On Woodward

It is 1930, and budding artist Alma Combs is terrified of losing her father to a coal mining accident. Her worst fear nearly comes true when her father barely survives a mine explosion, prompting him to pull up his familys Kentucky roots and flee to Detroit, where he hopes to find better work, save money, and return home to buy a farm. But as Alma arrives on Woodward Avenue with her family in the midst of the Great Depression, she soon realizes that nothing will ever be the same again. As her father finally secures a job, Alma and her brother attempt to shed their hillbilly image and begin school. Their mother faces a difficult pregnancy. It is not long before the challenges of the times overwhelm the family, leading them to experience prejudice and tragedy as never before. (But there are happy times, too) As Alma grows up, she must learn to deal with a vulgar uncle, whose lustful looks frighten her; a pitiful aunt who is hiding a shameful secret; and her younger sister, whose promiscuity may lead to heartbreak. On Woodward tells the colorful tale of a young artist searching for beauty in her life as her family bravely faces monumental tribulations in Detroit during a turbulent time in American history.

The biography of the first southern woman to hold a top-ranking post in a federal administration

divC. Vann Woodward was one of the most prominent and respected American historians of the twentieth century. He was also a very gifted and frequent writer of letters, from his earliest days as a young student in Arkansas and Georgia to his later days at Yale when he became one of the arbiters of American intellectual culture./DIVdiv /DIVdivFor the first time, his sprightly, wry, sympathetic, and often funny letters are published, including those he wrote to figures as diverse as John Kennedy, David Riesman, Richard Hofstadter, and Robert Penn Warren. The letters shed new light not only on Woodward himself, but on what it meant to be an American radical and public intellectual, as well as on the complex politics and discourse of the historical profession and the anxious modulations of Southern culture./DIV

William Woodward (1859-1939) was a force in New Orleans and the art world, and his legacy endures. In this first compilation of examples of Woodward's work spanning his career, essayists offer unique perspectives on the artist and his art. Woodward was a graduate of the Rhode Island School of Design and the Massachusetts Normal Art School. He started the School of Art and organized the Department of Architecture at Tulane University, and he taught evening art classes to citizens of New Orleans. His oil crayon paintings of the French Quarter were instrumental in preserving the French Quarter buildings from destruction, and he was a leader in the Arts and Crafts movement in New Orleans. He was a member of the American Institute of Architects. Woodward also organized the Art Association of New Orleans and the Decorative Art League for Women, which founded the manufacture of art pottery in New Orleans. Woodward was a prolific artist and pioneered new techniques with his use of the Rafaelli oil crayon and the fiberloid dry etching process. Upon his retirement from Tulane in 1922, Woodward moved to Biloxi, Mississippi, where his paintings of the Mississippi Gulf Coast provide a historical record of an area now almost entirely changed by development and natural disasters. Woodward also traveled extensively and chronicled his travels in his art.

 In her 60-year career, Joanne Woodward has been a film, television and stage actress, television producer and director, stage director, and film director. She won the Best Actress Academy Award for her performance in The Three Faces of Eve and was nominated for Rachel, Rachel, Summer Wishes, Winter Dreams and Mr. & Mrs. Bridge. She also won the Best Actress Emmy Award for See How She Runs and Do You Remember Love. This book is the first to be solely devoted to Woodward's life and career, which were often overshadowed by the successes of her late husband, Paul Newman.

The first settlement in what would become Woodward County was Camp Supply, a military post that had been established in 1868 during the Indian Wars on the American frontier. In 1887, a provisioning point for the post on the Southern Kansas Railway was created and named Woodward. It was not until six years later that the area known as the Cherokee Outlet would be opened to nonnative settlement. At high noon on September 16, 1893, thousands of hopeful settlers rushed into the territory to stake their claims in this new land. On a sunny day in 1907, William Jennings Bryan spoke to a crowd of 20,000 people in the county seat, urging the ratification of the new Oklahoma Constitution. During the late 20th century, Woodward County’s extensive deposits of oil led to a booming economy. In Woodward County, the lives of cowboys, lawyers, gunfighters, brothel madams, and everyday farmers intersect as a civilization rises from the open prairie.

Based on new interviews and never-before-seen archival materials, Woodward and Bernstein takes a fresh, thought-provoking look at this unlikely journalistic duo. Thrown together by fate or luck, Woodward and Bernstein changed the face of journalism and the American presidency. For the first time, Shepard separates myth from reality as she traces the lives of the iconic journalists before and after Watergate.