Old Believers In Modern Russia

The schism that split the Russian Orthodox Church in 1667 alienated thousands of devout men and women. These traditional worshippers, who came to be known as the Old Believers, practiced their faith as outsiders for more than two centuries. Denied the Russian Orthodox Church's sacraments, they in turn denied that its "new" ways could lead them to salvation. Always at odds with the established Russian Orthodox Church and the tsar, the Old Believers created a vibrant separate culture within the imperial Russian state. Old Believers in Modern Russia shows how Russia's most traditional religious group created a "culture of community" distinct from the dominant culture and society. This culture provided a lens through which the faithful could view, interpret, and interact with their world. Focusing especially on imperial Russia's twilight years, Robson explores how the Old Believers adapted to rapid change in the early twentieth century. Until recently, little has been known about Old Believer faith and culture. Most previous studies have relied upon information provided by outsiders, usually the state or the Russian Orthodox Church. Robson explores Old Believer experience from the inside in this first detailed study of the group in the late imperial period. He integrates historical methods with communication theory and symbolic anthropology to reveal the many facets of Old Believer life.

'Two Romes have fallen. The third stands. And there will be no fourth.' So spoke Russian monk Hegumen Filofei of Pskov in 1510, proclaiming Muscovite Russia as heirs to the legacy of the Roman Empire following the collapse of the Byzantine Empire. The so-called 'Third Rome Doctrine' spurred the creation of the Russian Orthodox Church, although just a century later a further schism occurred, with the Old Believers (or 'Old Ritualists') challenging Patriarch Nikon's liturgical and ritualistic reforms and laying their own claim to the mantle of Roman legacy. While scholars have commonly painted the subsequent history of the Old Believers as one of survival in the face of persistent persecution at the hands of both tsarist and church authorities, Peter De Simone here offers a more nuanced picture. Based on research into extensive, yet mostly unknown, archival materials in Moscow, he shows the Old Believers as versatile and opportunistic, and demonstrates that they actively engaged with, and even challenged, the very notion of the spiritual and ideological place of Moscow in Imperial Russia.Ranging in scope from Peter the Great to Lenin, this book will be of use to all scholars of Russian and Orthodox Church history.

This book is about an unprecedented attempt by the government of Russia's Tsar Nicholas I (1825-1855) to eradicate what was seen as one of the greatest threats to its political security: the religious dissent of the Old Believers. The Old Believers had long been reviled by the ruling Orthodox Church, for they were the largest group of Russian dissenters and claimed to be the guardians of true Orthodoxy; however, their industrious communities and strict morality meant that the civil authorities often regarded them favourably. This changed in the 1840s and 1850s when a series of remarkable cases demonstrated that the existing restrictions upon the dissenters' religious freedoms could not suppress their capacity for independent organisation. Finding itself at a crossroads between granting full toleration, or returning to the fierce persecution of earlier centuries, the tsarist government increasingly inclined towards the latter course, culminating in a top secret 'system' introduced in 1853 by the Minister of Internal Affairs Dmitrii Bibikov. The operation of this system was the high point of religious persecution in the last 150 years of the tsarist regime: it dissolved the Old Believers' religious gatherings, denied them civil rights, and repressed their leading figures as state criminals. It also constituted an extraordinary experiment in government, instituted to deal with a temporary emergency. Paradoxically the architects of this system were not churchmen or reactionaries, but representatives of the most progressive factions of Nicholas's bureaucracy. Their abandonment of religious toleration on grounds of political intolerability reflected their nationalist concerns for the future development of a rapidly changing Russia. The system lasted only until Nicholas's death in 1855; however, the story of its origins, operation, and collapse, told for the first time in this study, throws new light on the religious and political identity of the autocratic regime and on the complexity of the problems it faced.

Back cover: "Two Romes have fallen. The third stands. And there will be no fourth." So spoke Russian monk Hegumen Filofei of Pskov in 1510, proclaiming Muscovite Russia as heirs to the legacy of the Roman Empire following the collapse of the Byzantine Empire. The so-called "Third Rome Doctrine" spurred the creation of the Russian Orthodox Church, although just a century later a further schism occurred, with the Old Believers (or "Old Ritualists") challenging Patriarch Nikon's liturgical and ritualistic reforms and laying their own claim to the mantle of Roman legacy. While scholars have commonly painted the subsequent history of the Old Believers as one of survival in the face of persistent persecution at the hands of both tsarist and church authorities, Peter De Simone here offers a more nuanced picture. Based on research into extensive, yet mostly unknown, archival materials in Moscow, he shows the Old Believers as versatile and opportunistic, and demonstrates that they actively engaged with, and even challenged, the very notion of the spiritual and ideological place of Moscow in Imperial Russia. Ranging in scope from Peter the Great to Lenin, this book is essential for all scholars of Russian and Orthodox Church history.

Icon and Devotion offers the first extensive presentation in English of the making and meaning of Russian icons. The craft of icon-making is set into the context of forms of worship that emerged in the Russian Orthodox Church in the mid-seventeenth century. Oleg Tarasov shows how icons have held a special place in Russian consciousness because they represented idealized images of Holy Russia. He also looks closely at how and why icons were made. Wonder-working saints and the leaders of such religious schisms as the Old Believers appear in these pages, which are illustrated with miniature paintings, lithographs and engravings never before published in the English-speaking world. By tracing the artistic vocabulary, techniques and working methods of icon painters, Tarasov shows how icons have been integral to the history of Russian art, influenced by folk and mainstream currents alike. As well as articulating the specifically Russian piety they invoke, he analyzes the significance of icons in the cultural life of modern Russia in the context of popular prints and poster design.

By integrating the human dimension into Russian history, The Human Tradition in Modern Russia introduces Russian social history to readers in a provocative and interesting new way. The essays in this unique collection are based largely on previously classified Russian archival information available only since 1991. This is a study of Russian history since 1861 from the perspective of individuals and groups usually underrepresented in scholarly studies, giving the reader a thorough view of Modern Russia from the 'grassroots' level. The Human Tradition in Modern Russia is ideal for courses on Russian history and civilization, modern European history, and world history.