On With The Show

Don't waste a minute of precious rehearsal time! Divided into two parts, the Director's Handbook and the Actor's Handbook, On With the Show! enables directors and actors to get the most out of rehearsal time at home and on the stage. Providing essential time-saving techniques, worksheets, and samples, this guide allows you to work more effectively and efficiently toward the final production, strengthening your skills as a director while building confidence in your actors onstage. This resource for drama teachers, classroom teachers, and community-theatre leaders allows all to enjoy the thrilling process of putting on a play or musical by providing the tools for cast members to reach their performance goals, and helping directors to be as organized as possible.

On with the Show follows on from the first volume of Love and Music, a joint autobiography of singers Christopher Davies and Barbara Kendall. In 1965, Barbara graduated from the Guildhall School of Music and Drama in London and joined Chris in the musical profession. They had gotten married in 1963 and this is the interesting story of how they coped with what was bound to be a demanding way of life.

While babysitting, Lisa, Nick, Beth, and Max organize a show to celebrate Clean Up Pocket Park Day.

From the funniest voice in young fiction today, the seventh in this irresistible series for young readers about imaginary friends in hilarious rhyming text and with adorable illustrations by Ella Okstad.'In a change to our scheduledprogramme tonight,I proudly present,for your joy and delight . . .'(in the glare of the bulbs, Ava tipped her tall hat)'AMAZING AVA! AAAAAAND . . .HER INVISIBLE CAT!'Ava and Squishy are going to see the circus, but when one of the acts doesn't turn up they must perform in his place!Another joyful, hilarious, instant classic of a tale for five year olds and upwards, stunningly illustrated by Ella Okstad.'A surefire hit.' Guardian'Charming.' The Times'Bound to ensure catisfaction.' Independent'Cleverly bridging the gap between picture books and longer fiction, the lovable Squishy is certain to be a success with under-sevens.' BookTrust'In delightful rhyme reminiscent of Dr Seuss, this charmingly illustrated book is bound to become a bedtime fave.' Gurgle

Every Thanksgiving, Franzi Mueller returns to her hometown, Freedom Valley, to help with a musical show put on at the veteran's hospital. After a decade of living in Houston, Franzi starts feeling nostalgic for the sense of community of her small Texas town. Too bad Mama has decided to play matchmaker and keeps pushing together Franzi and her ex-high school beau, Dietz Reinhardt. Local hardware store owner Dietz can see that her big city clothing designer job has worn Franzi down and he's doing what he can to ease her load. Circumstances throw them together at every turn, and every glance and each touch ignites the old sparks. Can Franzi find what her creative spirit needs in Freedom Valley? Is time running out on this second chance for Dietz to win over her heart?

In 1929 and 1930, during the Hollywood studios' conversion to synchronized-sound film production, white-controlled trade magazines and African American newspapers celebrated a "vogue" for "Negro films." "Hollywood's African American Films" argues that the movie business turned to black musical performance to both resolve technological and aesthetic problems introduced by the medium of "talking pictures" and, at the same time, to appeal to the white "Broadway" audience that patronized their most lucrative first-run theaters. Capitalizing on highbrow associations with white "slumming" in African American cabarets and on the cultural linkage between popular black musical styles and "natural" acoustics, studios produced a series of African American-cast and white-cast films featuring African American sequences. Ryan Jay Friedman asserts that these transitional films reflect contradictions within prevailing racial ideologies--arising most clearly in the movies' treatment of African American characters' decisions to migrate. Regardless of how the films represent these choices, they all prompt elaborate visual and narrative structures of containment that tend to highlight rather than suppress historical tensions surrounding African American social mobility, Jim Crow codes, and white exploitation of black labor.

A professor of womenÆs studies explores gay San Francisco in the 1960s, tracing the bar scene, gay activism, and official oppression carried out by the police and other government bodies. (Social Science)