No Place Like Utopia

"For more than half a century, Peter Blake has lived in the mainstream of contemporary architecture and art. As writer, magazine editor, critic, and practicing architect, he has numbered among his friends and acquaintances (and occasionally enemies) virtually all of the major figures of modern architecture, and a good many famous artists as well. In this crisp and lively memoir, he brings them - and the time he shared with them - vividly and memorably to life." "The anecdotes are memorable. Here is Frank Lloyd Wright (regarded by Blake as a perfect example of "the Artist as Ham," though he greatly admired his buildings) exploding at the discovery of young Blake's savage review of his Autobiography ... Bertrand Russell trying to escape visitors by hiding up a tree in Pennsylvania, as he calmly puffs away on his pipe ... Buckminster Fuller tap-dancing on a drafting table to demonstrate the metrical affinity between bebop and a new mathematical system he is working on ... Mies van der Rohe at work, stolidly gazing at a model of an ITT building while assistants scurry around making alterations ... Marcel Breuer telling how he invented his famous chair ... Philip Johnson delightedly answering a solemn question about heat loss from a visitor to his glass house: "The heat loss is absolutely tremendous" - and beaming from ear to ear." "But No Place Like Utopia also has a deeper theme: how modern architecture, born and raised between the wars and after with a strong sense of social and political idealism, in the 1960s gradually fell back into its ancient role as an elitist pursuit dedicated to flattering the rich and powerful. Only now, as Blake makes clear, can we see the beginnings of a return to its original principles." "From the push-and-pull of politics, culminating in the witch-hunts of the McCarthy period, to heady days in the magazine business, first with Architectural Forum and then with the brilliant but ultimately doomed Architecture Plus, Peter Blake has always been energetically involved with his art and with his era. No Place Like Utopia is thus doubly valuable, as a wonderfully readable historical and personal document, and a pungent commentary on where modern architecture went wrong and right."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Writers have created fictions of social per­fection at least since Plato’s Republic. Sir Thomas More gave this thread of intel­lectual history a name when he called his contribution to it Utopia, Greek for no place. With each subsequent author cog­nizant of his predecessors and subject to altered real-world conditions which sug­gest ever-new causes for hope and alarm, “no place” changed. The fourteen essays presented in this book critically assess man’s fascination with and seeking for “no place.” “In discussing these central fictions, the contributors see ‘no place’ from di­verse perspectives: the sociological, the psychological, the political, the aesthetic. In revealing the roots of these works, the contributors cast back along the whole length of utopian thought. Each essay stands alone; together, the essays make clear what ‘no place’ means today. While it may be true that ‘no place’ has always seemed elsewhere or elsewhen, in fact all utopian fiction whirls contemporary ac­tors through a costume dance no place else but here.”—from the Preface The contributors are Eric S. Rabkin, B. G. Knepper, Thomas J. Remington, Gorman Beauchamp, William Matter, Ken Davis, Kenneth M. Roemer, Wil­liam Steinhoff, Howard Segal, Jack Zipes, Kathleen Woodward, Merritt Abrash, and James W. Bittner.

Utopia is a work of fiction and socio-political satire by Thomas More published in 1516 in Latin. The book is a frame narrative primarily depicting a fictional island society and its religious, social and political customs. Many aspects of More's description of Utopia are reminiscent of life in monasteries.

Since the election of Mayor David Miller in November 2003, Toronto has experienced a wave of civic pride and enthusiasm not felt in decades. At long last, Torontonians see their city as a place of possibility and potential. Visions of a truly workable, liveable and world-class city are once again dancing in citizens' heads. In the past two years, this spirit has, directly or indirectly, manifested itself in multifarious forms: in writer Sheila Heti's sui generis lecture series, Trampoline Hall; in the transformation of derelict hotels such as the Drake and the Gladstone into cultural hotspots; in renewed interest in waterfront revitalization and public transportation; in exciting, controversial architectural developments such as the OCAD building, the expansion of the ROM and the AGO; in the [murmur] project, which catalogues stories about Toronto neighbourhoods and broadcasts them to people's cell phones; in the explosion of the local independent music scene. uTOpia aims to capture and chronicle that spirit, collecting writing by many of the people inspired by and involved in these projects. Featuring passionate, visionary essays by thirty-four different journalists, artists, thinkers, architects and activists, uTOpia is a compendium of ideas, opinions and strategies. The anthology explores plans to redevelop the Island airport into a Ward's Island-style community; how the Zeidler family is energizing artist-run centres; what a car-free Kensington Market might mean; the necessity and beauty of laneway housing; the way past efforts to combat devastating developments like the Spadina Expressway have shaped current activism; what a utopian Toronto might look like mapped out; and much, much more. Playful, erudite and accessible, uTOpia writes Toronto as it is shared and created by the people who live here. Though it is by no means a complete picture of what is happening in the city right now, it will hopefully show that what was once just a T-shirt slogan - I Heart T.O. - is now genuine, heartfelt sentiment. Contributors include Howard Akler, Andrew Alfred-Duggan, Jacob Allderdice, Bert Archer, James Bow, Nicole Cohen, Jonny Dovercourt, Dale Duncan, Philip Evans, Mark Fram, Misha Glouberman, Chris Hardwicke, Sheila Heti, Alfred Holden, Luis Jacob, Lorraine Johnson, Edward Keenan, Mark Kingwell, John Lorinc, Sally McKay, Heather McLean, Dave Meslin, Shawn Micallef, Derek Murr, Ninjalicious, Darren O'Donnell, Planning Action, Barbara Rahder, Dylan Reid, Erik Rutherford, Jeffrey Stinson, Deanne Taylor, Conan Tobias, Stéphanie Verge, Adam Vaughan and Marlena Zuber.

How can we think more deeply about our travels? This was the question that inspired Emily Thomas' journey into the philosophy of travel. Part philosophical ramble, part travelogue, The Meaning of Travel begins in the Age of Discovery, when philosophers first started taking travel seriously. It meanders forward to consider Montaigne on otherness, John Locke on cannibals, and Henry Thoreau on wilderness. On our travels with Thomas, we discover the dark side of maps, how the philosophy of space fuelled mountain tourism, and why you should wash underwear in woodland cabins... We also confront profound issues, such as the ethics of 'doom tourism' (travel to 'doomed' glaciers and coral reefs), and the effect of space travel on human significance in a leviathan universe. The first ever exploration of the places where history and philosophy meet, this book will reshape your understanding of travel.

BONUS: This edition contains a new Afterword and a reading group guide. Utopia, Texas: It’s either the best place on earth, or it’s no place at all. In the twenty-first century, it’s difficult to imagine any element of American life that remains untouched by popular culture, let alone an entire community existing outside the empire of pop. But Karen Valby discovered the tiny town of Utopia tucked away in the Texas Hill Country. There are no movie theaters for sixty miles in any direction, no book or music stores. But cable television and the Internet have recently thrown wide the doors of Utopia. Valby follows the lives of four Utopians—Ralph, the retired owner of the general store; Kathy, the waitress who waits in terror for three of her boys to return from war; Colter, the son of a cowboy with the soul of a hipster; and Kelli, an aspiring rock star and one of the only black people in town—as they reckon, on an intensely human scale, with war and race, class and culture, and the way time’s passage can change the ground beneath our feet. Utopia is the kind of place we still think of as the “real America,” a place of cowboys and farmers and high-school sweethearts who stay together till they die. But its dramatic stories show us what happens when the old tensions of small-town life confront a new reality: that no town, no matter how small and isolated, can escape the liberating and disruptive forces of the larger world. Welcome to Utopia is a moving elegy for a proud American way of life and a celebration of our relentless impulse toward rebirth.

One hundred kilometers from Seville, there is a small village, Marinaleda, that for the last thirty years has been at the center of a long struggle to create a communist utopia. In a story reminiscent of the Asterix books, Dan Hancox explores the reality behind the community where no one has a mortgage, sport is played in the Che Guevara stadium and there are monthly "Red Sundays" where everyone works together to clean up the neighbourhood. In particular he tells the story of the village mayor, Sanchez Gordillo, who in 2012 became a household name in Spain after leading raids on local supermarkets to feed the Andalucian unemployed.

How To Like Everything is a utopia. 'Utopia' is a word invented five hundred years ago at the start of the modern age as a description of the ideal society. It's composed of Latin parts that taken together mean 'no place' or 'nowhere'. We now use the word utopia to mean an impossible dream of perfection. How To Like Everything recasts the actual world, the forever-changing world we live in, as utopia: to make the impossible possible. This is not a dry academic debate. Paul Shepheard takes on his subject by threading questions, evidence and logic through hilarious, moving and thought-provoking stories. The action is set in the complicated city of Amsterdam, where he gets stuck in the briars of love affairs, existential decisions and conflicts with complete strangers. And the philosophy? He is a materialist. His utopia hinges on the question of whether there can be anything other than the present moment. ,