One Sister S Song

This is the story of Audrey Conarroe, a biracial woman, who had never planned to move back to her small, predominantly white, hometown in Western New York. But when she was named guardian to her young nephew, Julian, she had no choice but to do just that. Eight months later, Audrey prepares to sell her sister's old farmhouse in hopes of moving on to a better life for herself and Julian-when a series of discoveries about her nephew's father, her own parents, a high-school sweetheart, and her sister's beloved home force Audrey to rethink everything she's ever assumed about love, race, and respect.

Rebecca Ross, acclaimed author of The Queen’s Rising duology, delivers a thrilling new fantasy about the lengths two sisters will go for each other. Perfect for fans of Ember in the Ashes, Sky In the Deep, and Court of Fives. After eight years, Evadne will finally be reunited with her older sister, Halcyon, who has been serving in the queen’s army. But when Halcyon unexpectedly appears a day early, Eva knows something is wrong. Halcyon has charged with a heinous crime, and though her life is spared, she is sentenced to 15 years. Suspicious of the charges, brought forth by Halcyon’s army commander, as well as the details of the crime, Eva volunteers to take part of her sister’s sentence. If there’s a way to absolve Halcyon, she’ll find it. But as the sisters begin their sentences, they quickly learn that there are fates worse than death.

As children, Ida loves looking after her younger sister, Nora, but when their beloved father dies in 1926, everything changes. The two young girls move in with their grandmother who is particularly encouraging of Nora's musical talent. Nora eventually follows her dream of a brilliant musical career, while Ida takes a job as a nanny and their lives become quite separate. The two sisters are reunited when Nora's life takes an unwelcome direction and she finds herself, embittered and resentful, isolated in the Tasmanian bush with a husband and children. Ida longs passionately for a family and when she marries Len, a reliable and good man, she hopes to soon become a mother. Over time, it becomes clear that this is never likely to happen. In Ida's eyes, it seems that Nora possesses everything in life that could possibly matter yet she values none of it. Set in rural Tasmania over a span of seventy years, the strengths and flaws of motherhood are revealed through the mercurial relationship of these two very different sisters. The Sisters' Song speaks of dreams, children and family, all entwined with a musical thread that binds them together.

Psychological theory has traditionally overlooked or minimized the role of siblings in development, focusing instead on parent-child attachment relationships. The importance of sisters has been even more marginalized. Sue A. Kuba explores this omission in The Role of Sisters in Women's Development, seeking to broaden and enrich current understanding of the psychology of women. This unique work is distinguished by Kuba's phenomenological method of research, rooted in a single prompt: "Tell me about your relationship with your sister." Rich in detail, the responses (many of which are reproduced at length within the book) provide a complex picture of sister relationships across the lifespan. Integrating these stories with current literature about gender and family composition for sisters of difference (disabled and lesbian sisters) and ethnic sisters, this book provides useful recommendations for therapeutic understanding of the significance of sisters in everyday life, integrating diverse perspectives in order to address the ways clinicians can enhance psychological work with women clients. A valuable contribution to the field of mental health, The Role of Sisters in Women's Development is highly recommended for therapists who wish to broaden their inquiry into the sister connection, as well as anyone who wants to further understand the importance of sisterhood.

An extensive biographical and critical survey of more than 300 jazz and popular singers is comprised of provocative, opinionated essays that incorporate the views of peers, fans and critics while assessing key movements and genres.

The disunity of the church is a social and theological scandal for it betrays the prayer of Jesus that we "will be one . . . so that the world will believe" (John 17:21). As a Baptist whose academic background focused on the Orthodox Church and whose teaching has included Catholic and Protestant contexts, this division is for Elizabeth Newman personal and professional. Attending to the Wounds on Christ's Body rests on the conviction that the broad tradition of Christianity already contains resources to heal the church, namely the saints of the church. Newman examines especially how Teresa of Avila (1515-1582) speaks to the whole church today in the midst of political, economic, and ecclesial brokenness. Teresa's reliance upon three scriptural figures--dwellings, marriage, and pilgrimage--helps make sense of an ecclesial way of life that is inherently unitive, a unity that stands in contrast to that of the nation-state or the global market. Teresa's scriptural journey offers an alternative at once liturgical, political, and economic. This Doctor of the Church provides "medicine" that can repair wounds of division that separate brothers and sisters in Christ.