Northern Ireland The Bbc And Censorship In Thatcher S Britain

This is a study of how Thatcher's government tried to control the narrative of the Northern Ireland conflict in an effort to shape how 'the Troubles' were understood by regional, national, and international audiences, and exploring how Britain's status as a leading global democracy was tarnished by the imposition of censorship in the 1988 Broadcasting Ban.

This is a study of how the Northern Ireland conflict was presented to an increasingly global audience during the premiership of Britain's 'Iron Lady', Margaret Thatcher. It addresses the tensions that characterized the relationship between the broadcast media and the Thatcher Government throughout the 1980s. Robert J. Savage explores how that tension worked its way into decisions made by managers, editors, and reporters addressing a conflict that seemed insoluble. Margaret Thatcher mistrusted the broadcast media, especially the BBC, believing it had a left-wing bias that was hostile to her interests and policies. This was especially true of the broadcast media's reporting about Northern Ireland. She regarded investigative reporting that explored the roots of republican violence in the region or coverage critical of her government's initiatives as undermining the rule of law, and thereby providing terrorists with what she termed the 'oxygen of publicity'. She followed in the footsteps of the Labour Government that proceeded her by threatening and bullying both the BBC and IBA, promising that the draconian Prevention of Terrorism Act would be deployed to punish journalists that came into contact with the IRA. Although both networks continued to offer compelling news and current affairs programming, the tactics of her government produced considerable success. Wary of direct government intervention, both networks encouraged a remarkable degree of self-censorship when addressing 'the Troubles'. Regardless, by 1988, the Thatcher Government, unhappy with criticism of its policies, took the extraordinary step of imposing formal censorship on the British broadcast media. The infamous 'broadcasting ban' lasted six years, successfully silencing the voices of Irish republicans while tarnishing the reputation of the United Kingdom as a leading global democracy.

This volume offers a range of sociological, political, and historical perspectives on religion in Ireland from 1800 to the present. Going beyond the usual Catholicism-Protestantism dichotomy and adopting an all-island approach, the book's contributors address religion's interaction with several contemporary themes and debates in modern Ireland.

This book explores how news and information about the conflict in Northern Ireland was disseminated through the most accessible, powerful and popular form of media: television. It focuses on the BBC and considers how its broadcasts complicated the 'Troubles' by challenging decisions, policies and tactics developed by governments trying to defeat a stubborn insurgency that threatened national security. The book uses highly original sources to consider how the BBC upset the efforts of a number of governments to control the narrative of a conflict that claimed over 3,500 lives and caused deep emotional scarring to thousands of people. Using recently released archival material from the BBC and a variety of government archives, the book addresses the contentious relationship between broadcasting officials, politicians, the army, police and civil service from the outbreak of violence throughout the 1980s.

Technology in Irish Literature and Culture shows how such significant technologies—typewriters, gramophones, print, radio, television, computers—have influenced Irish literary practices and cultural production, while also examining how technology has been embraced as a theme in Irish writing. Once a largely rural and agrarian society, contemporary Ireland has embraced the communicative, performative and consumptive habits of a culture utterly reliant on the digital. This text plumbs the origins of the present moment, examining the longer history of literature's interactions with the technological and exploring how the transformative capacity of modern technology has been mediated throughout a diverse national canon. Comprising essays from some of the major figures of Irish literary and cultural studies, this volume offers a wide-ranging, comprehensive account of how Irish literature and culture have interacted with technology.

A vivid account of the struggle to introduce television in Ireland.

This year marks the centenary of Harold Wilson's birth, the fiftieth anniversary of his most impressive general election victory and forty years since his dramatic resignation as Prime Minister. He was one of the longest-serving premiers of the twentieth century, having won a staggering four general elections, yet, despite this monumental record, his place in Labour's history remains somewhat ambiguous. By the end of his two periods in power, both the left and right of the party were highly critical of Wilson - the former regarding him as a traitor to socialism, the latter as contributing directly to British decline. With contributions from leading experts in the fields of political study, and from Wilson's own contemporaries, this remarkable new study offers a timely and wide-ranging reappraisal of one of the giants of twentieth-century politics, examining the context within which he operated, his approach to leadership and responses to changing social and economic norms, the successes and failure of his policies, and how he was viewed by peers from across the political spectrum. Finally, it examines the overall impact of Harold Wilson on the development of British politics.

An exploration of the relationship between the broadcast media and political events in Northern Ireland. Contributors examine a range of issues, including the broadcasting ban, Ulster Unionism and British journalism, the Gibraltar killings and coverage of the conflict by Dublin journalists.