One Day She Ll Darken

The inspiration for the TNT TV series I Am the Night. The Black Dahlia Murder is near-legend in the annals of true crime. But behind the shocking case of a young actress’s gruesome slaying lies the story of another woman. Was Fauna Hodel the child of incest, and the catalyst for a sensational trial that left her well-to-do family scarred by scandal, even as the accused sexual predator walked free? Taken as an infant from her teenage mother, Fauna was placed in the care of a working-class black woman, who raised the white child as her own. Together, as a close-knit mother and daughter, they weathered years of poverty and bigotry, alcoholism and sexual abuse, pregnancy and even death—until the time came for Fauna to seek out her real mother, and uncover her lost past. But as Fauna will learn, some truths don’t want to be told. Now includes an 8-page photo insert from Fauna's personal collection.

For Viewers of the TNT Series I Am the Night and Fans of the Root of Evil Podcast, the Bestselling Book That Revealed the Shocking Identity of the Black Dahlia Killer and the Police Corruption That Concealed It for So Long A New York Times Bestseller An International Bestseller A New York Times Notable Book An Edgar Award Finalist In 1947, the brutal, sadistic murder of a beautiful young woman named Elizabeth Short led to the largest manhunt in LA history. The killer teased and taunted the police and public for weeks, but his identity stayed a mystery, and the murder remained the most tantalizing unsolved case of the last century, until this book revealed the bizarre solution. Steve Hodel, a retired LAPD detective who was a private investigator, took up the case, reviewing the original evidence and records as well as those of a separate grand jury investigation into a series of murders of single women in LA at the time. The prime suspect had in fact been identified, but never indicted. Why? And who was he? In an account that partakes both of LA Confidential and Zodiac, for the corruption it exposes and the insight it offers into a serial killer’s mind, Hodel demonstrates that there was a massive police cover-up. Even more shocking, he proves that the murderer, a true-life Jekyll and Hyde who was a highly respected member of society by day and a psychopathic killer by night, was his own father. This edition of the book includes new findings and photographs added after the original publication, together with a new postscript by the author.

In this second volume of diaries from one of Australia’s greatest writers, we see Garner in love; asking herself questions about relationships, individuality, morality and contentment. For readers of Lisa Taddeo’s Three Women, and avid Garner fans, this volume illuminates the inner life of a writer with all its turmoil and joy.

This book explores the recent surge in true crime by critically exploring how murder and violence are represented in documentaries, films, podcasts, museums, novels and in the press, and the effects. From a range of contributors, it touches on a wide variety of topics overall and illustrates how examining true crime across the changing popular media landscape can contribute to important debates in contemporary culture and society. It encourages a critical eye towards understanding the harmful stereotypes, myths and misinformation that popular media can bring. Arranged into four sections, including: true crime trials, representations of victims, the consumption of serial killer narratives, and true crime spaces, each chapter explores different themes and topics across traditional and newer media. These topics include: emotion and appeals for justice in Making a Murderer, #MeToo and misogyny in crime narratives, true crime journalism being exploitative, the ethics of consuming dark tourism and the appetite for true crime, live streamed murder, and the ways in which true murder accounts might lend insight into other types of crime such as domestic violence and stalking. This book stimulates discussion on undergraduate courses in crime, media and culture as well as in film and media studies, and it also speaks to those with a general interest in true crime.

Pregnant with her second child, Martha King finds her marriage to lawyer Austin King more and more frustrating when her husband befriends his young foster cousin, Nora, and, in the process, unwittingly jeopardizes his marriage, career, and place in the community.

This book explores the representation of real-life serial murders as adapted for the screen and popular culture. Bringing together a selection of essays from international scholars, Serial Killing on Screen: Adaptation, True Crime and Popular Culture examines the ways in which the screen has become a crucial site through which the most troubling of real-life crimes are represented, (re)constructed and made accessible to the public. Situated at the nexus of film and screen studies, theatre studies, cultural studies, criminology and sociology, this interdisciplinary collection raises questions about, and implications for, thinking about the adaptation and representation of true crime in popular culture, and the ideologies at stake in such narratives. It discusses the ways in which the adaptation of real-life serial murder intersects with other markers of cultural identity (gender, race, class, disability), as well as aspects of criminology (offenders, victims, policing, and profiling) and psychology (psychopathy, sociopathy, and paraphilia). This collection is unique in its combined focus on the adaptation of crimes committed by real-life criminal figures who have gained international notoriety for their plural offences, including, for example, Ted Bundy, Ian Brady and Myra Hindley, Aileen Wuornos, Jack the Ripper, and the Zodiac, and for situating the tales of these crimes and their victims’ stories within the field of adaptation studies.

"A heartbreaking portrait of what it means to be a man in a world where violence trumps reason, and bad decisions begin with good intentions. With wit, tenderness, and intelligence, Bull Head exposes the raw underbelly of male experience."—Gary Shteyngart, author of Super Sad True Love Story A line-dancing aficionado visits his brother in jail in hopes of mending their relationship, and instead discovers his own unwitting role in his brother's failed life. After the death of his wife and children, a logger tries to survive the Thanksgiving weekend on his own. A delinquent teen's life is changed forever by a work-camp placement with a violent older boy. A truck driver seeks sanctuary from his abusive wife in a fantasy world of strip clubs and personal ads. Bristling with restlessness and brutality, these linked stories set in the Pacific Northwest catapult readers into the gritty lives of social outcasts lost in purgatories of their own making. John Vigna tempers raw and at times cruel rural masculinity with graceful prose and breathtaking tenderness to illuminate the plight of men living in small towns and backwoods who belong neither to history nor the future. A startling homage to the great Southern Gothic tradition, Bull Head is a dazzling debut that heralds a powerful and exciting new literary voice. John Vigna is an alumnus of the Iowa Writers' Workshop. His fiction and non fiction have appeared in numerous newspapers and magazines. John lives in Vancouver, British Columbia, with his wife, writer Nancy Lee.