Nonexistence

Shortlisted for the James Tait Black Prize for Biography Longlisted for The Orwell Prize for Political Writing An electric portrait of the artist as a young woman that asks how a writer finds her voice in a society that prefers women to be silent, from the author of Orwell's Roses In Recollections of My Nonexistence, Rebecca Solnit describes her formation as a writer and as a feminist in 1980s San Francisco, in an atmosphere of gender violence on the street and throughout society and the exclusion of women from cultural arenas. She tells of being poor, hopeful, and adrift in the city that became her great teacher, and of the small apartment that, when she was nineteen, became the home in which she transformed herself. She explores the forces that liberated her as a person and as a writer--books themselves; the gay community that presented a new model of what else gender, family, and joy could mean; and her eventual arrival in the spacious landscapes and overlooked conflicts of the American West. Beyond being a memoir, Solnit's book is also a passionate argument: that women are not just impacted by personal experience, but by membership in a society where violence against women pervades. Looking back, she describes how she came to recognize that her own experiences of harassment and menace were inseparable from the systemic problem of who has a voice, or rather who is heard and respected and who is silenced--and how she was galvanized to use her own voice for change.

The dead are gone. They count for nothing. Yet, if we count the dead, their number is staggering. And they account for most of what is great about civilization. Compared to the greatness of the dead, the accomplishments of the living are paltry. Which is it then: are the dead still there to be counted or not? And if they are still there, where exactly is "there"? We are confronted with the ancient paradox of nonexistence bequeathed us by Parmenides. The mystery of death is the mystery of nonexistence. A successful attempt to provide a metaphysics of death, then, must resolve the paradox of nonexistence. That is the aim of this study. At the same time, the metaphysics of death, of ceasing to exist, must serve as an account of birth, of coming to exist; the primary thesis of this book is that this demands going beyond existence and nonexistence to include what underlies both, which one can call, following tradition, "being." The dead and the unborn are therefore objects that lack existence but not being. Nonexistent objects - not corpses, or skeletons, or memories, all of which are existent objects - are what are "there" to be counted when we count the dead.

Are there nonexistent objects? Can we make sense of objects having properties without thinking that there are nonexistent objects? Is existence a predicate? Can we make sense of necessarily existing objects depending on God? Tackling these central questions, Matthew Davidson explores the metaphysics of existence and nonexistence. He presents an extended argument for independence actualism, a previously undefended view that objects can have properties in worlds and at times at which they do not exist. Among other unique points of discussion, Davidson considers the nature of actualism, arguments for and against serious actualism, the semantics of “exists” as a predicate, the merits of different sorts of Meinongian theories, and different views on which God might ground the existence of necessarily existing abstracta. The book offers a Lewisian-style argument for adopting independence actualism in that the view may be used to solve many problems in metaphysics, philosophy of language and philosophy of religion.

Fiction, Reference, and Nonexistence contains a new, contemporary theory of fiction and discusses the connection between language and reality. Martinich and Stroll, two of America's leading philosophers, explore fiction and undertake an analytic philosophical study of fiction and its reference, and its relation to truth.

Fiction. "All the information in the universe, plus several bits from other dimensions that I'm still trying to sort out, have just been mainlined into my nervous system. The shards from a googleplex of infobits seem to be stuck in the part of my brain just above the pineal gland. Yes, I've just been reading Kenji Siratori again. This is my idea of a good time"--RU Sirius. Kenji Siratori (born 1975 March 13 in Chitose, Hokkaido, Japan) is a cyberpunk author known for experimental prose and nonlinear narrative. His first book, Blood Electric, was published in 2002. Blood Electric (Creation Books) was acclaimed by David Bowie. He is part of the bizarro movement in literature.

Arguments for the existence of God have taken many different forms over the centuries: in The Non-Existence of God, Everitt considers all the arguments and examines the role that reason and knowledge play in the debate over God's existence.