Old English Psalms

The Latin psalms—translated into Old English—figured prominently in the lives of Anglo-Saxons, whether sung by clerics, studied as a textbook for language learning, or recited in private devotion by lay people. The complete text of all 150 prose and verse psalms is available here in contemporary English for the first time.

An examination of how The Book of Psalms shaped medieval thought and helped develop the medieval English literary canon.

The first of three volumes, this book is an edition of forty psalters written or owned in Anglo-Saxon England, half of which are glossed in Old English. The work is an invaluable tool for comparative gloss scholarship, for the study of the influence of vocabulary, the interpretation of glosses, the study of relations among psalters, and the study of the Latin text of the psalms in Anglo-Saxon England. It also presents new insights on the development of centres of learning and the impact of the psalter on literary tradition. Each volume addresses a group of fifty psalms. This landmark in Old English studies is the first attempt at a completely comprehensive edition. As an original and much-needed contribution to early medieval scholarship, it not only provides a standard edition of texts based on all known Anglo-Saxon psalters but also synthesizes many studies of psalter scholarship from the earliest times.

During the Reformation, the Book of Psalms became one of the most well-known books of the Bible. This was particularly true in Britain, where people of all ages, social classes and educational abilities memorized and sang poetic versifications of the psalms. Those written by Thomas Sternhold and John Hopkins became the most popular, and the simple tunes developed and used by English and Scottish churches to accompany these texts were carried by soldiers, sailors and colonists throughout the English-speaking world. Among these tunes were a number that are still used today, including ‘Old Hundredth’, ‘Martyrs’, and ‘French’. This book is the first to consider both English and Scottish metrical psalmody, comparing the two traditions in print and practice. It combines theological literary and musical analysis to reveal new and ground-breaking connections between the psalm texts and their tunes, which it traces in the English and Scottish psalters printed through 1640. Using this new analysis in combination with a more thorough evaluation of extant church records, Duguid contends that Britain developed and maintained two distinct psalm cultures, one in England and the other in Scotland.

The Psalms were an important part of the education, daily life, and spiritual development of medieval clerics and monks, and they had a significant impact on lay culture as well. The Place of the Psalms in the Intellectual Culture of the Middle Ages surveys their influence, giving a unique window into the intellectual, spiritual, and emotional culture of the period.