On Paul Ricoeur

Paul Ricoeur is one of the giants of contemporary continental philosophy and one of the most enduring and wide-ranging thinkers in the twentieth century, publishing major works ranging from existentialism and phenomenology to psychoanalysis, politics, religion and the theory of language. Richard Kearney offers a critical engagement with the work of Ricoeur, beginning with a general introduction to his hermeneutic philosophy. Part one explores some of the main themes in Ricouer's thought under six headings: phenomenology and hermeneutics; language and imagination; myth and tradition; ideology and utopia; evil and alterity; poetics and ethics. The second part comprises five dialogical exchanges which Kearney has conducted with Ricoeur over the last three decades (1977-2003), charting and explaining his intellectual itinerary. This book is aimed at a broad student readership as well as the general intelligent reader interested in knowing more about one of the most enduring major figures in contemporary continental philosophy.

Paul Ricoeur's theory of narrative has implications for a wide spectrum of contemporary thought. This collection of essays explores many of the areas to which his narrative strategies can be fruitfully applied, including architecture, psychology, psychoanalysis, feminist theory, ethics, sociology, medieval and contemporary literature, and religious studies. The book provides an introduction to the creative and productive resources of Ricoeur's narrative theory and offers a helpful survey of many of his key concepts for those who may be unfamiliar with Ricoeur's work.With Contributions By:Pamela AndersonDavid D. BrownHelen M. BussBernard P. DauenhauerJocelyn Dunphy BlomfieldLori EggerLinda FisherJames FodorHermina JoldersmaMorny JoyGrahamLiveseyDavid PellauerDominique PerronC. Bryn PinchinJamie S. ScottHenderikus J. StamRobert D. SweeneyTerrence W. Tilley

This book examines the later work of Paul Ricoeur, particularly his major work, Time and Narrative . The essays, including three pieces by Ricoeur himself, consider this important study, extending and developing the debate it has inspired. Time and Narrative is the finest example of contemporary philosophical hermeneutics and is one of the most significant works of philosophy published in the late twentieth century. Paul Ricoeur's study of the intertwining of time and narrative proposes and examines the possibility that narrative could remedy a fatal deficiency in any purely phenomenological approach. He analysed both literary and historical writing, from Proust to Braudel, as well as key figures in the history of philosophy: Aristotle, Augustine, Kant, Hegel, Husserl and Heidegger. His own recognition of his limited success in expunging aporia opens onto the positive discovery of the importance of narrative identity, on which Ricoeur writes here. Other contributors take up a range of different topics: Tracing Ricoeur's own philosophical trajectory; reflexively applying the narrative approach to philosophy, or to his own text; reconstructing his dialectic of sedimentati and tradition. An essential companion to Time and Narrative , this collection also provides an excellent introduction to Ricoeur's later work and to contemporary works in philosophical hermeneutics.

The 'Routledge Critical Thinkers' series puts key thinkers and their ideas firmly back in their contexts. Each volume reflects the need to go back to the thinker's own writings and ideas to fully appreciate those ideas.

This introductory study surveys the entire range of Ricoeur's work, placing it within the context of post-structuralism. Includes a discussion of Time and Narrative and shows how Ricoeur's work links European and American traditions.

Reagan combines different genres to supplement and enhance the central biographical essay. A personal memoir recalls the turbulent student protests of the 1960s and Ricoeur's controversial resignation as head of the faculties at the University of Paris-Nanterre. A penetrating philosophical exposition draws together the essential themes of Ricoeur's philosophical anthropology. And a collection of four substantive interviews offers privileged access to Ricoeur's own remarkably clear explication of his most challenging and stimulating ideas. The result of this innovative mix of genres is a multidimensional and astonishingly perceptive portrait of a seminal philosopher's life and work.

In the first two volumes of this work, Paul Ricoeur examined the relations between time and narrative in historical writing, fiction and theories of literature. This final volume, a comprehensive reexamination and synthesis of the ideas developed in volumes 1 and 2, stands as Ricoeur's most complete and satisfying presentation of his own philosophy.

Hermeneutics and Phenomenology in Paul Ricoeur: Between Text and Phenomenon calls attention to the dynamic interaction that takes place between hermeneutics and phenomenology in Ricoeur’s thought. It could be said that Ricoeur’s thought is placed under a twofold demand: between the rigor of the text and the requirements of the phenomenon. The rigor of the text calls for fidelity to what the text actually says, while the requirement of the phenomenon is established by the Husserlian call to return “to the things themselves.” These two demands are interwoven insofar as there is a hermeneutic component of the phenomenological attempt to go beyond the surface of things to their deeper meaning, just as there is a phenomenological component of the hermeneutic attempt to establish a critical distance toward the world to which we belong. For this reason, Ricoeur’s thought involves a back and forth movement between the text and the phenomenon. Although this double movement was a theme of many of Ricoeur’s essays in the middle of his career, the essays in this book suggest that hermeneutic phenomenology remains implicit throughout his work. The chapters aim to highlight, in much greater detail, how this back and forth movement between phenomenology and hermeneutics takes place with respect to many important philosophical themes, including the experience of the body, history, language, memory, personal identity, and intersubjectivity.