Notes From Venus

The award-winning, New York Times bestselling literary masterpiece of Shirley Hazzard—the story of two beautiful orphan sisters whose fates are as moving and wonderful, and yet as predestined, as the transits of the planets themselves A Penguin Classic Considered "one of the great English-language novels of the twentieth century" (The Paris Review), The Transit of Venus follows Caroline and Grace Bell as they leave Australia to begin a new life in post-war England. From Sydney to London, New York, and Stockholm, and from the 1950s to the 1980s, the two sisters experience seduction and abandonment, marriage and widowhood, love and betrayal. With exquisite, breathtaking prose, Australian novelist Shirley Hazzard tells the story of the displacements and absurdities of modern life. The result is at once an intricately plotted Greek tragedy, a sweeping family saga, and a desperate love story.

A collection of sacred love notes from beyond time and space written specifically for you.

The Mythology of Venus is a collection of essays that summarizes the archaeoastronomy, calendar associations, religious and cultural icons, and myths identified with the planet Venus. The book concentrates on Western Europe, the Mediterranean, the Near East, and the East from the Paleolithic Age to the Iron Age. It reveals the archetype of a goddess associated with the planet Venus who is identified with transformation, spiritual resurrection, and enlightenment. The characteristics of the goddess are steeped in sexual metaphors which contain images of birth and re-birth, and they reveal a pattern of symbols that follows the journey of the planet Venus through its cycles in the night sky. Moreover, the journey of Venus and the corresponding icons associated with the goddess are part of an intricate pattern of symbolic language that is seen on ancient monuments and on the ancient calendars of several cultures. Temples from France and Ireland to Greece and Malta trace the journey of the planet Venus and the story of the goddess of Venus.

This book lays bare the dialogue between Shakespeare and critics of the stage and positions it as part of an ongoing cultural, ethical, and psychological debate about the effects of performance on actors and on spectators. In so doing, the book makes a substantial contribution both to the study of representations of theatre in Shakespeare’s plays and to the understanding of ethical concerns about acting and spectating—then, and now. The book opens with a comprehensive and coherent analysis of the main early modern English anxieties about theater and its power. These are read against twentieth- and twenty-first-century theories of acting, interviews with actors, and research into the effects of media representation on spectator behaviour, all of which demonstrate the lingering relevance of antitheatrical claims and the personal and philosophical implications of acting and spectating. The main part of the book reveals Shakespeare’s responses to major antitheatrical claims about the powerful effects of poetry, music, playacting, and playgoing. It also demonstrates the evolution of Shakespeare’s view of these claims over the course of his career: from light-hearted parody in A Midsummer Night’s Dream, through systematic contemplation in Hamlet, to acceptance and dramatization in The Tempest. This study will be of great interest to scholars and students of theater, English literature, history, and culture.