Northern Cheyenne Ledger Art By Fort Robinson Breakout Survivors

Northern Cheyenne Ledger Art by Fort Robinson Breakout Survivors presents Dodge City ledger-art images and biographies that document a Native perspective at the cusp of reservation life in 1879.

For over 35 years, the dominant histories of the American West have been narratives of horrific conflicts. As dark and as bloody as western grounds have often been however, there were also important episodes of concord, instances of barriers breached, accords reached, and of people overcoming their differences as opposed to being overcome by them. Peace and Friendship highlights the instances of cohabitation, deepening our understanding of how the West came to be: through colonization, violence, misunderstanding, and, surprisingly, at times, peace.

References to the Indian Wars, those conflicts that accompanied US continental expansion, suffuse American military history. From Black Hawk helicopters to the exclamation "Geronimo" used by paratroopers jumping from airplanes, words and images referring to Indians have been indelibly linked with warfare. In Indian Wars Everywhere, Stefan Aune shows how these resonances signal a deeper history, one in which the Indian Wars function as a shadow doctrine that influences US military violence. The United States' formative acts of colonial violence persist in the actions, imaginations, and stories that have facilitated the spread of American empire, from the "savage wars" of the nineteenth century to the counterinsurgencies of the Global War on Terror. Ranging across centuries and continents, Indian Wars Everywhere considers what it means for the conquest of Native peoples to be deemed a success that can be used as a blueprint for modern warfare.

Historian Jerome A. Greene is renowned for his memorable chronicles of egregious events involving American Indians and the U.S. military, including Sand Creek, Washita, and Wounded Knee. Now, in January Moon, Greene draws from extensive research and fieldwork to explore a signal--and appallingly brutal--event in American history: the desperate flight of Chief Dull Knife's Northern Cheyenne Indians from imprisonment at Fort Robinson, Nebraska. In the wake of the Great Sioux War of 1876-77, the U.S. government expelled most Northern Cheyennes from their northern plains homeland to Indian Territory, in present-day Oklahoma. Following mounting hardships, many of those people, under Chiefs Dull Knife and Little Wolf, broke away, seeking to return north. While Little Wolf's band managed initially to elude pursuing U.S. troops, Dull Knife's people were captured in 1878 and ushered into a makeshift barrack prison at Camp (later Fort) Robinson, where they spent months waiting for government officials to decide their fate. It is here that Greene's riveting narrative edges toward its climax. On the night of January 9, 1879, in a bloody struggle with troops, Dull Knife's people staged a massive breakout from their barrack prison in a last-ditch bid for freedom. Greene paints a vivid picture of their frantic escape, which took place under an unusually brilliant moon that doomed many of those fleeing by silhouetting them against the snow. A climactic engagement at Antelope Creek proved especially devastating, and the helpless people were nearly annihilated. In gripping detail, Greene follows the survivors' dreadful experiences into their aftermath, including creation of the Northern Cheyenne Reservation. Carrying the story to the present day, he describes Cheyenne tribal events commemorating the breakout--all designed to ensure that the injustices of nineteenth-century U.S. government policy will never be forgotten.

Historian Jerome A. Greene is renowned for his memorable chronicles of egregious events involving American Indians and the U.S. military, including Sand Creek, Washita, and Wounded Knee. Now, in January Moon, Greene draws from extensive research and fieldwork to explore a signal—and appallingly brutal—event in American history: the desperate flight of Chief Dull Knife’s Northern Cheyenne Indians from imprisonment at Fort Robinson, Nebraska. In the wake of the Great Sioux War of 1876–77, the U.S. government expelled most Northern Cheyennes from their northern plains homeland to Indian Territory, in present-day Oklahoma. Following mounting hardships, many of those people, under Chiefs Dull Knife and Little Wolf, broke away, seeking to return north. While Little Wolf’s band managed initially to elude pursuing U.S. troops, Dull Knife’s people were captured in 1878 and ushered into a makeshift barrack prison at Camp (later Fort) Robinson, where they spent months waiting for government officials to decide their fate. It is here that Greene’s riveting narrative edges toward its climax. On the night of January 9, 1879, in a bloody struggle with troops, Dull Knife’s people staged a massive breakout from their barrack prison in a last-ditch bid for freedom. Greene paints a vivid picture of their frantic escape, which took place under an unusually brilliant moon that doomed many of those fleeing by silhouetting them against the snow. A climactic engagement at Antelope Creek proved especially devastating, and the helpless people were nearly annihilated. In gripping detail, Greene follows the survivors’ dreadful experiences into their aftermath, including creation of the Northern Cheyenne Reservation. Carrying the story to the present day, he describes Cheyenne tribal events commemorating the breakout—all designed to ensure that the injustices of nineteenth-century U.S. government policy will never be forgotten.

Although ledger art has long been considered a male art form, Women and Ledger Art calls attention to the extraordinary achievements of four contemporary female Native artists—Sharron Ahtone Harjo (Kiowa), Colleen Cutschall (Oglala Lakota), Linda Haukaas (Sicangu Lakota), and Dolores Purdy Corcoran (Caddo). The book examines these women's interpretations of their artwork and their thoughts on tribal history and contemporary life.

With honesty and extraordinary self-knowledge, 21 accomplished authors illuminate the mother-daughter relationship--intimate, complicated, loving, and flawed--with humor and clarity.

"Denise Low recovers the life and times of her grandfather, Frank Bruner (1889-1963), whose expression of Lenape identity was largely discouraged by mainstream society."--Provided by publisher.