Official Illustrated Catalogue Fine Arts

Excerpt from Official Illustrated Catalogue, Fine Arts: Exhibit Hungary, St. Louis Exposition, 1904 But the results of this activity were annihilated by the wars which for two hundred years Hungary had to wage against the Turks for the defence of Europe. What has become of the chefs d'oeuvres of the 15th and 16th centuries? Beautiful marbles crumbled to powder in the fierce flames of many a burning city; pictures were torn to rags by the bul lets; bronze statues were melted down and cast into cannon by the barbarians. Even had there been time for the cultivation of art the new generations would have had to recreate it, since the works of their predecessors had all been destroyed. And when the noise of arms was stilled, there commenced a new struggle in the year 1849, a struggle in some ways analogous to the great strife between North and South which laid so many noble Americans in the dust. It was a struggle for the freedom of the serf, for the abolition of the feudal privileges of the aristocratic class, and of the hard conditions which bound the labourer to the soil and forced him to give his services to his overlord, conditions which made his status little better than that of a slave. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from Official Illustrated Catalogue: Fine Arts Exhibit United States of America Paris Exposition of 1900 Thomas Allen, Boston J. W. Beatty, Pittsburgh Director Carnegie Institute D. H. Burnham, Chicago Director of Works World's Columbian Exposition, 1893 Howard Russell Butler, New York President American Fine Arts Society Thomas B.Clarke, New York Walter Cook, New York President New York Chapter American Institute of Architects J. Templeman Coolidge, Boston J. H. Gest, Cincinnati Assistant Director Cincinnati Art Museum C. L. Hutchinson, Chicago President Art Institute Halsey C. Ives, St. Louis Director Museum of Fine Arts Samuel H. Kauffmann, Washington, D.C. President Corcoran Gallery of Art Harrison S. Morris, Philadelphia Managing Director Pennsylvania Academy of the Fine Arts About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This lavishly illustrated catalogue documents the American contribution to the 1900 Paris Exposition. Featuring works by some of America's most renowned artists and artisans, it offers a fascinating glimpse into the state of the arts in America at the turn of the century. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.