On Being In The World Routledge Revivals

First published in 1921, Problems of a New World deals with the economic and political issues that arose from the First World War. The first three parts of the study consider the world before the war, and the interests, purposes and ideals which influenced the national psyche during the years which followed. In the final two parts, Hobson assesses the political and economic conditions confronted by the post-war world, with a particular focus on the impact of war on industry, labour and the ideals of nationhood. This is an important work, of great interest to modern European and economic historians and students.

On Being in the World, first published in 1990, illumines a neglected but important area of Wittgenstein’s philosophy, revealing its pertinence to the central concerns of contemporary analytic philosophy. The starting point is the idea of ‘continuous aspect perception’, which connects Wittgenstein’s treatment of certain issues relating to aesthetics with fundamental questions in the philosophy of psychology. Professor Mulhall indicates parallels between Wittgenstein’s interests and Heidegger’s Being and Time, demonstrating that Wittgenstein’s investigation of aspect perception is designed to cast light on much more than a bizarre type of visual experience: in reality, it highlights what is distinctively human about our behaviour in relation to things in the world, what it is that distinguishes our practical activity from that of automata. On Being in the World remains an invaluable resource for students of Wittgenstein’s philosophy, as well as anyone interested in negotiating the division between analytic and continental philosophy.

The Saviour of the World covers each incident and each saying in the Bible and converts them to either a single poem, blank verse or rhymed stanza, according to the subject. This volume, called The Holy Infancy, was originally published in 1908. This book will be of interest to students of both religious studies and English literature.

First published in 1957, this book explores what remained of Joyce’s background, not only in Ireland but in those cities abroad where his books were written. With the co-operation of those who knew the author, including his brother, much new material was brought together to shed new light on Joyce’s life, character and methods of writing. The author traces Joyce, and his writings, from his beginnings in Ireland, through Zürich, London and Paris, to his difficult final year at Vichy in 1940. Previously unpublished letters illustrate his relationships with important figures of the period like Ezra Pound, T.S. Eliot and H.G. Wells. This title will be of interest to student of literature.

Modern plays are strikingly diverse and, as a result, any attempt to locate an underlying unity between them encounters difficulties: to focus on what they have in common is often to overlook what is of primary importance in particular plays; to focus on their differences is to note the novelty of the plays without increasing their accessibility. In this study, first published in 1985, Austin E. Quigley takes as his paradigm case the relationship between the world of the stage and the world of the audience, and explores various modes of communication between domains. He asks how changes in the structure of the drama relate to changes in the structure of the theatre, and changes in the role of the audience. Detailed interpretations of plays by Pinero, Ibsen, Strindberg, Brecht, Ionesco, Beckett and Pinter question principles about the modern theatre and establish links between drama structure and theatre structure, theme, and performance space.

Ovid, Rome’s most cynical and worldly love poet, has not until recently been highly regarded among Latin poets. Now, however, his reputation is growing, and this volume is an important contribution to the re-establishment of Ovid’s claims to critical attention. This collection of essays ranges over a wide variety of themes and works: Ovid’s development of the Elegiac tradition handed down to him from Propertius, Catullus and Tibullus; the often disparaged and neglected Heroides; the poetry of Ovid’s miserable exile by the Black Sea; the poetic diction of the Metamorphoses, Ovid’s lengthy mythological epic which codified classical myth and legend, and has strong claims to be considered, with the exception of Virgil’s Aeneid, Rome’s greatest epic poem; humour and the blending of the didactic and elegiac traditions in the Ars Amatoria and Remedia Amoris. Finally, Ovid’s incomparable influence in the Middle Ages and sixteenth century is examined.

A History of the Greek and Roman World, first published in 1926, presents the story of Graeco-Roman antiquity from its earliest recorded origins to the height of the Roman imperium. It aims to bring into prominence the internal dynamism - political, cultural, intellectual, and aesthetic – which animated the ancient peoples at different periods of their history, and to draw attention to the physical, socio-economic and religious conditions under which they lived. Written in a style which will likely be unfamiliar to modern readers, Grundy’s historical portrait is painted with broad brush-strokes, offering not only compelling narrative but also incisive commentary on the individuals and societies which occupy the foreground. A History of the Greek and Roman World will be of interest for the general enthusiast as well as students, who may value such a radically different approach to the interpretation of antiquity compared to the conventions which prevail amongst contemporary scholars.

'Making Sense' outlines how the growing child comes to understand the world, make sense of experience and becomes a competent social individual.