Not Just Another Szep Book

Spanning from "Vietnam and the Johnson Years" to "Clinton and Everyone Else," the editorial cartoons of Paul Szep showcase his biting wit and scathing social commentary. At the Boston Globe since 1966, Szep, as he is simply known to his thousands of loyal fans, has had more than three decades to hone the razor edge of his ironic, sarcastic humor. No one is immune from his criticism. Boston's beloved Red Sox, O. J. Simpson, Bill and Hillary Clinton, Bob Dole, and the British royal family have all been targets for his pen. Social issues including Ebonics, violence on television, and race relations fail to escape unscathed. Paul Szep was born in Hamilton, Ontario, Canada, and graduated from the Ontario College of Art. Before joining the Boston Globe, he played hockey and worked part-time in Canadian steel mills, which helped to shape his views and opinions. These, combined with his talent as an editorial cartooninst, have earned him two Pulitzer Prizes and numerous other awards. His cartoons have been featured in many issues of Best Editorial Cartoons of the Year , published by Pelican.

EDUCATING ABOUT SOCIAL ISSUES IN THE 20th and 21st Centuries: A Critical Annotated Bibliography, Volume 3 is the third volume in a series that addresses an eclectic host of issues germane to teaching and learning about social issues at the secondary level of schooling, ranging over roughly a one hundred year period (between 1915 and 2013). Volume 3 specifically addresses how an examination of social issues can be incorporated into the extant curriculum. Experts in various areas each contribute a chapter in the book. Each chapter is comprised of a critical essay and an annotated bibliography of key works germane to the specific focus of the chapter.

The Columbus Dispatch cartoonist.

This book examines the fictional female bodies of four stylistically distinct comics artists in the United States—Chris Ware, Emil Ferris, Ebony Flowers, and Tillie Walden—whose work has attracted significant attention. These bodies showcase how comics and its unique visual language can both critique and re-envision some of the most challenging social issues of our time. The characters analyzed in this book illustrate diverse techniques for projecting the complex humanity and "truth" of U.S. women’s unruly bodies onto a two-dimensional page. All of the protagonists qualify as "outsider" in some way, whether by gender identity, sexuality, ability, religion, race, class, ethnicity, age, or a combination of these and other categories. These bodily expressions of outsider identity both resist traditional categorization and stereotypes, and sometimes harness and employ those stereotypes for the purposes of parody or social critique. The language of comics affords a unique opportunity for complex representation of these disparate women’s bodies, especially when comics artists use the full range of tools at their disposal, such as style, materials, narrative direction, the space of the gutter, and the friction between word and image. This is an a timely and important intervention suitable for researchers and students in comics studies, gender studies, literature and queer studies.

Mitsuha Yamano falls off a cliff, at which point she finds herself transported to some sort of medieval European fantasy world! While there, during a battle with some wolves that almost costs her her life, she realizes that she has the ability to come and go between Earth and this new world. Mitsuha decides to use this ability as much as she can. Why? To save up for retirement, of course! She sets her sights on saving eighty thousand gold coins--and this is the story of her schemes to get there!