Ojibwe Sky Star Map Constellation Guidebook

A constellation guidebook focusing on Ojibwe Star Knowledge. Greek constellations and astronomical objects of interest are included along with the Ojibwe constellations organized by the four seasons and north circumpolar stars. Written by four native authors: Annette Lee, William Wilson, Jeff Tibbetts, Carl Gawboy. Accompanies the "Ojibwe Giizhig Anung Masinaaigan" - Ojibwe Sky Star Map created by Annette Lee, William Wilson, and Carl Gawboy.

"This book is an outgrowth of Native Skywatchers research and programming ... We seek to address the crisis of the loss of the indigenous star knowledge, specifically the Dakota and Ojibwe who are the native peoples of Minnesota ... Together, we have created two astronomically accurate and culturally important star maps, Ojibwe Giizhig Anung Masinaa'igan - Ojibwe Sky Star Map and Makoce Wicanhpi Wowapi - D(L)akota Sky Star Map, which were first disseminated to regional educators at a Native Skywatchers Middle School Teacher workshop in June 2012"--Introduction.

Traditional Anishinaabe (Ojibwe or Chippewa) knowledge, like the knowledge systems of indigenous peoples around the world, has long been collected and presented by researchers who were not a part of the culture they observed. The result is a colonized version of the knowledge, one that is distorted and trivialized by an ill-suited Eurocentric paradigm of scientific investigation and classification. In Our Knowledge Is Not Primitive, Wendy Makoons Geniusz contrasts the way in which Anishinaabe botanical knowledge is presented in the academic record with how it is preserved in Anishinaabe culture. In doing so she seeks to open a dialogue between the two communities to discuss methods for decolonizing existing texts and to develop innovative approaches for conducting more culturally meaningful research in the future. As an Anishinaabe who grew up in a household practicing traditional medicine and who went on to become a scholar of American Indian studies and the Ojibwe language, Geniusz possesses the authority of someone with a foot firmly planted in each world. Her unique ability to navigate both indigenous and scientific perspectives makes this book an invaluable contribution to the field of Native American studies and enriches our understanding of the Anishinaabe and other native communities.

This companion volume to an exhibition at the National Museum of the American Indian in New York reveals how Anishinaabe (also known in the United States as Ojibwe or Chippewa) artists have expressed the deeply rooted spiritual and social dimensions of their relations with the Great Lakes region. Featuring 70 color images of visually powerful historical and contemporary works, Before and After the Horizon is the only book to consider the work of Anishinaabe artists overall and to discuss 500 years of Anishinaabe art history.

The Ojibwa have lived in Ontario longer than any other ethnic group. Until now, however, their history has never been fully recorded. Peter Schmalz offers a sweeping account of the Ojibwa in which he corrects many long-standing historical errors and fills in numerous gaps in their story. His narrative is based as much on Ojibwa oral tradition as on the usual historical sources. Beginning with life as it was before the arrival of Europeans in North America, Schmalz describes the peaceful commercial trade of the Ojibwa hunters and fishers with the Iroquois. Later, when the Five Nations Iroquois attacked various groups in southern Ontario in the mid-seventeenth century, the Ojibwa were the only Indians to defeat them, thereby disproving the myth of Iroquois invincibility. p>In the eighteenth century the Ojibwa entered their golden age, enjoying the benefits of close alliance with both the French and the English. But with those close ties came an increasing dependence on European guns, tools, and liquor at the expense of the older way of life. The English defeat of the French in 1759 changed the nature of Ojibwa society, as did the Beaver War (better known as the Pontiac Uprising) they fought against the English a few years later. In his account of that war, Schmalz offers a new assessment of the role of Pontiac and the Toronto chief Wabbicommicot. The fifty years following the Beaver War brought bloodshed and suffering at the hands of the English and United Empire Loyalists. The reserve system and the establishment of special schools, intended to destroy the Indian culture and assimilate the Ojibwa into mainstream society, failed to meet those objectives. The twentieth century has seen something of an Ojibwa renaissance. Schmalz shows how Ojibwa participation in two world wars led to a desire to change conditions at home. Today the Ojibwa are gaining some control over their children's education, their reserves, and their culture.

The Routledge Handbook of Social Studies of Outer Space offers state-of-the-art overview of contemporary social and cultural research on outer space. International in scope, the thirty-eight contributions by over fifty leading researchers and artists across a variety of disciplines and fields of knowledge, present a range of debates and pose key questions about the crafting of futures in relation to outer space. The Handbook is a call to attend more carefully to engagements with outer space, empirically, affectively, and theoretically, while characterizing current research practices and outlining future research agendas. This recalibration opens profound questions of intersectional politics, race, equity, and environmental justice around the contested topics of space exploration and life off-Earth. Among the many themes included in the volume are the various infrastructures, networks and systems that enable and sustain space exploration; space heritage; the ethics of outer space; social and environmental justice; fundamental debates about life in outer space as it pertains to both astrobiology and SETI; the study of scientific communities; the human body and consciousness; Indigenous astronomical systems of Knowledge; contemporary space art; and ongoing critical interventions to overcome the legacies of colonialism and dismantle hegemonic narratives of outer space.

Stretching from the years during the Second World War when young couples jitterbugged across the dance floor at the Zenda Ballroom, through the early 1950s when honking tenor saxophones could be heard at the Angelus Hall, to the Spanish-language cosmopolitanism of the late 1950s and 1960s, Mexican American Mojo is a lively account of Mexican American urban culture in wartime and postwar Los Angeles as seen through the evolution of dance styles, nightlife, and, above all, popular music. Revealing the links between a vibrant Chicano music culture and postwar social and geographic mobility, Anthony Macías shows how by participating in jazz, the zoot suit phenomenon, car culture, rhythm and blues, rock and roll, and Latin music, Mexican Americans not only rejected second-class citizenship and demeaning stereotypes, but also transformed Los Angeles. Macías conducted numerous interviews for Mexican American Mojo, and the voices of little-known artists and fans fill its pages. In addition, more famous musicians such as Ritchie Valens and Lalo Guerrero are considered anew in relation to their contemporaries and the city. Macías examines language, fashion, and subcultures to trace the history of hip and cool in Los Angeles as well as the Chicano influence on urban culture. He argues that a grass-roots “multicultural urban civility” that challenged the attempted containment of Mexican Americans and African Americans emerged in the neighborhoods, schools, nightclubs, dance halls, and auditoriums of mid-twentieth-century Los Angeles. So take a little trip with Macías, via streetcar or freeway, to a time when Los Angeles had advanced public high school music programs, segregated musicians’ union locals, a highbrow municipal Bureau of Music, independent R & B labels, and robust rock and roll and Latin music scenes.