One Angry Veteran

One Angry Veteran is a combination of story telling of my personal struggles with the military, war, PTSD, reintegrating back into civilian life and some of the methods that I use, in overcoming some of these life-changing hurdles. Using a direct "tell it like it is" approach, I communicate with you, the veteran, the veteran's spouse and supporters of the troops; in hopes of creating a dialogue between brothers and sisters in arms, family members, mental health organizations, government agencies and the public so that as a country, we can bring more awareness to the needs of veterans, garner more funding for disabled veterans along with educational and job training benefits such as the post 9/11 G.I Bill and Vocational Rehabilitation benefits. My dream is that this book finds its way into the hands of my fellow veterans that need to know, you are not alone and you are not forgotten.

The children's issues picture book Why Is Dad So Mad? is a story for children in military families whose father battles with combat related Post Traumatic Stress Disorder (PTSD). After a decade fighting wars on two fronts, tens of thousands of service members are coming home having trouble adjusting to civilian life; this includes struggling as parents. Why Is Dad So Mad? Is a narrative story told from a family's point of view (mother and children) of a service member who struggles with PTSD and its symptoms. Many service members deal with anger, forgetfulness, sleepless nights, and nightmares.This book explains these and how they affect Dad. The moral of the story is that even though Dad gets angry and yells, he still loves his family more than anything.

A disturbing chronicle of the US government’s mistreatment of American soldiers and veterans throughout history, with a new introduction by Charles Sheehan-Miles Time and time again, the sacrifices made by veterans and their families have been repaid with scorn, discrimination, lack of health services, scant financial compensation, and other indignities. This injustice dates back as far as the American Revolution, when troops came home penniless and without prospects for work, yet had to wait decades before the government paid them the wages they were owed. When soldiers returned from the Cuban campaign after the Spanish-American War, they were riddled with malaria, typhoid, yellow fever, and dysentery—but the government refused to acknowledge their illnesses, and finally dumped them in a makeshift tent city on Long Island, where they were left to starve and die. Perhaps the most infamous case of disgraceful behavior toward veterans happened after the Vietnam War, when soldiers were forced to battle bureaucrats and lawyers, and suffer media slander, because they asked the government and chemical industry to help them cope with the toxic aftereffects of Agent Orange. In The Wages of War, authors Richard Severo and Lewis Milford not only uncover new information about the controversial use of this defoliant in Vietnam and the subsequent class action suit brought against its manufacturers, but also present fresh information on every war in US history. The result is exhaustive proof that—save for the treatment of soldiers in the aftermath of World War II—the government’s behavior towards American servicemen has been more like that of “a slippery insurance company than a policy rooted in the idea of justice and fair reward.”

Three hundred years in our future, in a world of alien infiltrators, religious hackers, a vast convoying nation of Nomads, city sized orbital elevators, and a cyborg pirate king who believes himself to be a mythological demon Jakob is having a bad day: "Nothing gets in the way of a hangover like being reactivated by your old C.O. and told to track down an alien killing machine. The same kind of killing machine that wiped out my entire squad. And now it's in my hometown. My name is Jakob Douglas, ex-special forces. I fought Them. Just like we've all been doing for 60 bloody years. But I thought my part in that was done with. My boss has other ideas. If I didn't find the infiltrator then he'd let the Grey Lady loose on me. And believe me; even They've got nothing on her. So I took the job. It went to shit even faster than normal. And now I'm on the run with this teenage hacker who's had enough of prostitution. The only people I can rely on want to turn the internet into God. And now it turns out that They aren't quite what we'd all thought. I've been to the bottom of the sea and the top of the sky and beyond trying to get to the truth. And I still can't get far enough away from the Grey Lady. All things considered I'd rather be back at home deep in a whiskey bottle." Veteran is a fast paced, intricately plotted violent SF Thriller set in a dark future against the backdrop of a seemingly never ending war against an unknowable and implacable alien enemy.

What has the end of the Cold War meant for East Asia, and for how its people understand their recent history? These thought-provoking essays explore a vigorously contested area in public culture, the wars of the modern era. All the major East Asian states have undergone a profound reassessment of their experiences from World War II to Vietnam. New and at times aggressive forms of nationalism in Japan, China, South Korea, Vietnam, and Taiwan have affected American security policy in the Pacific and posed a challenge to the post-communist world order. Japan has met fervent opposition to its premiers' visits to the Yasukuni shrine honoring the wartime dead. China has reclaimed a forgotten war history, such as the positive contributions of Chiang Kai-shek's Nationalists. South Korea has embraced an interpretation of the Korean War that is hostile to the United States and sympathetic to its North Korean adversaries. This volume not only illuminates regional and global changes in East Asia today, but also underscores the need for rethinking the Cold War language that continues to inform U.S.-East Asian relations.

While battlefield parks and memorials erected in town squares and cemeteries have served to commemorate southern valor in the Civil War, Confederate soldiers' homes were actually 'living monuments' to the Lost Cause, housing the very men who made that cau

Fear of anger can ultimately be as destructive as expressed rage, fomenting social isolation, injustice, and misunderstanding. In Aging Angry: Making Peace with Rage, Amanda Smith Barusch argues that now, more than ever, it is time for older adults to turn toward anger rather than denying or avoiding it. By taking anger seriously, we can neutralize its destructive potential and harness its energy and wisdom for personal and social change. Barusch draws upon the experiences of hundreds of older adults and a wealth of literary and academic sources to empower readers with new understanding of anger's sources, dynamics, and possibilities. Topics range from anger and race in the United States to mass violence committed by older adults to aged activists who have changed our world. In rich and insightful prose, accompanied throughout by powerful case studies, Aging Angry forcefully demonstrates that anger--and even rage--can be transformative.

When lines are drawn how do you find courage in the face of hate, and what does it truly mean to take a stand? Stella and Farida have been best friends forever, but lately things have been tense. It all started when Stella's brother came home from his latest tour with the US Marines in Afghanistan paranoid and angry. But Stella won't talk about it, and Farida can tell she's keeping something from her.Desperate to help Rob, Stella thinks she just needs to get him out of the house. She definitely didn't expect going to the movies to end with Rob in handcuffs for assaulting one of her classmates after his anger spiraled out of control.When a video of the fight goes viral, everyone has an opinion of Stella and her "violent vet" brother.The entire school takes sides, the media labels Rob a terrorist sympathizer, and even Farida is dragged into the mess despite not being there. As the story continues trending, Stella will have to decide just how far she's willing to go for the truth, even if it means admitting her own failures.