One From The Heart A Rivervue Community Theatre Romance Anthology Tread The Boards Set The Stage Take A Bow

He's the Banksy of the international theatre scene - daring, anonymous, renowned. So when playwright 'Draven' bequeaths his latest play to the rural Rivervue Theatre, the stage is set for drama. Three stellar authors offer three stories packed full of romance, secrets and lies... Tread the Boards Nikki Logan: Rivervue Theatre's props maven Mackenzie Russell is drawn to enigmatic loner Dylan North. But both Kenzie and Dylan have secrets to keep. Secrets that if revealed could tear the town, the theatre - and Dylan and Kenzie - apart. Set the Stage Daniel de Lorne: A phone call from an unrequited past love sends architect Gabriel Mora running back to his artsy home town of Brachen. There, he is forced to hide his involvement in the redevelopment of the town's beloved theatre to protect his mother's frail health. It's just one more secret to keep hidden, along with his feelings for Bruce Clifton, the theatre's kind stage manager... Take a Bow Fiona Greene: Creative director, Lexi Spencer, is fighting to save the iconic Rivervue Community Theatre and Draven's play is the weapon she needs. She's already lost so much in her life, losing the theatre isn't an option. But with past love Mark Conroy on the scene, old feelings resurface. The controversial play is set to test the loyalty of the town, as well as the strength of their relationship. When the play's dark truths come out, the ripples will affect everyone's lives. Can the show still go on?

He's the Banksy of the international theatre scene - daring, anonymous, renowned. So when playwright 'Draven' bequeaths his latest play to the rural Rivervue Theatre, the stage is set for drama. While the redevelopment brief for Rivervue Community Theatre moulders on his desk, a phone call from an unrequited past love sends architect Gabriel Mora running back to his artsy hometown. Afraid of worsening his mother's health, Gabriel is forced to hide his involvement in the redevelopment. It's just one more secret to keep, along with his feelings for a certain red-headed stage manager. Bruce Clifton can build anything. But the jobs mean nothing if he's not getting paid. On the cusp of losing his home, Bruce needs to find a way to call in those debts without showing his community how much trouble he's got himself into. With Gabriel's return to town stirring up past hurts, soon it's not just his home Bruce has to worry about losing, but his heart. Can Bruce and Gabriel work together for the good of Rivervue, or will their hope for a second chance exit stage right?

The Lost Weekend' is a gripping story of a talented but alcoholic writer Don Birnam who is a sensitive, charming, and educated man. It follows the struggling writer's efforts to survive a weekend in Manhattan. This work was praised for its intense realism and most acute portrayal of alcoholism, reflecting the writer's experience with alcohol.

In the years between the world wars, Manhattan's Fourteenth Street-Union Square district became a center for commercial, cultural, and political activities, and hence a sensitive barometer of the dramatic social changes of the period. It was here that four urban realist painters--Kenneth Hayes Miller, Reginald Marsh, Raphael Soyer, and Isabel Bishop--placed their images of modern "new women." Bargain stores, cheap movie theaters, pinball arcades, and radical political organizations were the backdrop for the women shoppers, office and store workers, and consumers of mass culture portrayed by these artists. Ellen Wiley Todd deftly interprets the painters' complex images as they were refracted through the gender ideology of the period. This is a work of skillful interdisciplinary scholarship, combining recent insights from feminist art history, gender studies, and social and cultural theory. Drawing on a range of visual and verbal representations as well as biographical and critical texts, Todd balances the historical context surrounding the painters with nuanced analyses of how each artist's image of womanhood contributed to the continual redefining of the "new woman's" relationships to men, family, work, feminism, and sexuality.

Alissa Callen, Fiona Greene, Rachael Johns, Juliet Madison, Victoria Purman This collection of heartwarming Australian stories is full of the joys of the season and guaranteed to brighten your Christmas. Under Christmas Stars – Alissa Callen [BRAND NEW STORY] Small–town teacher Freya George is determined to make up for last year's disastrous Christmas. This year she will stop at nothing to ensure that she and the Woodlea community have the best holiday season ever. But from the moment Freya meets cattleman Drew Macgregor, her plans unravel faster than red Christmas ribbon… Home For Christmas – Fiona Greene [FIRST TIME IN PRINT] When Sergeant Tate McAuliffe, stationed in Afghanistan, opens his Christmas care package from Australia, he is stunned by both its contents and the sender, Layla Preston. Little could Layla know that this impersonal–but–cheerful holiday gift is set to be the start of something big… The Kissing Season – Rachael Johns A wild past, a secret pregnancy and a disastrous marriage: every family has a black sheep…and Hannah Elliot is it. But when she returns to her home town of Wildwood Point, she is determined to stay on the straight and narrow. Then gorgeous Italian Matteo Della Bosca walks into her life and Hannah's resolve starts to slip… 12 Daves Of Christmas – Juliet Madison [FIRST TIME IN PRINT] Can love transcend time and space? An uplifting story of a lonely writer, her grandmother's ghost and a Christmas road trip to visit 12 different Daves. Christmas At Remarkable Bay – Victoria Purman [BRAND NEW STORY] Prickly Mara has hit a crossroads and is hoping a Christmas alone in idyllic Remarkable Bay will help. Police officer George is also alone for Christmas. Drawn together unwillingly, they try to stay out of each other's way. But Remarkable Bay is a small place…

In this collection of 32 narrative essays, scholars and teachers of English and English education share their excitement as they reflect on their professional growth over the last 30 years. The firsthand stories in the collection represent "a study of theory and applied theory, grounded in personal experience and academic study over many years." The essays are: (1) "Facing Yourself" (J. Tompkins); (2) "Surprising Myself as a Teacher in Houghton, America" (A. Young); (3) "Becoming a College English Teacher--More by Accident than Design"" (D.C. Stewart); (4) "On (Not) Being Taken In" (H.T. McCracken); (5) "How Do the Electrons Get Across the Two Plates of the Capacitor?" (D. Bleich); (6)"Teaching as a Profession" (A.S. Bayer); (7) "Going Back" (S. Hudson-Ross); (8) "I Did It My Way...With a Little Help from My Friends" (P. Smagorinsky); (9) "Illiteracy at Oxford and Harvard" (P. Elbow); (10) "Disrupting the Transmission Cycle in College Teaching" (G.M. Pradl); (11) "Out and About in English Education" (R.E. Shafer); (12) "Beyond the Obvious" (V.R. Monseau); (13) "My English Education" (S. Hynds); (14) "From Reading to Writing, from Elementary to Graduate Students" (S. Stotsky); (15) "Living with Tension: Doing English, etc." (J. Milner); (16) "What's A Story?" (M.C. Savage); (17) "Two 'Women's Ways of Knowing' Teaching Writing" (R.C. Grego and N.S. Thompson); (18) "The Teaching and Learning of English in the College Classroom: Creating a Unified Whole" (B.M. Greene); (19) "On English Teaching as Poetry, 'or,' Samuel T., You'll Never Know What Organic Unity Did for Me" (M.L. Angelotti); (20) "Learning to Love Being a Second-Class Citizen" (W.R. Winterowd); (21) "Falling into Narrative" (P. Donahue); (22) "English in Education: An English Educationist at Work" (H.M. Foster); (23) "Downshifting to Fourth" (T. Fulwiler); (24) "Connecting the Teaching of Reading, Writing, and Speech in Programs for Developmental Students" (J. Entes); (25) "Reuniting Grammar and Composition" (J.L. Collins); (26) "Confessions of a Teacher Who Has Not Learned about Teaching" (R.L. Larson); (27) "Teaching and Learning English: Two Views" (C. Moran and "College Writing" Students); (28) "The Way I Was/The Way I Am/And What I Learned in Between" (L.L. Meeks); (29) "Collaborative Computer Encounters: Teaching Ourselves, Teaching Our Students" (G.E. Hawisher and C.L. Selfe); (30) "Ideological Crosscurrents in English Studies and English Education: A Report of a National Survey of Professors' Beliefs and Practices" (C. Dilworth and N.M. McCracken); (31) "Interpreting the Reflective Stories: The Forces of Influence in Our Essayists' Lives" (R.L. Larson); and (32) "Interpreting Stories: Rebels in the Professoriate" (H.T. McCracken). (NKA)

In 1938, under the direction of novelist and historian Lyle Saxon, The Federal Writers' Project of the Works Progress Administration produced this delightfully detailed portrait of New Orleans. Containing recipes, photographs and folklore, it is consistently hailed as one of the best books produced about the city. Remarkably, many of the sites and attractions the WPA chronicled in 1938 are still around today.