No Second Chances Border Town 4

In Dos Rios, Texas, things aren't always as they seem.Santiago might be in over his head this time. . . Santiago's grades are slipping again, but he's determined to prove to his family that he can be successful at something, even if it's not school. When a fancy new taco chain moves in across the street from the Garza family restaurant, Santiago is inspired-- he'll open a food business of his own!Unfortunately, running a business is not as much fun as Santiago thought it would be. Fabi and Alexis keep interfering, customers aren't easily won over, and even worse, El Payaso is back in Santiago's life-- and just waiting for him to mess up.

Cousin Santiago is in trouble-again and Fabiola and Alexis are caught in the middle. Can they help their cousin before his mischief ends up on his permanent record?

Children’s and young adult literature has become an essential medium for identity formation in contemporary Latino/a culture in the United States. This book is an original collection of more than thirty interviews led by Frederick Luis Aldama with Latino/a authors working in the genre. The conversations revolve around the conveyance of young Latino/a experience, and what that means for the authors as they overcome societal obstacles and aesthetic complexity. The authors also speak extensively about their experiences within the publishing industry and with their audiences. As such, Aldama’s collection presents an open forum to contemporary Latino/a writers working in a vital literary category and sheds new light on the myriad formats, distinctive nature, and cultural impact it offers.

Many Jewish artists and writers contributed to the creation of popular comics and graphic novels, and in The Quest for Jewish Belief and Identity in the Graphic Novel, Stephen E. Tabachnick takes readers on an engaging tour of graphic novels that explore themes of Jewish identity and belief. The creators of Superman (Jerry Siegel and Joe Shuster), Batman (Bob Kane and Bill Finger), and the Marvel superheroes (Stan Lee and Jack Kirby), were Jewish, as was the founding editor of Mad magazine (Harvey Kurtzman). They often adapted Jewish folktales (like the Golem) or religious stories (such as the origin of Moses) for their comics, depicting characters wrestling with supernatural people and events. Likewise, some of the most significant graphic novels by Jews or about Jewish subject matter deal with questions of religious belief and Jewish identity. Their characters wrestle with belief—or nonbelief—in God, as well as with their own relationship to the Jews, the historical role of the Jewish people, the politics of Israel, and other issues related to Jewish identity. In The Quest for Jewish Belief and Identity in the Graphic Novel, Stephen E. Tabachnick delves into the vivid kaleidoscope of Jewish beliefs and identities, ranging from Orthodox belief to complete atheism, and a spectrum of feelings about identification with other Jews. He explores graphic novels at the highest echelon of the genre by more than thirty artists and writers, among them Harvey Pekar (American Splendor), Will Eisner (A Contract with God), Joann Sfar (The Rabbi’s Cat), Miriam Katin (We Are On Our Own), Art Spiegelman (Maus), J. T. Waldman (Megillat Esther), Aline Kominsky Crumb (Need More Love), James Sturm (The Golem’s Mighty Swing), Leela Corman (Unterzakhn), Ari Folman and David Polonsky (Waltz with Bashir), David Mairowitz and Robert Crumb’s biography of Kafka, and many more. He also examines the work of a select few non-Jewish artists, such as Robert Crumb and Basil Wolverton, both of whom have created graphic adaptations of parts of the Hebrew Bible. Among the topics he discusses are graphic novel adaptations of the Bible; the Holocaust graphic novel; graphic novels about the Jews in Eastern and Western Europe and Africa, and the American Jewish immigrant experience; graphic novels about the lives of Jewish women; the Israel-centered graphic novel; and the Orthodox graphic novel. The book concludes with an extensive bibliography. No study of Jewish literature and art today can be complete without a survey of the graphic novel, and scholars, students, and graphic novel fans alike will delight in Tabachnick’s guide to this world of thought, sensibility, and artfulness.

This collection of non-partisan reports focuses on 18 hot-button social policy issues written by award-winning CQ Researcher journalists. As an annual that comes together just months before publication, the volume is as current as possible. And because it’s CQ Researcher, the social policy reports are expertly researched and written, showing all sides of an issue. Chapters follow a consistent organization, exploring three issue questions, then offering background, current context, and a look ahead, as well as featuring a pro/con debate box. All issues include a chronology, bibliography, photos, charts, and figures.

Gabi... When I was seventeen years old, I was told to stay away from Cole Devonport. Kids like him only ever meant trouble. I should have listened, but I didn’t, and surprise, surprise, I was the one who got hurt. But escaping Cole didn’t mean the end of my pain. Life has a way of screwing me over, and after joining the Army as a way of forgetting him, I suffered a loss I’ll never recover from. So now here I am, back in the town I ran away from, with my alcoholic father apparently looking after me. The last thing I need is Cole showing up on my doorstep because nothing has changed—with his prison tattoos and don’t-screw-with-me edge, Cole Devonport still means trouble... Cole... I let everyone down all those years ago. I made mistakes and I’m not proud of them, but I’ve done my time and now I just want to keep my head down and get on with my life. I thought I was doing exactly that until I heard Gabriella Weston was back in town. Despite what she thought, I was always in love with her. She might hate me, but whether she knows it or not, she also needs me. I want to make it up to her, but with my past still trying to pull me down, perhaps it would be best if I just stayed the hell away like she keeps telling me to. Problem is, I can’t seem to resist her, and I’m the type of guy who always gets what he wants... ‘No Second Chances’ is a stand-alone, second chance, contemporary romance. It is a full length novel with no cliff-hanger!