On The Trail Of Scotland S History

The latest edition to the popular "On the Trail of" series covers the most important events in Scottish history from the volcanic origins of Edinburgh Castle to the final resting place of King Arthur.

The film Braveheart was a great inspiration to people all over the world. This is the true story of Braveheart, William Wallace, Scotland's great liberator. Ross chronicles his effect on the landscape of Scotland as we know it today. This book will hold the attention of the casual reader and entice the more knowledgeable historian.

A book about Scotland drawn from hundreds, if not thousands, of stories. The stories are hilarious, tragic, heroic or frightening.

Tracing the legacies of the small farmers displaced and scattered in nineteenth-century Scotland, this is “a powerful, poetic, personal Highland Odyssey” (Times Literary Supplement). In the Clearances of the nineteenth century, crofts—once the mainstay of Highland life in Scotland—were swept away as the land was put over to sheep grazing. Many of the people of the Highlands and islands of Scotland were forced from their homes by landowners in the Clearances. Some fled to Nova Scotia and beyond. In this book, David Craig sets out to discover how many of their stories survive in the memories of their descendants. He travels through twenty-one islands in Scotland and Canada, many thousands of miles of moor and glen, and presents the words of men and women of both countries as they recount the suffering of their forebears. “[David] has the eye, the imagination and the descriptive density of early Bruce Chatwin.” —Toronto Globe & Mail

The relationship between science and civil society is essential to our understanding of cultural change during the Victorian era. Finnegan's study looks at the shifting nature of this process during the nineteenth century, using Scotland as the focus for his argument.

Research in the field of keyboard studies, especially when intimately connected with issues of performance, is often concerned with the immediate working environments and practices of musicians of the past. An important pedagogical tool, the keyboard has served as the ’workbench’ of countless musicians over the centuries. In the process it has shaped the ways in which many historical musicians achieved their aspirations and went about meeting creative challenges. In recent decades interest has turned towards a contextualized understanding of creative processes in music, and keyboard studies appears well placed to contribute to the exploration of this wider concern. The nineteen essays collected here encompass the range of research in the field, bringing together contributions from performers, organologists and music historians. Questions relevant to issues of creative practice in various historical contexts, and of interpretative issues faced today, form a guiding thread. Its scope is wide-ranging, with contributions covering the mid-sixteenth to early twentieth century. It is also inclusive, encompassing the diverse range of approaches to the field of contemporary keyboard studies. Collectively the essays form a survey of the ways in which the study of keyboard performance can enrich our understanding of musical life in a given period.