Obey Supply And Demand

Andre the Giant Has a Posse is a street art campaign based on an original design by Frank Shepard Fairey created in 1989 while Fairey was a student at the Rhode Island School of Design (RISD). At the time Fairey declared the campaign to be "an experiment in phenomenology." Over time the artwork has been reused in a number of ways and has become a world-wide pataphysical movement, following in the footsteps of Ivan Stang's Church of the SubGenius and populist WWII icon Kilroy Was Here. At the same time, Fairey's work has evolved stylistically and semantically into the OBEY Giant campaign. This book displays 10 years of graphic evolution - from the first photocopied "Andre the Giant" sticker that Shepard Fairey made at RISD to the giant billboard posters you see all around the world. A stunning full-colour documentation of Fairey's T `campaign' of postering and stencils It attempts to simultaneously bring the viewer to question propaganda absorption and to encourage a better use of public space.

Explores trends and projections in energy supply and demand using real-life case studies and modeling techniques.

From Obey to Obama and all that s in between, Supply & Demand, The Art of Shepard Fairey - 20th Anniversary Edition expands upon the previous version of this book and adds 100 new pages of illustrations and text to showcase Fairey s entire body of work, a massive retrospective covering 20 colorful years. Recently thrust into the spotlight for his image of President-elect Barack Obama, Fairey helped catalyze a movement from his unique vantage at the intersection of art, popular culture and politics. The book includes versions of the image as well as a copy of correspondence from the soon-to-be President himself thanking Mr. Fairey for his support.

E Pluribus Venom collects a large body of work produced by Shepard Fairey and presented at the Jonathan Levine Gallery during his massive exhibition in the summer of 2007. The title, which translates Out of many, poison is derived from E Pluribus Unum (out of many, one) an early motto adopted by the U.S. Government which appears on U.S. currency. The artists thesis is that many becoming one, or a loss of power and influence of the individual in favor of homogeny is a symptom of a society in decline. The book is comprised of artworks designed to question the symbols and methods of the American machine and American dream and also celebrate those who oppose blind nationalism and war. Some of Faireys works use currency motifs or a Norman Rockwell aesthetic to employ the graphic language of the subjects they critique. Other works use a blend of Art Nouveau, hippie, and revolutionary propaganda styles to celebrate subjects advocating peace.

"We revisit the Bones Brigade - the proto-type skate team from the 1980's, featuring a teenaged Tony Hawk. And finally, because SWINDLE knows that pop culture is a surface reflection of deeper social issues, we follow Matt Kettmann to war-torn Northern Uganda where he reports on the IDP camp Pader Town Council. Don't worry. SWINDLE is here to tell you the whole story."--SWINDLE.

The Theory of Economics does not furnish a body of settled conclusions immediately applicable to policy. It is a method rather than a doctrine, an apparatus of the mind, a technique of thinking, which helps its possessor to draw correct conclusions. It is not difficult in the sense in which mathematical and scientific techniques are difficult; but the fact that its modes of expression are much less precise than these, renders decidedly difficult the task of conveying it correctly to the minds of learners.

New works from the famed street artist whose bold designs have defined a generation of political iconography For the past 30 years, Shepard Fairey has been using art and graphic design as a means of social interrogation. Drawing from graffiti tradition, Fairey employs a distinctive combination of stylized imagery and impactful typography to address a wide range of social and political themes such as anti-violence, racial and gender equality, and environmental protection. Designed specifically for the Gallery of Modern Art in Rome, Italy, this collection presents 30 new works, also placing Fairey's body of work in conversation with the artist's own selections from the contemporary art collection at the Capitoline Superintendency. Through this careful curation, readers are able to appreciate Fairey's ability to hone in on imagery that is both topical and timeless, resulting in pieces that inform the public discourse as much as they are inspired by it. Los Angeles-based artist Shepard Fairey (born 1970) is considered a protagonist of contemporary street art and street style alike. Many of his designs, such as his 1989 sticker campaign featuring an image of André the Giant and the text "OBEY" or his 2008 portrait of President Obama with the caption "HOPE," are instantly recognizable the world over.