No Woman S Land

Never Before Has A Single Volume Featured Non-Fiction Writing By Women From Pakistan, India And Bangladesh On The Partion Of India. Here, For The First Time Are Ismat Chughtai, Sara Suleri, Anees Kidwai, Phulrenu Guha, Meghna Guha-Thakurta, Shehla Shibli, Manikuntala Sen, Kamlaben Patel And Many Others, Speaking And Writing About Communalisma Nd Literature, What They Learnt From Refugees, What Partition Means To Them 50 Years Later, And How They Define Themselves--Hindus? Muslims? Indians? Pakistanis? All Of These Or None? Either Or Neither? Not-Indian Not-Pakistani? Bangladeshi Not Pakistani? Above Al, Their Accounts Raise That Most Troubling Question: Do Women Have A Country? An Unusual Mix Of Memoirs, Interviews, Reminiscences And Reflective Essays, This Anthology Is The First Attempt To Present Women`S Voices On The Partion Of India Based On The Experience Of Three Countries.

The women who kept the farms going while the soldiers were Over There

Whelan became the first woman to accompany the Canadian Rangers on a never-before-patrolled route of the northwestern coast of Ellesmere Island. Here, she shares her personal journey and the global significance of the Canadian High Arctic.

In her feminist intervention into the ways in which British women novelists explore and challenge the limitations of the mind-body binary historically linked to constructions of femininity, Andrea Adolph examines female characters in novels by Barbara Pym, Angela Carter, Helen Dunmore, Helen Fielding, and Rachel Cusk. Adolph focuses on how women's relationships to food (cooking, eating, serving) are used to locate women's embodiment within the everyday and also reveal the writers' commitment to portraying a unified female subject. For example, using food and food consumption as a lens highlights how women writers have used food as a trope that illustrates the interconnectedness of sex and gender with issues of sexuality, social class, and subjectivity-all aspects that fall along a continuum of experience in which the intellect and the physical body are mutually complicit. Historically grounded in representations of women in periodicals, housekeeping and cooking manuals, and health and beauty books, Adolph's theoretically informed study complicates our understanding of how women's social and cultural roles are intricately connected to issues of food and food consumption.

María Sánchez is obsessed with what she cannot see. As a field veterinarian following in the footsteps of generations before her, she travels the countryside of Spain bearing witness to a life eroding before her eyes—words, practices, and people slipping away because of depopulation, exploitation of natural resources, inadequate environmental policies, and development encroaching on farmland and villages. Sánchez, the first woman in her family to dedicate herself to what has traditionally been a male-dominated profession, rebuffs the bucolic narrative of rural life often written by—and for consumption by—people in cities, describing the multilayered social complexity of people who are proud, resilient, and often misunderstood. Sánchez interweaves family stories of three generations with reflections on science and literature. She focuses especially on the often dismissed and undervalued generations of women who have forgone education and independence to work the land and tend to family. In doing so, she asks difficult questions about gender equity and labor. Part memoir and part rural feminist manifesto, Land of Women acknowledges the sacrifices of Sánchez’s female ancestors who enabled her to become the woman she is. A bestseller in Spain, Land of Women promises to ignite conversations about the treatment and perception of rural communities everywhere.

Based on true events from World War I, this fictional story follows “farmerette” Helen Stevens as she trains to farm the land, convinces a farm owner to hire her and her colleagues, negotiates a fair wage, and does her bit for the war effort. Beginning as a movement to put women to work on farms in place of men serving overseas during WWI, the Woman's Land Army grew to be an integral part of the food supply chain during the war. This unique look at a forgotten history celebrates the true grit of American men and women.

In the country she inhabits, Meiji is unique. The only surviving female in a land where women have been exterminated, she has been brought up in secret, cloistered and protected, by three men she knows as her uncles ? Eldest, Middle and Youngest. Now, as she approaches adolescence, her guardians must ensure that the dictatorial clone Generals who rule their world never get to know of her existence, and it falls to Youngest to escort Meiji on a long and treacherous journey through ravaged landscapes to the very edge of the world known to them. An adventure story like no other, a tale of love and self-discovery in several unexpected layers, Escape is a novel that is as unsettling as it is unputdownable. In its captivating portrayal of tender relationships blooming and thriving in a vicious, forbidding landscape, it bears out Manjula Padmanabhan?s genius as a creator of compelling alternative worlds.

"A single mother's personal, unflinching look at America's class divide (Barack Obama)," this New York Times bestselling memoir is the inspiration for the Netflix limited series, hailed by Rolling Stone as "a great one." At 28, Stephanie Land's dreams of attending a university and becoming a writer quickly dissolved when a summer fling turned into an unplanned pregnancy. Before long, she found herself a single mother, scraping by as a housekeeper to make ends meet. Maid is an emotionally raw, masterful account of Stephanie's years spent in service to upper middle class America as a "nameless ghost" who quietly shared in her clients' triumphs, tragedies, and deepest secrets. Driven to carve out a better life for her family, she cleaned by day and took online classes by night, writing relentlessly as she worked toward earning a college degree. She wrote of the true stories that weren't being told: of living on food stamps and WIC coupons, of government programs that barely provided housing, of aloof government employees who shamed her for receiving what little assistance she did. Above all else, she wrote about pursuing the myth of the American Dream from the poverty line, all the while slashing through deep-rooted stigmas of the working poor. Maid is Stephanie's story, but it's not hers alone. It is an inspiring testament to the courage, determination, and ultimate strength of the human spirit. "A single mother's personal, unflinching look at America's class divide, a description of the tightrope many families walk just to get by, and a reminder of the dignity of all work." -PRESIDENT BARACK OBAMA, Obama's Summer Reading List