Once Upon A Time In Poland

A collection of traditional legends from Poland, retold in English, with activities following each tale.

Merriam Press Memoir. Once Upon a Time There Was a War is a kaleidoscope of events. It starts with World War II seen through the eyes of a child. The author was only nine years old when the war started and he writes about his memories of horrible events like hangings and executions of innocent people; senseless killings that brought misery to so many lives. But, being only a child, he also had times of fun and play. The reality of war, however, was ever-present. Despite those dark times, Les remained an optimist; he had his dreams of becoming an animator and of going to Hollywood. He didn't know how, but he was sure that someday he would reach his goal. Les reached his goal and had a long career working for studios in Poland, as well as Disney and Hanna-Barbera in the U.S., and others. Those fascinating stories, and many more, are also in this memoir.

Relates briefly the lives and deeds of seventeen saints, including Hyacinth, Martha, Servulus, Simeon, and Zita

In this second tightly paced police procedural in the award-winning series, Inspector Green is drawn into a case with a suspicious link to the past. When an old man dies a seemingly natural death in a parking lot, only Inspector Michael Green finds it suspicious. A search of the deceased's isolated house turns up an old tool box with a hidden compartment containing a German ID card from World War II. As well, his family seems to be harbouring secrets and withholding valuable information from the police. Was the victim a Jewish camp survivor or a Nazi soldier trying to escape imprisonment? Could someone have tracked him down for revenge? Even Green, with all his experience, could never have imagined that the truth would come so close to his own life.

Ethel Pochocki, whimsically and unforgettably, presents a new set of heavenly friends to readers young and old in this third collection of Once Upon a Time Saints stories. Beginning in the dark of December, the start of the Church Year, there are stories and poems for each month, all bursting with saintly--not to mention angelic--deeds and happenings. Each tale or verse--whether of mystical apparitions in a tiny Irish village or of friars who float in the air or of entire countries single-handedly converted to Christianity--makes it quite plain that heaven doesn't keep to its place at all, but is happily determined to spill over into earthly life--here, there and . . . all around the year.

The fairy tale has become one of the dominant cultural forms and genres internationally, thanks in large part to its many manifestations on screen. Yet the history and relevance of the fairy-tale film have largely been neglected. In this follow-up to Jack Zipes’s award-winning book The Enchanted Screen (2011), Fairy-Tale Films Beyond Disney offers the first book-length multinational, multidisciplinary exploration of fairy-tale cinema. Bringing together twenty-three of the world’s top fairy-tale scholars to analyze the enormous scope of these films, Zipes and colleagues Pauline Greenhill and Kendra Magnus-Johnston present perspectives on film from every part of the globe, from Hayao Miyazaki’s Spirited Away, to Jan Švankmajer’s Alice, to the transnational adaptations of 1001 Nights and Hans Christian Andersen. Contributors explore filmic traditions in each area not only from their different cultural backgrounds, but from a range of academic fields, including criminal justice studies, education, film studies, folkloristics, gender studies, and literary studies. Fairy-Tale Films Beyond Disney offers readers an opportunity to explore the intersections, disparities, historical and national contexts of its subject, and to further appreciate what has become an undeniably global phenomenon.