Objects Of Affection

Literary Nonfiction. Ewa Hryniewicz-Yarbrough arrived in the United States from Poland in 1984, bringing memories of life under a totalitarian regime, where the personal was always political. In essay after essay in OBJECTS OF AFFECTION, her remarkable debut, Hryniewicz-Yarbrough shows the immigrant's double perspective, exploring a "bi-polar" world of displacement and rootlessness, geography and memory, individual and family history, always with an acute awareness of losses and gains that accompany adaptation to a new language and culture and the creation of a new identity.

Objects of affection recovers the emotional attraction of the medieval book through an engagement with a fifteenth-century literary collection known as Oxford, Bodleian Library Manuscript Ashmole 61. Exploring how the inhabitants of the book's pages - human and nonhuman, tangible and intangible - collaborate with its readers then and now, this book addresses the manuscript's material appeal in the ways it binds itself to different cultural, historical and material environments. In doing so it traces the affective literacy training that the manuscript provided its late-medieval English household, whose diverse inhabitants are incorporated into the ecology of the book itself as it fashions spiritually generous and socially mindful household members.

Struggling to start over after a failed relationship and her son's entry into drug rehab, a struggling Lucy Bloom tackles an unexpectedly challenging job clearing the cluttered home of a reclusive artist and hoarder who hides an astonishing secret.

In this book, pre-eminent semiotician Arthur Asa Berger decodes the meanings of common objects of consumption and their perceived 'sacredness' in consumerist cultures. Using semiotic theory, consumer culture is dissected in new and fascinating ways.

Recounts how the author and her sisters inherited furniture and other artifacts collected over the course of centuries by ancestors including several who served in the military, describing the stories behind various pieces of interest and what they revealed about past family members.

To see our sins, wounds, idols, and failures apart from God's is simply too much. We will either minimize our condition, thus marginalizing our need of grace, or we will run away in hopeless despair to the arms of a lesser love or to the worship of lesser gods. But . . . God pursues us in our restlessness. receives us in our sinfulness. holds us in our brokenness, and frees us from our lovelessness. -- Scotty Smith excerpt from Objects of His Affection

Love Objects is the first anthology on the concept of 'love' to interrogate across a range of contexts its design and other material manifestations.