Nordic Sounds

The Nordic countries, a group of countries spanning a large area of northern Europe and the North Atlantic, present unique natural and cultural environments in which popular music has come to play a significant role. Research on the region's music has largely followed national narratives and ignored more complex geographies and transcultural issues. This first handbook of music in the Nordic countries explores the significance of popular music in the history of the region, with implications for broader debates about the region's uniqueness and its future. The chapters highlight music's place in media and tourism industries, in sustaining exotic images of the North, but also in more serious issues such as racism and environmentalism.

This book contains the refereed proceedings of the 7th Scandinavian Conference on Information Systems, SCIS 2016, as well as of the IFIP Working Group 8.6 Conference, both held together in Ljungskile, Sweden, August 2016. The 7th SCIS conference had the theme “Living in the cloud” and highlighted the digitalization of society, that has proceeded and entered almost all aspects of our lives. The double-blind review process led to the acceptance of 9 out of 25 paper submitted. For the IFIP 8.6 conference, the theme in 2016 was ”Diffusion of IS for Learning New Practices” and addressed issues related to learning of new practices from both organizational and societal perspectives traditionally covered by the IFIP Working Group 8.6. For this conference, 4 out of 11 manuscript were accepted for presentation.

The five countries that make up Northern Europe—Denmark, Sweden, Norway, Finland, and Iceland—have, over the course of the last several centuries, developed and unique and viable art music history that easily rivals that of their continental neighbors. Nordic Art Music: From the Middle Ages to the Third Millennium provides an informative and accessible overview of the fascinating historical and aesthetic developments of this music and its creators, from the Middle Ages and the Renaissance, through the Baroque, Classical, and Romantic eras, to the beginning of this new century. Though some Nordic composers, including Edvard Grieg, Carl Nielsen, and Jean Sibelius, have found great acclaim in all parts of the world, author Frederick Key Smith lays the foundation for their work in his discussion of the many composers relatively unknown outside of Northern Europe. Smith ably discusses the composers, styles, and representative works of each era in language that makes for a highly readable musical history as well as a superior reference guide. The first English-language book of its type in nearly 40 years, Smith's study brings into focus this broad and exciting aspect of music history.

The Nature of Nordic Music explores two distinctive yet complementary understandings of the term ‘nature’: the inherent features, characters and qualities of contemporary Nordic music, and how the elemental forces of nature, the phenomena of the physical world (landscape, climate, environment), inspire and condition creativity here. Within a broader debate about the meaning of ‘Nordicness’, 12 case studies challenge our assumptions about a ‘Nordic tone’ to reveal a creative energy that is diverse and cosmopolitan in outlook. Each of the three parts of the book – ‘Identities’, ‘Images’ and ‘Environments’ – accommodates an eclectic array of musical genres (classical, popular, jazz, folk, electronic). This book will appeal to anyone interested in Nordic music and culture, especially students and researchers.

Why is it impossible to talk Swedish while queuing for a hamburger on a Friday night in Helsinki without getting into a fight, despite Swedish being an official language in Finland? The Queen of Denmark, the Government Minister, the Nobel Prize winner and the young editor-in-chief all have an intense relationship with language. In this book, they - along with a number of other people with a keen interest in language - talk about how language has shaped their lives, both private and professional. Language affects people - it engages and provokes. And power lies in language. Icelanders and Finns only have access to translated and interpreted material if they have not learned a Scandinavian language. Does the way we handle language in Nordic collaboration mean that we are creating ademocratic deficit? How are we affected by tradition on the one hand and by the accelerating change brought about by globalisation on the other? Is it a question of generational boundaries? Would young people in Nordic countries rather speak English than Norwegian? These are some of the issues touched upon in this book.

Women in Music: A Research and Information Guide is an annotated bibliography emerging from more than twenty-five years of feminist scholarship on music. This book testifies to the great variety of subjects and approaches represented in over two decades of published writings on women, their work, and the important roles that feminist outlooks have played in formerly male-oriented academic scholarship or journalistic musings on women and music.

New Music of the Nordic Countries describes the music of Denmark, Finland, Iceland, Norway and Sweden composed during the latter half of the twentieth century. Along with providing biographical material on most of the living Nordic composers, the book discusses in detail the major trends in Scandinavian contemporary music as well as many of the recent musical works. The 800-page volume is edited by John D. White, a former Scholar to Iceland and a Fellow of the American-Scandinavian Foundation. White is the author of Part III, New Music in Iceland and has enlisted five other distinguished Nordic musical scholars to write the remaining sections of the book. Bound together philosophically, geographically, and to a significant extent ethnically, the five Nordic countries hold a unique place in today's world. They are populated by talented, creative achievers, and each nation possesses its own special qualities. This is certainly true in its music, yet little of Nordic tone art of the late twentieth century is widely known outside of Northern Europe. Thus, this comprehensive volume will serve a valuable purpose in disseminating knowledge about this important body of music literature.