Nomads As Agents Of Cultural Change

Since the first millennium BCE, nomads of the Eurasian steppe have played a key role in world history and the development of adjacent sedentary regions, especially China, India, the Middle East, and Eastern and Central Europe. Although their more settled neighbors often saw them as an ongoing threat and imminent danger—“barbarians,” in fact—their impact on sedentary cultures was far more complex than the raiding, pillaging, and devastation with which they have long been associated in the popular imagination. The nomads were also facilitators and catalysts of social, demographic, economic, and cultural change, and nomadic culture had a significant influence on that of sedentary Eurasian civilizations, especially in cases when the nomads conquered and ruled over them. Not simply passive conveyors of ideas, beliefs, technologies, and physical artifacts, nomads were frequently active contributors to the process of cultural exchange and change. Their active choices and initiatives helped set the cultural and intellectual agenda of the lands they ruled and beyond. This volume brings together a distinguished group of scholars from different disciplines and cultural specializations to explore how nomads played the role of “agents of cultural change.” The beginning chapters examine this phenomenon in both east and west Asia in ancient and early medieval times, while the bulk of the book is devoted to the far flung Mongol empire of the thirteenth and fourteenth centuries. This comparative approach, encompassing both a lengthy time span and a vast region, enables a clearer understanding of the key role that Eurasian pastoral nomads played in the history of the Old World. It conveys a sense of the complex and engaging cultural dynamic that existed between nomads and their agricultural and urban neighbors, and highlights the non-military impact of nomadic culture on Eurasian history. Nomads as Agents of Cultural Change illuminates and complicates nomadic roles as active promoters of cultural exchange within a vast and varied region. It makes available important original scholarship on the new turn in the study of the Mongol empire and on relations between the nomadic and sedentary worlds.

The Ilkhanate: from Tegüder Aḥmad to Öljeitü -- Muslim Ilkhans, the Buddhists and the People of the Book -- Rashīd al-Dīn, Islam and the Mongols -- The Islam of Ghazan, his generals and his minister: the view from outside -- EPILOGUE -- Legitimation by Chinggisid descent -- Allegiance to Mongol norms and institutions -- Turkicization -- The exodus of Muslims from the Mongol world -- The spread of Islam across Eurasia -- The movement of peoples and the emergence of new ethnicities -- The integration of Eurasia within a single disease zone: the Black Death -- CONCLUSION -- APPENDIX 1 Glossary of Technical Terms -- APPENDIX 2 Genealogical Tables and Lists of Rulers -- NOTES -- BIBLIOGRAPHY -- INDEX

Devised to legitimize the Republic of China’s claim over Inner Asia, the Sinocentric paradigm stems from the Open Door Policy and Chinese nationalism. Advanced against the conquest theory, and rationalized as the pathfinding ecological theory, it is an evolutionary materialist scheme that became the vision of history. Exposing the initial agenda of this paradigm and revealing its fundamental contradictions, The Nomadic Leviathan debunks it as a myth. Resurrecting the conquest theory, and reinforcing it with the idea of extrahuman transportation, this book places pastoralism at the origin of the state and civilization, and the Eurasian steppe at the center of human history; the political emerges as the primary and fundamental order defining the social and economic.

This book presents 45 papers presented at a major international conference held at the British Museum during the 2017 BP exhibition 'Scythians: warriors of ancient Siberia'. Papers include new archaeological discoveries, results of scientific research and studies of museum collections, most presented in English for the first time.

Zarakol presents the first comprehensive history of the international relations in 'the East', and rethinks 'sovereignty', 'order-making' and 'decline'.

This groundbreaking book examines the role of rulers with nomadic roots in transforming the great societies of Eurasia, especially from the thirteenth to sixteenth centuries. Distinguished historian Pamela Kyle Crossley, drawing on the long history of nomadic confrontation with Eurasia’s densely populated civilizations, argues that the distinctive changes we associate with modernity were founded on vernacular literature and arts, rising literacy, mercantile and financial economies, religious dissidence, independent learning, and self-legitimating rulership. Crossley finds that political traditions of Central Asia insulated rulers from established religious authority and promoted the objectification of cultural identities marked by language and faith, which created a mutual encouragement of cultural and political change. As religious and social hierarchies weakened, political centralization and militarization advanced. But in the spheres of religion and philosophy, iconoclasm enjoyed a new life. The changes cumulatively defined a threshold of the modern world, beyond which lay early nationalism, imperialism, and the novel divisions of Eurasia into “East” and “West.” Synthesizing new interpretive approaches and grand themes of world history from 1000 to 1500, Crossley reveals the unique importance of Turkic and Mongol regimes in shaping Eurasia’s economic, technological, and political evolution toward our modern world.

The Gift captures the Singapore segment of the curatorial project Collecting Entanglements and Embodied Histories. Focusing on ideas of inter-relation and exchange manifest in history, geography and identity, this catalogue features the works of 15 artists in an examination of how the act of giving is performed, remembered and entangles. Collecting Entanglements and Embodied Histories is a dialogue between the collections of Galeri Nasional Indonesia, MAIIAM Contemporary Art Museum, Nationalgalerie – Staatliche Museen zu Berlin and Singapore Art Museum, initiated by the Goethe-Institut. The exhibitions are curated by Anna-Catharina Gebbers, Grace Samboh, Gridthiya Gaweewong and June Yap