Olin S Construction

Get the updated industry standard for a new age of construction! For more than fifty years, Olin’s Construction has been the cornerstone reference in the field for architecture and construction professionals and students. This new edition is an invaluable resource that will provide in-depth coverage for decades to come. You’ll find the most up-to-date principles, materials, methods, codes, and standards used in the design and construction of contemporary concrete, steel, masonry, and wood buildings for residential, commercial, and institutional use. Organized by the principles of the MasterFormat® 2010 Update, this edition: Covers sitework; concrete, steel, masonry, wood, and plastic materials; sound control; mechanical and electrical systems; doors and windows; finishes; industry standards; codes; barrier-free design; and much more Offers extensive coverage of the metric system of measurement Includes more than 1,800 illustrations, 175 new to this edition and more than 200 others, revised to bring them up to date Provides vital descriptive information on how to design buildings, detail components, specify materials and products, and avoid common pitfalls Contains new information on sustainability, expanded coverage of the principles of construction management and the place of construction managers in the construction process, and construction of long span structures in concrete, steel, and wood The most comprehensive text on the subject, Olin’s Construction covers not only the materials and methods of building construction, but also building systems and equipment, utilities, properties of materials, and current design and contracting requirements. Whether you’re a builder, designer, contractor, or manager, join the readers who have relied on the principles of Olin’s Construction for more than two generations to master construction operations.

"Wise, witty, readable, and very, very useful. A tour de force from the world's leading authority on branding." —Anthony Hopwood, Said Business School, Oxford Brands are a cultural phenomenon of our time. Yet, whether praised or derided, they have suffered from a critical debate characterized by routine thinking, glib assumptions, or mere prejudice. Wally Olins draws on a lifetime of marketing experience to explain why it is time to throw the old mission statements away, what happens when a brand goes global, when we shouldn't automatically assume that the customer comes first, and how it might be good news that branding is set to spread even further. Above all, Olins provides a positive rejoinder to the new orthodoxies of the "No Logo" critics of branding by showing how they confuse their views about brands with their views about capitalism. As he argues, brands are no longer just about corporations, products, and services. In fact, all the significant institutions in our lives—the towns, cities, regions, or countries in which we live, our sports teams and museums, our consumer groups and charities—are given strength, identity, a defining role, and a satisfying cohesion via branding, one of the most significant social—as well as business—developments of modern times. Always wise, questioning, and iconoclastic, Wally Olins takes us to the literal heart of the matter: our crucial neglect of the way in which consumer decisions about brands are as emotional as all the other important decisions in our lives. For everyone in marketing, advertising, design, and business, and for anyone who wants to understand how the world works in the early twenty-first century, this is one of those rare books that breaks the mold.

Photography does more than simply represent the world. It acts in the world, connecting people to form relationships and shaping relationships to create communities. In this beautiful book, Margaret Olin explores photography’s ability to “touch” us through a series of essays that shed new light on photography’s role in the world. Olin investigates the publication of photographs in mass media and literature, the hanging of exhibitions, the posting of photocopied photographs of lost loved ones in public spaces, and the intense photographic activity of tourists at their destinations. She moves from intimate relationships between viewers and photographs to interactions around larger communities, analyzing how photography affects the way people handle cataclysmic events like 9/11. Along the way, she shows us James VanDerZee’s Harlem funeral portraits, dusts off Roland Barthes’s family album, takes us into Walker Evans and James Agee’s photo-text Let Us Now Praise Famous Men, and logs onto online photo albums. With over one hundred illustrations, Touching Photographs is an insightful contribution to the theory of photography, visual studies, and art history.

Green Roof Systems goes beyond the fashionable green roof movement and provides solid information on building accessible space, often as important public space, over structure. It offers brief coverage of the entire process, including planning and collaboration, and focuses on the technical aspects of these roof systems, their components, and their applications.

Principles, Materials, and Methods Harold B. Olin, AIA John L. Schmidt, AIA Walter H. Lewis, AIA revised by H. Leslie Simmons, AIA Through three decades, Harold B. Olin, John L. Schmidt, and Walter H. Lewis’s acclaimed Construction has been the definitive textbook in the field of modern construction technology. Now, with this Sixth Edition, renowned construction consultant H. Leslie Simmons has thoroughly updated this classic work and enhanced it to reflect key developments in the industry. Like its predecessors, this edition provides a uniquely detailed yet easy-to-follow coverage of small residential construction—from wood, masonry, and finishes to HVAC, plumbing, electrical, and other systems. But it also offers a number of important new features, among them: The editorial input of today’s leading manufacturers, trade and professional associations, standard-setting bodies, government agencies, and industry publications. All-new guidance on the materials and methods used in the construction of commercial, institutional, and larger residential buildings, including low-, mid-, and high-rise buildings and more on wood frame construction. A new, one-of-a-kind core structure that follows the design of Masterformat, the CSI-developed standard for organizing specifications. This solid framework gives students an early understanding of the specs and data-filing formats used in the vast majority of private sector and government building projects in the United States. More than 2,000 all-new illustrations, including first-ever photographs of contemporary commercial and industrial buildings. An Instructor’s Manual and a Student Workbook, available for the first time with this edition, both written by Terry L. Patterson of the University of Oklahoma, author of Construction Materials for Architects and Designers and the new study, Frank Lloyd Wright and the Meaning of Materials. Extensively revised bibliographies and glossaries, plus a new appendix listing the names addresses, and phone numbers of the organizations, associations, and agencies that contributed to the book. All this comes together in the new Sixth Edition of Construction: Principles, Materials, and Methods, making it an even stronger and more indispensible classroom reference than it was before.

This is the fourteenth volume in the series of Memorial Tributes compiled by the National Academy of Engineering as a personal remembrance of the lives and outstanding achievements of its members and foreign associates. These volumes are intended to stand as an enduring record of the many contributions of engineers and engineering to the benefit of humankind. In most cases, the authors of the tributes are contemporaries or colleagues who had personal knowledge of the interests and the engineering accomplishments of the deceased.

Laurie Olin's interest in public outdoor seating in parks and civic spaces revolves around two poles: the first is a concern for aspects of the ordinary in our settings and actions, the apparatus and effects of the quotidian in our individual lives and experience; the other is the utility of public seating in the conduct and potential of our role as citizens and the establishment of place and community. A not inconsiderable aspect of both is the engendering of pleasure. In a democracy we are expected to fulfill two potentials - those of private citizen and contributing member of a community. When sitting on a bench or chair in a park or plaza we inevitably participate in the life of a particular space, city, and society while simultaneously pursuing our own life with its demands and aspirations. Chairs and benches in their many varieties and situations are the setting (pun intended) for profoundly simple, albeit important, and largely unnoticed aspects of our lives. Humans are gregarious and habitually love to be together, often sitting about for hours at a time. Commonly this is for dining, whether singly or in groups, large or small. We sit in public places, in private ones, indoors and out, often doing nothing except watching the world. Over the course of centuries many devices have been developed for such purposes. Not a comprehensive history or survey, this is an appreciation derived from frequent, often iterative personal observation and constant professional engagement with the topic of seating, sometimes in gardens, but more particularly in public and civic environments. The book consists of a series of essays that begin with the author's personal discovery of public seating. An 'ah hah' moment as a young architect visiting Paris and his early experience as a designer is followed by a brief history of the evolution of public space and seating in the West. This is followed by an account of some of his experiments as a landscape architect, and the theory, craft, and role of seating in a number of prominent civic places his firm and others have designed in the past four decades. Along the way there are reflections on the author's interest in chairs, seating, public space, and aspects of the profession of landscape architecture. Accompanying the essays there are sketches, and watercolors made by Olin over time while travelling or working that weren't originally intended as book illustrations. Some are quick, hasty notes of something observed; others are more careful studies with, on occasion, measurements. Some were made leisurely while enjoying a felicitous moment or place, while others record the author puzzling through a particular design problem. Each in some way exemplifies aspects of the essays helping to articulate or sharpen the author's insights and point of view - those of a designer, not a historian or critic. They offer an alternative presentation of the topics raised, and a dialogue between writing and image - whether one of contrast, or at times, contrast.

Few themes have been as central to sociology as 'class' and yet class remains a perpetually contested idea. Sociologists disagree not only on how best to define the concept of class but on its general role in social theory and indeed on its continued relevance to the sociological analysis of contemporary society. Some people believe that classes have largely dissolved in contemporary societies; others believe class remains one of the fundamental forms of social inequality and social power. Some see class as a narrow economic phenomenon whilst others adopt an expansive conception that includes cultural dimensions as well as economic conditions. This 2005 book explores the theoretical foundations of six major perspectives of class with each chapter written by an expert in the field. It concludes with a conceptual map of these alternative approaches by posing the question: 'If class is the answer, what is the question?'