gorgeous and green solar-punk world filled with strange biotechnology, harsh superstorms, and divisive ideologies--ideologies that will tear Tenn and Seren down to their roots as they fight for a better Earth. Collects the complete five issue series.

New York Times bestselling author Karen Rose returns to the gritty world of Baltimore’s cops and prosecutors with a tale of danger and desire that will leave you breathless… A car crashes in front of rookie PI Paige Holden’s home. And suddenly, she finds one of her pro bono clients dying in her arms—from a gunshot wound. With her last breath, the woman whispers cryptic words into her ear and hands her a blood-smeared flash drive. Five years ago, State’s Attorney Grayson Smith put a murderer behind bars. But when Paige Holden shares the flash drive with him, its contents cast doubts on the conviction—and lead him and Paige into a world of blackmail, dark secrets, and a decades-long string of murders. An investigation they’ll survive only by trusting each other—and the truth.

Explores how violence structures language and the writing of literature and philosophy. Within the violence our societies must confront today exists a dimension proper to language. Anyone who has been through the educational system, for example, recognizes how language not only shapes and models us, but also imposes itself upon us. During the twentieth century, this system revealed how language can condemn one to a certain death. In The Vocation of Writing, philosopher Marc Crépon explores this dimension of language, convinced that the node of all violence pertains first to language and how we make use of it. Crépon focuses on Kafka, Levinas, Singer, and Derrida, not only because each rose against commandeering language in order to warn against the next massacres, but also because their work affirms the vocation of writing—that which makes literature and philosophy the final weapon for unmasking the violence and hatred that language bears at its heart. To affirm the vocation of writing is to turn language against itself, to defuse its murderous potentialities by opening it toward exchange, responsibility, and humanity when the latter fixes the other and the world as its goals. D. J. S. Cross is a FONDECYT Postdoctoral Fellow at the Instituto de Filosofía at the Pontificia Universidad Católica de Chile. Tyler M. Williams is Assistant Professor of Humanities at Midwestern State University.

Now available in paperback for the first time, Jewish Writers of the Twentieth Century is both a comprehensive reference resource and a springboard for further study. This volume: examines canonical Jewish writers, less well-known authors of Yiddish and Hebrew, and emerging Israeli writers includes entries on figures as diverse as Marcel Proust, Franz Kafka, Tristan Tzara, Eugene Ionesco, Harold Pinter, Tom Stoppard, Arthur Miller, Saul Bellow, Nadine Gordimer, and Woody Allen contains introductory essays on Jewish-American writing, Holocaust literature and memoirs, Yiddish writing, and Anglo-Jewish literature provides a chronology of twentieth-century Jewish writers. Compiled by expert contributors, this book contains over 330 entries on individual authors, each consisting of a biography, a list of selected publications, a scholarly essay on their work and suggestions for further reading.

Beginning with the emergence of German-language literature on the international stage in the mid-eighteenth century, the book plays down conventional labels and periodization of German literary history in favour of the explanatory force of international cultural impact. It explains, for instance, how specifically German and Austrian conditions shaped major contributions to European literary culture such as Romanticism and the 'language scepticism' of the early twentieth century. --