No Way To Haircut Day Grammy S Gang Book 1

"No Way to Haircut Day" is the first book in Flo Barnett's "Grammy's Gang" series. Kaden refuses to get his haircut. So when dad and mom take him to the barber shop, he is very uncooperative to say the least. After the deed is done though, when looking in the mirror, he sees a handsome boy that looks a lot like himself. Maybe getting a haircut isn't so bad after all especially when you get a red lollipop to take with you.

As seen on the cover of New York Magazine, America's longest running advice columnist goes on the road to speak to women about hideous men and whether we need them. "Carroll's lively prose careens in constant pursuit of pleasure...indefatigably funny and full of life." –Lindsay Zoladz, The Ringer “Darkly humorous and deadly serious.” –Sibbie O'Sullivan, Washington Post “A compulsively interesting feminist memoir.” –Virginia Heffernan, Slate "Somehow hilarious, in the way that only E. Jean could have written it" –Leigh Haber, Oprah Magazine “Roving, curious, compassionate, whimsical.” –Megan Garber, The Atlantic When E. Jean Carroll—possibly the liveliest woman in the world and author of the “Ask E. Jean” advice column in Elle Magazine, realized that her eight million readers and question-writers all seemed to have one thing in common—problems caused by men—she hit the road. Crisscrossing the country with her blue-haired poodle, Lewis Carroll, E. Jean stopped in every town named after a woman between Eden, Vermont and Tallulah, Louisiana to ask women the crucial question: What Do We Need Men For? E. Jean gave her rollicking road trip a sly, stylish turn when she deepened the story, creating a list called “The Most Hideous Men of My Life,” and began to reflect on her own sometimes very dark history with the opposite sex. What advice would she have given to her past selves—as Miss Cheerleader USA and Miss Indiana University? Or as the fearless journalist, television host, and eventual advice columnist she became? E. Jean intertwines the stories of the fascinating people she meets on her road trip with her “horrible history with the male sex” (including mafia bosses, media titans, boyfriends, husbands, a serial killer, and a president), creating a decidedly dark yet hopeful, hilarious, and thrilling narrative. Her answer to the question What Do We Need Men For? will shock men and delight women.

Floe Ryan was frozen - or 'vitrified' - at sixteen. She and her parents had a rare disease, so it was their only choice until a cure was found. Now she's been thawed and it's ten years in the future - but she's still a teenager. And her parents are still chilling out... So now her little sister is her older sister, and she's making Floe suffer for every snotty thing she ever did. It's hard getting used to... not to mention a new school, new technology, and a zillion other new things that happened while she was napping in the freezer. Luckily, she has Taz, the hottie skater boy who was a popsicle too, so they get to reintegrate together. But now they're trying to close the Venice Beach Cryonics Center - with Floe's parents still in it! It's up to her to save the clinic and her parents - so she can finally have a somewhat normal life.

Every artist of the rock & roll era who had only one single in the Top 40, covering songs from the 50s to the 80s.

We live in a pop age gone loco for retro and crazy for commemoration. Band re-formations and reunion tours, expanded reissues of classic albums and outtake-crammed box sets, remakes and sequels, tribute albums and mash-ups . . . But what happens when we run out of past? Are we heading toward a sort of cultural-ecological catastrophe, where the archival stream of pop history has been exhausted? Simon Reynolds, one of the finest music writers of his generation, argues that we have indeed reached a tipping point and that although earlier eras had their own obsessions with antiquity - the Renaissance with its admiration for Roman and Greek classicism, the Gothic movement's invocations of medievalism - never has there been a society so obsessed with the cultural artifacts of its own immediate past. Retromania is the first book to examine the retro industry and ask the question: Is this retromania a death knell for any originality and distinctiveness of our own?

Often demonstrating strong dislikes for haircuts, tags in shirts, seams on socks, and lumps in food, extra-sensitive children are sometimes very challenging for parents to rear. Griffin, a pediatric occupational therapist, created this story to foster communication, tolerance, and understanding between parent and child.

Is Baby really ready for that first haircut? With the usual panache, Leslie Patricelli’s one-haired wonder leads the way into another new experience. It’s important to take care of your hair, even if you only have one! As Baby can tell you, that hair gets washed when it’s dirty and brushed when it looks messy. But when it grows and grows, there’s only one thing to do. This funny and reassuring look at a toddler rite of passage is ideal for little readers—especially those with a tiny bit of trepidation about that first haircut.

White kids from the ’burbs are throwing up gang signs. The 2001 Grammy winner for best rap artist was as white as rice. And blond-haired sorority sisters are sporting FUBU gear. What is going on in American culture that’s giving our nation a racial-identity crisis? Following the trail blazed by Norman Mailer’s controversial essay “The White Negro,” Everything but the Burden brings together voices from music, popular culture, the literary world, and the media speaking about how from Brooklyn to the Badlands white people are co-opting black styles of music, dance, dress, and slang. In this collection, the essayists examine how whites seem to be taking on, as editor Greg Tate’s mother used to tell him, “everything but the burden”–from fetishizing black athletes to spinning the ghetto lifestyle into a glamorous commodity. Is this a way of shaking off the fear of the unknown? A flattering indicator of appreciation? Or is it a more complicated cultural exchange? The pieces in Everything but the Burden explore the line between hero-worship and paternalism. Among the book’s twelve essays are Vernon Reid’s “Steely Dan Understood as the Apotheosis of ‘The White Negro,’” Carl Hancock Rux’s “The Beats: America’s First ‘Wiggas,’” and Greg Tate’s own introductory essay “Nigs ’R Us.” Other contributors include: Hilton Als, Beth Coleman, Tony Green, Robin Kelley, Arthur Jafa, Gary Dauphin, Michaela Angela Davis, dream hampton, and Manthia diAwara.