Old Money New Money

The Old Money Book details how anyone from any background can adopt the values, priorities, and habits of America's Upper Class in order to live a richer life. Expanded and updated for a post-pandemic world.

In Old Money, New Woman, author Byron Tully provides powerful insights and wit-soaked wisdom to help you make the most of your money and improve the quality of your life. Revealing 8 "Old Money Secrets," the author shares time-tested traditions and step-by-step strategies used by the women of America's Upper Class, generation after generation. From education and etiquette to cosmetics and clothing, this must-read book details these coveted, rarely-discussed fundamentals that any woman can use to achieve financial independence, discover her personal style, and make the most of every opportunity. With 18 chapters full of eye-opening information and life-changing inspiration, Old Money, New Woman is a handbook and a guidebook--a "life manual" packed with effective tools, enlightening examples, and soul-searching questions only you can answer--all with one goal in mind: to help you Manage Your Money and Your Life...and make it in the modern world.

This insider's look at inherited wealth in the United States explores the complex meanings of money and success in American sociey with a new introduction that examinies whether America's privileged class will be willing or able to play a leadership role in the twenty-first century. Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers.

A gentleman's guide to dressing well, Old Money Style.

A dinner party in an ornate mansion on the fashionable Upper East Side of Manhattan provides the scene for this witty and incisive play. Set in two eras--the early 1900s and our own Gilded Age--the characters move effortlessly from one period to the other. The host, a contemporary master of high-risk arbitrage, steps in and out of character as a robber baron of an earlier time. His guests of today include a Hollywood director, a not-so-cutting-edge sculptor, an online lingerie designer, an aggressive publicist, and an aging historian. Their counterparts from the past are the great man's rebellious son, a grand dame of New York society, the architect who built the mansion originally, and the maids and servants who maintain it. In this dance of rich storytelling and social commentary, it becomes strikingly clear that while old money has become new, little else has changed over the years. Children still rebel against their controlling parents, women still hope for love, and greed, snobbery, and angst persist.

Two servants discover family skeletons behind the closed doors of a forbidding Manhattan mansion in this mystery by a three-time Edgar Award–winning author. In dire financial straits, young couple Mike and Amy Lloyd—a former cab driver and a New York prep-school teacher, respectively—have signed away their independence to become live-in servants for one of the city’s wealthiest and most private families. At first, the Durie home, a cavernous Gilded Age palazzo off Fifth Avenue, is a maze of intimidation: sixteen other employees, eight Duries in residence, forbidden rooms, and an exact and unbreakable set of rules. For Amy, personal secretary to the aged and blind Miss Margaret, that includes never broaching the subject of her employer’s “condition” or the tragic accident that caused it. On the other hand, Mike, an aspiring writer, is already taking notes for a Durie-inspired novel. A modern gothic, he’s guessing—part Rebecca, part Psycho. Most of the plot, he’ll soon discover, won’t require much imagining. But Amy, bound to the servitude of the matriarch—a woman cut off from the world for fifty years—is growing more curious and unnerved by Miss Margaret’s demands: the sudden trips to the Plaza hotel, the mysterious bank transactions, and an extended invitation to a stranger for a private dinner. By the time Amy realizes the truth—that she and her husband have been enlisted as unwitting accomplices in a subtly played series of moves that could lead to something rather unspeakable—it could be too late.

Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.

A NEW YORK TIMES NOTABLE BOOK OF THE YEAR "[A] poignant addition to the literature of moneyed glamour and its inevitable tarnish and decay…like something out of Fitzgerald or Waugh."—The New Yorker A parable for the new age of inequality: part family history, part detective story, part history of a vanishing class, and a vividly compelling exploration of the degree to which an inheritance—financial, cultural, genetic—conspired in one person's self-destruction. Land, houses, and money tumbled from one generation to the next on the eight-hundred-acre estate built by Scott's investment banker great-grandfather on Philadelphia's Main Line. There was an obligation to protect it, a license to enjoy it, a duty to pass it on—but it was impossible to know in advance how all that extraordinary good fortune might influence the choices made over a lifetime. In this warmly felt tale of an American family's fortunes, journalist Janny Scott excavates the rarefied world that shaped her charming, unknowable father, Robert Montgomery Scott, and provides an incisive look at the weight of inheritance, the tenacity of addiction, and the power of buried secrets. Some beneficiaries flourished, like Scott's grandmother, Helen Hope Scott, a socialite and celebrated horsewoman said to have inspired Katherine Hepburn's character in the play and Academy Award-winning film The Philadelphia Story. For others, including the author's father, she concludes, the impact was more complex. Bringing her journalistic talents, light touch, and crystalline prose to this powerful story of a child's search to understand a parent's puzzling end, Scott also raises questions about our new Gilded Age. New fortunes are being amassed, new estates are being born. Does anyone wonder how it will all play out, one hundred years hence?