One Island Many Voices

Cuban-American writers have been studied primarily within the context of Latino literature as a whole. Seeing a need to distinguish and define this unique literary perspective, Eduardo del Rio selected twelve important well-known authors and conducted interviews. He chose writers who were born in Cuba but have lived in the United States for a significant amount of time and whose works include themes he considers elemental to Cuban-American literature: identity, duality, memory, and exile. But rather than a cohesive, homogeneous group, these conversations unveiled a kaleidoscope of individuality, style, and motive. The authors’ bonds to Cuba inform their creative work in vastly different ways, and attempts to categorize their similarities only highlight the range of character and experience within this assemblage of talented writers. From playwright Dolores Prida to author and literary critic Gustavo Pérez Firmat, these voices run the gamut of both genre and personality. In addition to the essential facts of literary accomplishment, the interviews include a wealth of insight into each writer’s history, motivations, concerns, and relationship to language. These personal details serve to humanize and illuminate the unique circumstances and realities that have shaped both the authors and their work. What del Rio has ultimately brought together is a series of intimate sketches that will not only serve as an important reference for any discussion of the literature but will also help readers to develop for themselves a sense of what Cuban-American writing is, and what it is not. CONTENTS Preface Acknowledgments Introduction Nilo Cruz Roberto Fernández Cristina García Carolina Hospital Eduardo Machado Dionisio Martínez Pablo Medina Achy Obejas Ricardo Pau-Llosa Gustavo Pérez Firmat Dolores Prida Virgil Suárez Epilogue Notes Bibliography Index

The experiences of people coming to the United States from many different lands are conveyed in the words of a contemporary young girl visiting Ellis Island and of a girl who immigrated in about 1910, as well as by quotes from early twentieth century immigrants and Ellis Island officials.

Many Voices One Song is a detailed manual for implementing sociocracy, an egalitarian form of governance also known as dynamic governance. The book includes step-by-step descriptions for structuring organizations, making decisions by consent, and generating feedback. The content is illustrated by diagrams, examples and stories from the field.

These upcoming years are crucial as world leaders will agree on a new sustainable development framework for the next 15 years. The proposed 17 Sustainable Development Goals include targets to end poverty, to ensure healthy lives and quality education and to combat climate change, among others. The decisions taken will undoubtedly have a huge impact on children's lives and rights today as well as the lives and rights of future generations.

Includes essays on: the role of race in the revolution of 1933; the subject of disaster in eighteenth-century Cuban poetry; developments in Cuban historiography over the past fifty years; a profile of the work of historian Jos Vega Suol; and a remembrance of essayist and literary critic Nara Arajo, who also contributed an article on travel in Cuba for this volume.

A border is a force of containment that inspires dreams of being overcome and crossed; motivates bodies to climb over; and threatens physical harm. This book critically examines a range of cultural performances produced in relation to the tensions and movements of/about the borders dividing North America, including the Caribbean.

In 1841 a Japanese fishing vessel sinks. Its crew is forced to swim to a small, unknown island, where they are rescued by a passing American ship. Japan’s borders remain closed to all Western nations, so the crew sets off to America, learning English on the way. Manjiro, a 14-year-old boy, is curious and eager to learn everything he can about this new culture. Eventually the captain adopts Manjiro and takes him to his home in New England. The boy lives there for some time and then heads to San Francisco to pan for gold. After many years, he makes it back to Japan, only to be imprisoned as an outsider. With his hard-won knowledge of the West, Manjiro is in a unique position to persuade the emperor to ease open the boundaries around Japan; he may even achieve his unlikely dream of becoming a samurai. Heart of a Samurai is a 2011 Newbery Honor Book. U Accolades and Praise for Heart of a Samurai /u2011 Newbery Honor Book New York Times Bestseller NPR Backseat Book Club pick "A terrifc biographical novel by Margi Preus." -Wall Street Journal DIV*STARRED REVIEW* /divDIV"It’s a classic fish-out-of-water story (although this fish goes into the water repeatedly), and it’s precisely this classic structure that gives the novel the sturdy bones of a timeless tale. Backeted by gritty seafaring episodes—salty and bloody enough to assure us that Preus has done her research—the book’s heart is its middle section, in which Manjiro, allegedly the first Japanese to set foot in America, deals with the prejudice and promise of a new world. By Japanese tradition, Manjiro was destined to be no more than a humble fisherman, but when his 10-year saga ends, he has become so much more." --Booklist, starred review *STARRED REVIEW* "Illustrated with Manjiro’s own pencil drawings in addition to other archival material and original art from Tamaki, this is a captivating fictionalized (although notably faithful) retelling of the boy’s adventures. Capturing his wonder, remarkable willingness to learn, the prejudice he encountered and the way he eventually influenced officials in Japan to open the country, this highly entertaining page-turner." --Kirkus Reviews, starred review/div *STARRED REVIEW* "Stunning debut novel. Preus places readers in the young man’s shoes, whether he is on a ship or in a Japanese prison. Her deftness in writing is evident in two poignant scenes, one in which Manjiro realizes the similarities between the Japanese and the Americans and the other when he reunites with his Japanese family." --School Library Journal, starred review *STARRED REVIEW* "Preus mixes fact with fiction in a tale that is at once adventurous, heartwarming, sprawling, and nerve-racking in its depictions of early anti-Asian sentiment. She succeeds in making readers feel every bit as “other” as Manjiro, while showing America at its best and worst through his eyes." --Publishers Weekly, starred review "First-time novelist Preus turns the true story of Manjiro into an action-packed boy's adventure tale." --Horn Book