On Actors And The Art Of Acting
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On Actors and the Art of Acting
Author | : George Henry Lewes |
Publsiher | : London Smith, Elder 1875. |
Total Pages | : 304 |
Release | : 1875 |
Genre | : Acting |
ISBN | : HARVARD:32044021081112 |
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On Actors and the Art of Acting
Author | : George Henry Lewes |
Publsiher | : Unknown |
Total Pages | : 304 |
Release | : 1875 |
Genre | : Acting |
ISBN | : BSB:BSB11319112 |
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Collection of articles written at different periods emphasizing the effect of criticism on the acting profession.
Actors and the Art of Performance
Author | : Susanne Granzer |
Publsiher | : Springer |
Total Pages | : 131 |
Release | : 2016-05-12 |
Genre | : Performing Arts |
ISBN | : 9781137596345 |
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Actors and the Art of Performance: Under Exposure combines the author's two main biographical paths: her professional commitment to the fields of both theatre and philosophy. The art of acting on stage is analysed here not only from the theoretical perspective of a spectator, but also from the perspective of the actor. The author draws on her experience as both a theatre actor and a university professor whose teachings in the art of acting rely heavily on her own experience and also on her philosophical knowledge. The book is unique not only in terms of its content but also in terms of its style. Written in a multiplicity of voices, the text oscillates between philosophical reasoning and narrative forms of writing, including micro-narratives, fables, parables, and inter alia by Carroll, Hoffmann and Kleist. Hence the book claims that a trans-disciplinary dialogue between the art of acting and the art of philosophical thinking calls for an aesthetical research that questions and begins to seek alternatives to traditionally established and ingrained formats of philosophy.
On Actors and the Art of Acting
Author | : George Henry. Lewes |
Publsiher | : Hardpress Publishing |
Total Pages | : 304 |
Release | : 2012-08-01 |
Genre | : Electronic Book |
ISBN | : 1290936102 |
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Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Stella Adler The Art of Acting
Author | : Howard Kissel,Stella Adler |
Publsiher | : Hal Leonard Corporation |
Total Pages | : 213 |
Release | : 2000-11-01 |
Genre | : Performing Arts |
ISBN | : 9781476845623 |
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(Applause Books). Stella Adler was one of the 20th Century's greatest figures. She is arguably the most important teacher of acting in American history. Over her long career, both in New York and Hollywood, she offered her vast acting knowledge to generations of actors, including Marlon Brando, Warren Beatty, and Robert De Niro. The great voice finally ended in the early Nineties, but her decades of experience and teaching have been brilliantly caught and encapsulated by Howard Kissel in the twenty-two lessons in this book.
On Actors and the Art of Acting
Author | : George Henry Lewes |
Publsiher | : Praeger |
Total Pages | : 0 |
Release | : 1968 |
Genre | : Performing Arts |
ISBN | : 9780837105338 |
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1875. This volume contains a collection of articles written by Lewes at different periods, but with the purpose of directing attention not simply to the fact that Acting is an Art, but that, like all other Arts, it is obstructed by a mass of unsystemised opinion, calling itself criticism. Contents: Edmund Kean; Charles Kean; Rachel; Macready; Farren; Charles Mathews; Frederic Lemaitre; The two Keeleys; Shakespeare as Actor and Critic; On Natural Acting; Foreign Actors on our Stage; The Drama in Paris. 1865; The Drama in Germany. 1867; The Drama in Spain. 1867; and First Impressions of Salvini. 1875. See other titles by this author available from Kessinger Publishing.
The Art of the Actor
Author | : Jean Benedetti |
Publsiher | : Routledge |
Total Pages | : 258 |
Release | : 2012-11-12 |
Genre | : Performing Arts |
ISBN | : 9781136556197 |
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How did acting begin? What is its history, and what have the great thinkers on acting said about the art and craft of performance? In this single-volume survey of the history of acting, Jean Benedetti traces the evolution of the theories of the actor's craft drawing extensively on extracts from key texts, many of which are unavailable for the student today. Beginning with the classical conceptions of acting as rhetoric and oratory, as exemplified in the writing of Aristotle, Cicero and others, The Art of the Actor progresses to examine ideas of acting in Shakespeare's time right through to the present day. Along the way, Benedetti considers the contribution and theories of key figures such as Diderot, Stanislavski, Meyerhold, Brecht, Artaud and Grotowski, providing a clear and concise explanation of their work illustrated by extracts and summaries of their writings. Some source materials appear in the volume for the first time in English. The Art of the Actor will be the essential history of acting for all students and actors interested in the great tradition of performance, both as craft and as art.
The Art of Film Acting
Author | : Jeremiah Comey |
Publsiher | : Taylor & Francis |
Total Pages | : 302 |
Release | : 2012-10-02 |
Genre | : Performing Arts |
ISBN | : 9781136047213 |
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This guide for actors and directors develops a valid method for training performers to act from their core--whether they are cold reading, auditioning, or performing for film or television. This book teaches actors how to achieve and respond to believable and honest emotions before the camera, and it maintains that the key to a successful performance lies in how the actors relate to one another and to the circumstances. Exercises, including script examples, throughout the book give readers an easy resource for practicing the principles outlined. The Art of Film Acting applies a classic stage acting method (Stanislavsky) to the more intimate medium of performing before a camera, teaching readers to experience an emotion rather than to indicate it.