Nothing Is True Everything Is Permitted

Alamut takes place in 11th Century Persia, in the fortress of Alamut, where self-proclaimed prophet Hasan ibn Sabbah is setting up his mad but brilliant plan to rule the region with a handful of elite fighters who are to become his "living daggers." By creating a virtual paradise at Alamut, filled with beautiful women, lush gardens, wine and hashish, Sabbah is able to convince his young fighters that they can reach paradise if they follow his commands. With parallels to Osama bin Laden, Alamut tells the story of how Sabbah was able to instill fear into the ruling class by creating a small army of devotees who were willing to kill, and be killed, in order to achieve paradise. Believing in the supreme Ismaili motto “Nothing is true, everything is permitted,” Sabbah wanted to “experiment” with how far he could manipulate religious devotion for his own political gain through appealing to what he called the stupidity and gullibility of people and their passion for pleasure and selfish desires. The novel focuses on Sabbah as he unveils his plan to his inner circle, and on two of his young followers — the beautiful slave girl Halima, who has come to Alamut to join Sabbah's paradise on earth, and young ibn Tahir, Sabbah's most gifted fighter. As both Halima and ibn Tahir become disillusioned with Sabbah's vision, their lives take unexpected turns. Alamut was originally written in 1938 as an allegory to Mussolini's fascist state. In the 1960's it became a cult favorite throughout Tito's Yugoslavia, and in the 1990s, during the Balkan's War, it was read as an allegory of the region's strife and became a bestseller in Germany, France and Spain. Following the attacks of September 11, 2001, the book once again took on a new life, selling more than 20,000 copies in a new Slovenian edition, and being translated around the world in more than 19 languages. This edition, translated by Michael Biggins, in the first-ever English translation.

'Electrifying.' Anne Applebaum'Mesmerising.' Financial Times'Seductive and terrifying in equal measure.' The Times'Required reading.' ObserverA journey into the glittering, surreal heart of 21st century Russia: into the lives of Hells Angels convinced they are messiahs, professional killers with the souls of artists, bohemian theatre directors turned Kremlin puppet-masters, supermodel sects, post-modern dictators and oligarch revolutionaries. This is a world erupting with new money and new power, changing so fast it breaks all sense of reality, where life is seen as a whirling, glamorous masquerade where identities can be switched and all values are changeable. It is home to a new form of authoritarianism, far subtler than 20th century strains, and which is rapidly expanding to challenge the global order.An extraordinary book - one which is as powerful and entertaining as it is troubling - Nothing is True and Everything is Possible offers a wild ride into this political and ethical vacuum.

The multimedia artist, poet and novelist Brion Gysin may be the most influential cultural figure of the twentieth century that most people have never heard of.Gysin (1916–1986) was an English-born, Canadian-raised, naturalized American of Swiss descent, who lived most of his life in Morocco and France. He went everywhere when the going was good. He dabbled with surrealism in Paris in the 1930s, lived in the “interzone” of Tangier in the 1950s and traveled the Algerian Sahara with Sheltering Sky author Paul Bowles before moving into the legendary Beat Hotel in Paris. Gysin’s ideas influenced generations of artists, musicians and writers, among them David Bowie, Keith Haring, Patti Smith, Michael Stipe, Genesis P-Orridge, John Giorno and Brian Jones of the Rolling Stones. None was touched more profoundly than William S. Burroughs, who said admiringly of Gysin: “There was something dangerous about what he was doing. ”It was Gysin who introduced the Rolling Stones to the exotica of Morocco and took Stones’ guitarist Brian Jones to Jajouka where he recorded the tribal musicians performing the Pipes of Pan. It was Gysin who provided the hashish fudge recipe published in Alice B. Toklas’ cookbook, promising “ecstatic reveries and extensions of one’s personality on several simultaneous planes.” It was Gysin who introduced Burroughs to an automatic writing method called the cut-up, a literary progenitor to sampling. And it was Gysin who developed—with Ian Sommerville, the Dream Machine—a device that allowed people, with the flick of a switch, to access altered states of consciousness without drugs.Working with the authorization of Gysin’s literary executor, William S. Burroughs, John Geiger has produced the first-ever biography of the painter, poet, piper Brion Gysin.

Betrayed by the ruling families of Italy, a young man embarks upon an epic quest for vengeance during the Renaissance in this novel based on the Assassin's Creed™ video game series. “I will seek vengeance upon those who betrayed my family. I am Ezio Auditore Da Firenze. I am an Assassin…” To eradicate corruption and restore his family’s honor, Ezio will learn the art of the Assassins. Along the way, he will call upon the wisdom of such great minds as Leonardo da Vinci and Niccolo Machiavello—knowing that survival is bound to the skills by which he must live. To his allies, he will become a force for change—fighting for freedom and justice. To his enemies, he will become a threat dedicated to the destruction of the tyrants abusing the people of Italy. So begins an epic story of power, revenge and conspiracy... An Original Novel Based on the Multiplatinum Video Game from Ubisoft

An officially licensed guide to the exciting historical destinations and ancient battlegrounds of Ubisoft's Assassin's Creed series Meticulously re-created historical sites are a staple of the bestselling Assassin's Creed series--and, in fact, are one of the main draws of Ubisoft's all-time bestselling property. Each new game transports gamers to a different era and locale, beginning with Jerusalem in the time of the Crusades and going on to explore Renaissance-era Italy, colonial America, Paris during the French Revolution, 19th-century London, and ancient Greece and Egypt. Assassin's Creed has provided a means to walk through the past and experience world history in a firsthand, immersive way. In Assassin's Creed: Atlas, previously unpublished maps, diagrams, and drawings illuminate all of the lands of antiquity featured across the series that have defined both real-world history and the games themselves. Throughout, gaming journalist Guillaume Delalande expands on Assassin's Creed's fascinating lore and reflects on the critical moments that gamers experienced in these locations.

Avi's treasured Newbery Honor Book now in expanded After Words edition!Thirteen-year-old Charlotte Doyle is excited to return home from her school in England to her family in Rhode Island in the summer of 1832. But when the two families she was supposed to travel with mysteriously cancel their trips, Charlotte finds herself the lone passenger on a long sea voyage with a cruel captain and a mutinous crew. Worse yet, soon after stepping aboard the ship, she becomes enmeshed in a conflict between them! What begins as an eagerly anticipated ocean crossing turns into a harrowing journey, where Charlotte gains a villainous enemy . . . and is put on trial for murder!After Words material includes author Q & A, journal writing tips, and other activities that bring Charlotte's world to life!

William S. Burroughs is one of the twentieth century's most visible, controversial, and baffling literary figures. In the first comprehensive study of the writer, Timothy S. Murphy places Burroughs in the company of the most significant intellectual minds of our time. In doing so, he gives us an immensely readable and convincing account of a man whose achievements continue to have a major influence on American art and culture. Murphy draws on the work of such philosophers as Gilles Deleuze, Félix Guattari, Theodor Adorno, and Jean-Paul Sartre, and also investigates the historical contexts from which Burroughs's writings arose. From the paranoid isolationism of the Cold War through the countercultural activism of the sixties to the resurgence of corporate and state control in the eighties, Burroughs's novels, films, and music hold a mirror to the American psyche. Murphy coins the term "amodernism" as a way to describe Burroughs's contested relationship to the canon while acknowledging the writer's explicit desire for a destruction of such systems of classification. Despite the popular mythology that surrounds Burroughs, his work has been largely excluded from the academy of American letters. Finally here is a book that presents a solid portrait of a major artistic innovator, a writer who combines aesthetics and politics and who can perform as anthropologist, social goad, or media icon, all with consummate skill.

The history of an extremist Islamic sect in the 11th-12th centuries whose terrorist methods gave the English language a new word: assassin. The word 'Assassin' was brought back from Syria by the Crusaders, and in time acquired the meaning of murderer. Originally it was applied to the members of a Muslim religious sect - a branch of the Ismailis, and the followers of a leader known as the Old Man of the Mountain. Their beliefs and their methods made them a by-word for both fanaticism and terrorism in Syria and Persia in the 11th and 12th centuries, and the subject of a luxuriant growth of myth and legend. In this book, Bernard Lewis begins by tracing the development of these legends in medieval and modern Europe and the gradual percolation of accurate knowledge concerning the Ismailis. He then examines the origins and activities of the sect, on the basis of contemporary Persian and Arabic sources, and against the background of Middle Eastern and Islamic history. In a final chapter he discusses some of the political, social and economic implications of the Ismailis, and examines the significance of the Assassins in the history of revolutionary and terrorist movements.