Nuns

More and more people-- especially millennials-- are turning to religion as a source of comfort and solace in our increasingly chaotic world. Rather than live a cloistered life of seclusion, the Daughters of Saint Paul actively embrace social media to evangelize, collectively calling themselves the #MediaNuns. In this collective memoir, eight of these Sisters share their own discernment journeys, struggles and crises of faith that they have overcome, and episodes from their daily lives. They offer practical takeaways and tips for living a more spiritually-fulfilled life, no matter your religious affiliation. -- adapted from jacket

“The best kind of memoir, revealing, refreshing, and reflective enough to make readers turn many of the questions on themselves.” —Booklist (starred review) With humor and opinions aplenty, a woman embarks on an unconventional quest to see if she is meant to be a nun. Just as Jane Christmas decides to enter a convent in mid-life to find out whether she is “nun material,” her long-term partner Colin, suddenly springs a marriage proposal on her. Determined not to let her monastic dreams be sidelined, Christmas puts her engagement on hold and embarks on an extraordinary year-long adventure to four convents—one in Canada and three in the UK. In these communities of cloistered nuns and monks, she shares—and at times chafes and rails against—the silent, simple existence she has sought all of her life. Christmas takes this spiritual quest seriously, but her story is full of the candid insights, humorous social faux pas, profane outbursts, and epiphanies that make her books so relatable and popular. And Then There Were Nuns offers a seldom-seen look inside modern cloistered life, and it is sure to ruffle more than a few starched collars among the ecclesiastical set. “A lovely, heartfelt tale. Get thee to a bookstore and buy it.” —A. J. Jacobs, New York Times bestselling author of The Year of Living Biblically “In fluid and often playful prose, she introduces women and men (she spent a week at a monastery on the Isle of Wight) who have devoted their lives to prayer, including a skydiving 90-year-old nun.” —Maclean’s

"Modern-day badass drag queen superhero nuns"--"It was like this asteroid belt": the origins and growth of the sisters -- "We are nuns, silly!": serious parody as activism -- "A sacred, powerful woman": complicating gender -- "Sister outsiders": navigating whiteness -- "A secular nun": serious parody and the sacred -- New world order? -- Blooper reel -- Studying the sisters

Originally presented as the author's thesis (Ph. D.--Rice).

This well-illustrated and innovative book analyses convent culture in sixteenth-century Italy through the medium of three unpublished nuns' chronicles. It uses a comparative methodology of 'connected differences' to examine the intellectual and imaginative achievement of these nuns, and to investigate how they fashioned and preserved individual and convent identities by writing chronicles. The chronicles themselves reveal many examples of nuns' agency, especially with regard to cultural creativity, and show that convent traditions determined cultural priorities and specialisms, and dictated the contours of convent ceremonial life.

A new generation of historians today is borrowing from cultural anthropology, post-modern critical theory, and gender studies to understand the social meanings of medieval religious movements, practices, figures, and cults. In this volume Sharon Farmer and Barbara H. Rosenwein bring together essays--all hitherto unpublished--that combine some of the best of these new approaches with rigorous research and traditional scholarship. Some of these essays re-envision the professionals of religion: the monks and nuns who carried out crucial social functions as mediators between living and dead, repositories for social memory, and loci of vicarious piety. In their religious life these people embodied an image of the society that produced them. Other contributions focus on social categories, usually expressed as dichotomies: male/female, insider/outsider, saint/outcast. Monks and Nuns, Saints and Outcasts is the first book to show the interaction of seemingly antithetical groups of medieval people and the ways in which they were defined by, as well as against, each other. All of the essays, taken together, form a tribute to Lester K. Little, pioneer in the study of religion in medieval society.

The White Nuns considers Cistercian women and the women who were their patrons in a clear-eyed reading of narrative texts and administrative records. In rejecting long-accepted misogynies and misreadings, Constance Hoffman Berman offers a robust model for historians writing against received traditions.

An engaging look into the Sisters of Perpetual Indulgence, queer activists devoted to social justice The Sisters of Perpetual Indulgence make up an unlikely order of nuns. Self-described as “twenty-first century queer nuns,” the Sisters began in 1979 when three bored gay men donned retired Roman Catholic nuns’ habits and went for a stroll through San Francisco’s gay Castro district. The stunned and delighted responses they received prompted these already-seasoned activists to consider whether the habits might have some use in social justice work, and within a year they had constituted the new order. Today, with more than 83 houses on four different continents, the Sisters offer health outreach, support, and, at times, protest on behalf of queer communities. In Queer Nuns, Melissa M. Wilcox offers new insights into the role the Sisters play across queer culture and the religious landscape. The Sisters both spoof nuns and argue quite seriously that they are nuns, adopting an innovative approach the author refers to as serious parody. Like any performance, serious parody can either challenge or reinforce existing power dynamics, and it often accomplishes both simultaneously. The book demonstrates that, through the use of this strategy, the Sisters are able to offer an effective, flexible, and noteworthy approach to community-based activism. Serious parody ultimately has broader applications beyond its use by the Sisters. Wilcox argues that serious parody offers potential uses and challenges in the efforts of activist groups to work within communities that are opposed and oppressed by culturally significant traditions and organizations – as is the case with queer communities and the Roman Catholic Church. This book opens the door to a new world of religion and social activism, one which could be adapted to a range of political movements, individual inclinations, and community settings.