Once Upon A Time In The Sixties

"If you remember the sixties then you weren't there." Well Peter Maddick was there and he remembers the King's Road, Chelsea, the Stones and what the sixties is really famous for - free love!

In this rich cultural history, Pamela Roberston Wojcik examines America's ambivalent and shifting attitude toward homelessness. She considers film cycles from five distinct historical moments that show characters who are unhomed and placeless, mobile rather than fixed—characters who fail, resist, or opt out of the mandate for a home of one's own. From the tramp films of the silent era to the 2021 Oscar-winning Nomadland, Wojcik reveals a tension in the American imaginary between viewing homelessness as deviant and threatening or emblematic of freedom and independence. Blending social history with insights drawn from a complex array of films, both canonical and fringe, Wojcik effectively "unhomes" dominant narratives that cast aspirations for success and social mobility as the focus of American cinema, reminding us that genres of precarity have been central to American cinema (and the American story) all along.

Half a century ago a youth appeared from the American hinterland and began a cultural revolution. The world is still coming to terms with what he did. How he did it - and why - has never been fully explored. In Once Upon a Time, award-winning writer Ian Bell draws together the tangled strands of the many lives of Bob Dylan in all their contradictory brilliance. For the first time, the laureate of modern America is set in his entire context: musical, historical, literary, political and personal. In this acclaimed book, full of new insights into the legendary singer, his songs, his life and his era, the artist who invented himself in order to reinvent America is uncovered. Once Upon a Time is a biographical study of a personality that has splintered and reformed, time after time, in a country forever struggling to understand itself. Dylan has become the puzzle that illuminates. Here, in the first part of a major two-volume work, the puzzle is explained.

This collection brings together new and original critical essays by eleven established European American Studies scholars to explore the 1960s from a transatlantic perspective. Intended for an academic audience interested in globalized American studies, it examines topics ranging from the impact of the American civil rights movement in Germany, France and Wales, through the transatlantic dimensions of feminism and the counterculture movement. It explores, for example, the vicissitudes of Europe's status in US foreign relations, European documentaries about the Vietnam War, transatlantic trends in literature and culture, and the significance of collective and cultural memory of the era.

Aroused by gains in civil rights and galvanized by the antiwar movement, radical leaders of the 1960s sought to make revolutionary changes in American society. Partly through their leadership, a generation was awakened by the call for a counterculture. That generation is now responsible for the same social and political structures they so adamantly, and sometimes violently, opposed. How did the sixties affect the counterculture leaders? And what are they doing now? Paul Krassner, Cleveland Sellers, Jane Adams, Dave Dellinger, Bill Ayers, Warren Hinckle, Peter Berg, Noam Chomsky, Tim Leary, Philip Berrigan, Anita Hoffman, Jerry Rubin, Erica Huggins, Jim Fouratt, Bernadine Dohrn, Barry Melton, Peter Coyote, and Abbie Hoffman reflect on the seminal events that dominated the sixties and discuss the major issues and problems facing America (and them!) today.

This book examines the American Sixties, and how that period’s socio-political essence was reflected and refracted in certain forms of the period’s music. Its five main chapters bear the names of familiar musical categories: ’Folk,’ ‘Rock,’ ‘Jazz,’ ‘Avant-Garde,’ ‘Classical.’ But the book’s real subject matter—treated at length in the Prologue and the Epilogue but spread throughout all that comes between—is the Sixties’ tangled mess of hopes and frustrations, of hungers as much for self-identity as for self-indulgence, of crises of conscience that bothered Americans of almost all ages and regardless of political persuasion.

The social movements of the 1960s - still vital and challenging - seen through the author's experiences as a civil rights activist, a feminist, an antiwar organizer, and a radical teacher.