On Being Someone

A captivating book about the emotional and literary power of the lives we might have lived had our chances or choices been different. We each live one life, formed by paths taken and untaken. Choosing a job, getting married, deciding on a place to live or whether to have children—every decision precludes another. But what if you’d gone the other way? It can be a seductive thought, even a haunting one. Andrew H. Miller illuminates this theme of modern culture: the allure of the alternate self. From Robert Frost to Sharon Olds, Virginia Woolf to Ian McEwan, Jane Hirshfield to Carl Dennis, storytellers of every stripe write of the lives we didn’t have. What forces encourage us to think this way about ourselves, and to identify with fictional and poetic voices speaking from the shadows of what might have been? Not only poets and novelists, but psychologists and philosophers have much to say on this question. Miller finds wisdom in all these sources, revealing the beauty, the power, and the struggle of our unled lives. In an elegant and provocative rumination, he lingers with other selves, listening to what they say. Peering down the path not taken can be frightening, but it has its rewards. On Not Being Someone Else offers the balm that when we confront our imaginary selves, we discover who we are.

Yet Being Someone Other is the most revealing book that Laurens van der Post wrote about his extraordinary and eventful life, and the most far-reaching; it is a distillation of the experiences that have moved him at the deepest level of the imagination and made him the exceptional person and writer he was.

This book continues the discussions in "What a piece of work: on being human" (Imprint Academic 2006) and may be considered its sequel. Among all the creatures in the physical universe, humans seem to be more than simply physical, because they are aware of being creatures in the universe. Human beings essentially belong to the world of nature, yet stand out as the most complex and fascinating of all living beings. Like and also unlike other animals, they respond to what happens to them; they make plans and carry them out; they recognize one another, sometimes lovingly; they make friends and enjoy their company; they shape the world around them for convenience and for delight; they ask questions both practical and theoretical; and many of them try to praise God. In What a Piece of Work, Helen Oppenheimer considered humankind as part of the natural universe which Christians believe God set in motion, asking how human beings stand among other creatures and how they are to be valued. In this volume she leaves aside comparisons with our fellow creatures in order to attend to our own experience. It makes a good start to think of oneself as a human animal, but then we need to go further and ask what does it mean to be a person, to be counted as someone?

'Ian Stone has one of the sharpest comic minds in the country. I would read anything he’s written about anything. This book made me start listening to The Jam' Romesh Ranganathan 'Full of wit, cheek and energy – not just for fans of The Jam, this is for fans of London, of youth, of life itself' Rory Bremner 'This is a funny, fascinating, absorbing, surprising and readable book with the added bonus of Phill Jupitus’s delicious cartoons . . . A book for anyone who is now middle-aged and looking back joyfully at their youth' Jo Brand 'I really liked this book. I'd forgotten how shit it was in the seventies' Paul Weller Ian Stone grew up in a Jewish, working-class house in north London in the mid-1970s. Everywhere around him, adults were behaving badly. His parents' relationship was in freefall so he tried not to spend too much time at home. But outside, there was industrial unrest, football violence, racism and police brutality. As for the music, it was all 'Save All Your Grandma's Kisses for My Love Sweet Jesus'. It made him feel physically sick. Then The Jam appeared. This is Ian's story of that time. Of weekend jobs so that he could go to gigs. Of bunking into the Hammersmith Odeon and ending up on the roof. Of going to see The Jam in Paris and somehow finding himself being interviewed for Melody Maker. Of attempting to keep out of the way of skinheads and trying (and failing) to work out how to talk to girls. And of devastation when in 1982 Paul Weller announced that the band were splitting up. There will never be another band like The Jam. For those who went on that journey with them, the love ran deep. And still does. They helped Ian and thousands like him to grow up – to be someone.

A NATIONAL BESTSELLER "My Grandmother's Hands will change the direction of the movement for racial justice."— Robin DiAngelo, New York Times bestselling author of White Fragility In this groundbreaking book, therapist Resmaa Menakem examines the damage caused by racism in America from the perspective of trauma and body-centered psychology. The body is where our instincts reside and where we fight, flee, or freeze, and it endures the trauma inflicted by the ills that plague society. Menakem argues this destruction will continue until Americans learn to heal the generational anguish of white supremacy, which is deeply embedded in all our bodies. Our collective agony doesn't just affect African Americans. White Americans suffer their own secondary trauma as well. So do blue Americans—our police. My Grandmother's Hands is a call to action for all of us to recognize that racism is not only about the head, but about the body, and introduces an alternative view of what we can do to grow beyond our entrenched racialized divide. Paves the way for a new, body-centered understanding of white supremacy—how it is literally in our blood and our nervous system. Offers a step-by-step healing process based on the latest neuroscience and somatic healing methods, in addition to incisive social commentary. Resmaa Menakem, MSW, LICSW, is a therapist with decades of experience currently in private practice in Minneapolis, MN, specializing in trauma, body-centered psychotherapy, and violence prevention. He has appeared on the Oprah Winfrey Show and Dr. Phil as an expert on conflict and violence. Menakem has studied with bestselling authors Dr. David Schnarch (Passionate Marriage) and Dr. Bessel van der Kolk (The Body Keeps the Score). He also trained at Peter Levine's Somatic Experiencing Trauma Institute.

No matter how the lyrics of your life are written, how you play the song is up to you. Helena Nicholls is no ordinary girl. In fact, she’s famous. For many years she was the bassist and lyricist for Blue Idea, a band worshiped by adoring fans all over the world throughout the eighties. Following their breakup, Helena switched gears and became the most popular morning DJ in London with her all-request show. Listeners could call her and request songs, but Helena wouldn’t play them until the callers gave the details of why they wanted her to play them—where they were when they first heard the song, what they were wearing, who they were with, and why the song means so much to them. The show’s success put Helena back on the map, but now all that’s over. After a night of partying ends in a horrible accident, Helena wakes up in a hospital bed. As she groggily opens her eyes, she realizes that her irresponsible behavior, so completely uncharacteristic of her, has left her bruised and battered. The doctors tell her it will take months to recover—who knows if her wounded ego will ever heal. To make matters worse, the accident has made international headlines. Her boss, unhappy with all the negative publicity, has bad news—she has been fired from her prime time radio show and offered a humilating demotion to the two a.m. slot: the graveyard shift. Desperate, depressed, and sure her life is over, Helena comes up with the Plan. She is going to create a playlist of songs that have defined her life and write her autobiography, using these songs as the chapters. As the Plan begins to unfold, so does this poignant, funny, compulsively readable novel. Stringing the most important aspects of her life together with pop songs from the seventies, eighties, and nineties, Helena starts to deal with all of the unsettled parts of her past and the uncertainty of her future. Whether she’s confronting a new love interest or mourning the recent death of her lifelong best girlfriend, Helena continues to find solace and wisdom in the one thing that has gotten her through every crisis—music. Only one question remains: What will she do for an encore? A High Fidelity for women, To Be Someone is a hip and engaging novel featuring a unique protagonist given to dark self-introspection but with an irrepressibly funny, self-aware voice—a voice that speaks directly to every woman who has had a best friend, felt awkward moving to a new school, dated the wrong guys, obsessed over a new band, or fought with her mother. From the Hardcover edition.

Too short. Too weird. Too quiet. Not true. Let Internet superstar Jeffrey Marsh help you end those negative thoughts and discover how wonderful you are. An interactive experience, How to Be You invites you to make the book your own through activities such as coloring in charts, answering questions about how you do the things you do, and discovering patterns in your life that may be holding you back. Through Jeffrey's own story of "growing up fabulous in a small farming town"--along with the stories of hero/ines who have transcended the stereotypes of race, age, and gender--you will discover that you are not alone. Learn to deepen your relationship with yourself, boost your self-esteem and self-worth, and find the courage to take a leap that will change your life.

If he had been with me everything would have been different... I wasn't with Finn on that August night. But I should've been. It was raining, of course. And he and Sylvie were arguing as he drove down the slick road. No one ever says what they were arguing about. Other people think it's not important. They do not know there is another story. The story that lurks between the facts. What they do not know—the cause of the argument—is crucial. So let me tell you...